Traditionally, the university or college is thought to be the ultimate location for the discovery and sharing of knowledge. After all, on these campuses are some of the great minds across all fields, as well as students who are not only eager to learn, but who often contribute to our shared wisdom. For those ideals to be achieved, however, ideas require access to some kind of virtual marketplace from which people can sample and consider them, discuss and debate them. Restricting the expression of those ideas for whatever reason is the enemy of not only this process, but also of knowledge discovery. Speech freedom on our college and university campuses, like everywhere else, is fragile. There are those who wish to suppress it, more often than not when the words express ideas, opinions, and even facts that conflict with their beliefs. Why is this effort, so completely at odds with the foundational values of this country, made? This topic explored in Speech Freedom on Campus: Past, Present and Future is multi-layered, and its analysis is best accomplished through multiple perspectives. Joseph Russomanno's edited collection does precisely that, utilizing 10 different scholars to examine various aspects and issues related to speech freedom on campus.

Traditionally, the university or college is thought to be the ultimate location for the discovery and sharing of knowledge. After all, on these campuses are some of the great minds across all fields, as well as students who are not only eager to learn, but who often contribute to our shared wisdom. For those ideals to be achieved, however, ideas require access to some kind of virtual marketplace from which people can sample and consider them, discuss and debate them. Restricting the expression of those ideas for whatever reason is the enemy of not only this process, but also of knowledge discovery. Speech freedom on our college and university campuses, like everywhere else, is fragile. There are those who wish to suppress it, more often than not when the words express ideas, opinions, and even facts that conflict with their beliefs. Why does an effort so completely at odds with the foundational values of this country happen? This topic explored in Speech Freedom on Campus: Past, Present and Future is multi-layered, and its analysis is best accomplished through multiple perspectives. Joseph Russomanno's edited collection does precisely that, utilizing 10 different scholars to examine various aspects and issues related to speech freedom on campus.

Culled from two dozen poetry books, and drawing from six decades of her writing life, The Selected Poems of Denise Levertov offers a chronological overview of her great body of work. It is splendid and impressive to have at last a clear, unobstructed view of her ground-breaking poetry-the work of a poet who, as Kenneth Rexroth put it, "more than anyone, led the redirection of American poetry...to the mainstream of world literature." Described by Publishers Weekly as "at once as intimate as Creeley and as visionary as Duncan," Levertov was lauded as "one of the indispensable poets of our language, one of those few writers to whom it is necessary to pay attention" by The Malahat Review. No poet is more overdue for a single accessible volume; no career could be better to have within easy reach.

This new, comprehensive selection of one of America's foremost modern poets draws on two dozen collections published over six decades. Edited by Paul A. Lacey, it replaces her earlier Bloodaxe Selected Poems (1986), and includes selections from both her earlier work and from the six later collections published by Bloodaxe in Britain, from Oblique Prayers to the posthumously published Sands of the Well and This Great Unknowing. Preface by Robert Creeley.

Robert Creeley is one of the most celebrated and influential American poets. A stylist of the highest order, Creeley imbued his correspondence with the literary artistry he brought to his poetry. Through his engagements with mentors such as William Carlos Williams and Ezra Pound, peers such as Charles Olson, Robert Duncan, Denise Levertov, Allen Ginsberg, and Jack Kerouac, and mentees such as Charles Bernstein, Anselm Berrigan, Ed Dorn, Susan Howe, and Tom Raworth, Creeley helped forge a new poetry that re-imagined writing for his and subsequent generations. This first-ever volume of his letters, written between 1945 and 2005, document the life, work, and times of one of our greatest writers, and represent a critical archive of the development of contemporary American poetry, as well as the changing nature of letter-writing and communication in the digital era.

Short stories and a radio play accompany a novel about an isolated American family living on an island off the coast of Spain.

Robert Creeley is one of the most celebrated and influential American poets. A stylist of the highest order, Creeley imbued his correspondence with the literary artistry he brought to his poetry. Through his engagements with mentors such as William Carlos Williams and Ezra Pound; peers such as Charles Olson, Robert Duncan, Denise Levertov, Allen Ginsberg, and Jack Kerouac; and mentees such as Charles Bernstein, Anselm Berrigan, Ed Dorn, Susan Howe, and Tom Raworth, Creeley helped forge a new poetry that reimagined writing for his and subsequent generations. This first ever volume of his letters, written between 1945 and 2005, document the life, work, and times of one of our greatest writers and represent a critical archive of the development of contemporary American poetry, as well as the changing nature of letter writing and communication in the digital era.

Book of Dreams is Jack Kerouac's record of his dream life, a parallel autobiography of the soul, the sleeper's On the Road: "I got my weary bones out of bed & through eyes swollen with sleep swiftly scribbled in pencil in my little dream notebook till I had exhausted every rememberable item ..." Awake of asleep, Jack's mind spun the web of relationships that were the substance of almost everything he wrote: "In the book of dreams I just continue the same story but in the dreams I had of the real-life characters I always write about." "Lost love, madness, castration, cats that speak, cats in danger of their lives, people giving birth to cats, grade school classrooms, Mel Torme, Zsa Zsa Gabor, Tolstoy and Genet all make repeated appearances, lending the collection a repetitive, nonprogrammatic logic and exposing an unfamiliar sort of vulnerable beauty in Kerouac's iconic persona." -Publishers Weekly "There is much to lament in the saga of his life, and quite a bit is surprising." -Michael Kammen, Los Angeles Book Review Jack Kerouac (1922-1969) was a principal actor in the Beat Generation, a companion of Allen Ginsberg and Neal Cassady in that great adventure. His books include On the Road, The Dharma Bums, Mexico City Blues, Lonesome Traveler, Visions of Cody, Pomes All Sizes (City Lights), Scattered Poems (City Lights), and Scripture of the Golden Eternity (City Lights).

Robin Blaser, one of the key North American poets of the postwar period, emerged from the "Berkeley Renaissance" of the 1940s and 1950s as a central figure in that burgeoning literary scene. "The Holy Forest", now spanning five decades, is Blaser's highly acclaimed lifelong serial poem. This long-awaited revised and expanded edition includes numerous published volumes of verse, the ongoing "Image-Nation" and "Truth Is Laughter" series, and new work from 1994 to 2004.Blaser's passion for world making draws inspiration from the major poets and philosophers of our time - from friends and peers such as Robert Duncan, Jack Spicer, Charles Olson, Charles Bernstein, and Steve McCaffery to virtual companions in thought, such as Hannah Arendt, Maurice Merleau-Ponty, Michel Foucault, and Jacques Derrida, among others. This comprehensive compilation of Blaser's prophetic meditations on the histories, theories, emotions, experiments, and countermemories of the late twentieth century will stand as the definitive collection of his unique and luminous poetic oeuvre.

"Here is Creeley at his skillfully selected best: full of the melodies of plain speech, concise yet resonant with emotion."--Juliana Spahr, author of "This Connection of Everyone with Lungs"
"So fantastically simple and so satisfyingly complicated, these poems band together like the days in 'One Day': 'One day after another-/ perfect./ They all fit.'"--John Ashbery
"Beautifully edited by Ben Friedlander with tenderness, intelligence, and care. A superb selection, well-introduced. "Selected Poems" provides a great sense of the range of Creeley's accomplishment--these poems among the most important of our time--a way of writing with the hesitations and grace of a new-found line, thinking informed by sources from Emily Dickinson to Charlie Parker.A "Selected Poems" is at once a tribute to Creeley, a perfect introduction for new readers, and a valuable distillation for those who have already acquired a taste for Creeley's poetry. The perfect assembly to and for one so fond of saying 'onward.' We can now go onward with these selected poems, onward with these well-chosen words, with thanks to Robert Creeley and to Ben Friedlander."--Hank Lazer, author of "The New Spirit"
"Benjamin Friedlander, himself a fine poet-critic and a great connoisseur of Creeley's poetry, has put together a superb selection."--Marjorie Perloff
"An excellent selection and introduction. It is an edition that acknowledges work that has defined the poet's career while offering a new narrative for the entire oeuvre. It will join UC Press's distinguished and definitive editionsof postwar poetry and will provide us all with a summary guide to Creeley's best work."--Michael Davidson
"In a quiet moment Ihear Bob pause where I never would have expected it. Such resolve. Such heart. And an ear to reckon with. No truly further American poem without his."--Clark Coolidge, author of "Counting on Planet Zero"

Anew, sun, to fire summer leaves move toward the air from the stems of the branches fire summer fire summer -from Anew Here is the complete music-filled arc of Louis Zukofsky's shorter verse collected in one volume: lyrical love poems written to his wife Celia and son Paul; the groundbreaking "Poem Beginning 'The,' " "which sends up 'The Waste Land' and its cultural vision in a cloud of bricolage, a hilarious pastiche of quotes, canon and kitsch, high and low hopelessly intertwined" (Michael Palmer); the boisterous, riotous translations of Catullus; spare, brilliant nature poems as if written by an ancient hokku master; his genius " 'Mantis' " sestina; the enigmatic, spiraling, and beautiful last poems, "80 Flowers." Anew: Complete Shorter Poetry is a book of blessings and gifts for any poetry lover.

Robert Creely, Wilmington, N.C., June 29, 1981: There is a sense of increment, of accumulation, in these poems that is very dear to me. Like it or not, it outwits whatever I then thought to say and gains thereby whatever I was in saying it. Thankfully, I was never what I thought I was, certainly never enough. Otherwise, when it came time to think specifically of this collection and of what might be decorously omitted, I decided to stick with my initial judgments, book by tender book, because these were the occasions most definitive of what the poems might mean, either to me or to anyone else. To define their value in hindsight would be to miss the factual life they had either made manifest or engendered. So everything that was printed in a book between the dates of 1945 and 1975 is here included as are also those poems published in magazines or broadsides. In short, all that was in print is here. I'm delighted that they are all finally together, respected, included, each with their place - like some ultimate family reunion! I feel much relieved to see them now as a company at last. I'm tempted to invoke again those poets who served as a measure and resource for me all my life as a poet. But either they will be heard here, in the words and rhythms themselves, or one will simply know the. This time I am, in this respect, alone these are my poems. We are a singular compact. Finally, there's no end to any of it, or none we'll know that simply. But I'm very relieved that this much, like they say, is done. So be it.

Robert Creeley, one of the most significant American poets of the twentieth-century, helped define an emerging counter-tradition to the prevailing literary establishment - a postwar poetry originating with Ezra Pound, William Carlos Williams, and Louis Zukofsky and expanding through the lives and works of Charles Olson, Robert Duncan, Allen Ginsberg, Denise Levertov, and others. When Robert Creeley died in March 2005, he was working on what was to be his final book of poetry. In addition to more than thirty new poems, many touching on the twin themes of memory and presence, this moving collection includes the text of the last paper Creeley gave - an essay exploring the late verse of Walt Whitman. Together, the essay and the poems are a retrospective on aging and the resilience of memory that includes tender elegies to old friends, the settling of old scores, and reflective poems on mortality and its influence on his craft. "On Earth" reminds us what has made Robert Creeley one of the most important and affectionately regarded poets of our time.

Since its inception in 1988, The Best American Poetry series has achieved brand-name status in the literary world as the preeminent showcase of each year's most important contributions to American poetry. This year's exceptional volume, edited by Robert Creeley, a figure revered across teh wide spectrum of American poetry, features a diverse mix of established masters, rising stars and the leading lights of a younger generation. The pleasure of the poems selected here, Creeley explains in his introduction, is "that they caught my fancy, some almost outrageously, some by their quiet, nearly diffident manner, some by unexpected turns of thought or insight, others by a confident authority and intent." With comments from the poets elucidating their work, a thought-provoking introduction from Creeley, and Lehman's always popular foreword assessing the current state of poetry, The Best American Poetry 2002 will prove as irresistible to new readers as it is indispensable for poetry fans everywhere.

Culled from two dozen poetry books, and drawing from six decades of her writing life, The Selected Poems of Denise Levertov offers a chronological overview of her great body of work. It is splendid and impressive to have at last a clear, unobstructed view of her ground-breaking poetry -- the work of a poet who, as Kenneth Rexroth put it, "more than anyone, led the redirection of American poetry...to the mainstream of world literature."

"From the first clear grounded 1940s insight snapshots of "For Love through his recent decade experiments with syllable by syllable intelligence, Robert Creeley has created a noble life body of poetry that extends the work of his predecessors Pound, Williams, Zukofsky, and Olson and provides like them a method for his successors in exploring our new American poetic consciousness."--Allen Ginsberg

"Visionary and oracular, Creeley has been a worker in the deep romantic vein--words in this poetry are magic, charged as they are in dreams with message of the dark of the human condition."--Robert Duncan

"The subtlest feeling for the measure that I encounter anywhere except in the verses of Ezra Pound."--William Carlos Williams

"Robert Creeley's poetry is as basic and necessary as the air we breathe; as hospitable, plain, and open as our continent itself. He is about the best we have."--John Ashbery

"Dear, lovely, decorous, tender--ah, there is no one like him."--Carolyn Kizer