The dazzling follow-up to the phenomenal The Book of Stolen Dreams from master storyteller David Farr, perfect for fans of Katherine Rundell and Philip Pullman. Step inside the pages of an immortal adventure .... Rachel and Robert have defeated the tyrant Malstain and become heroes of Krasnia, but all is not how it should be. Robert is swept away with his new friends, leaving Rachel alone to care for her ailing father, who's lost without their beloved mother. From nowhere, a boy appears knowing the secrets of the blood-red key. For the key is a way into the Hinterland - and Rachel must promise that, as a new key keeper, she will answer when it calls. When a young girl, Elsa Spiegel, is illegally smuggled into Hinterland, Rachel has no choice but to use her key to save Elsa. But her fate is linked to Krasnia, and Rachel must battle to save her home as she knows it.

Action movie in which a pair of unlikely heroes find themselves at the heart of the struggle to save Earth from a fateful collision with the planet Mercury. When the Sun briefly magnetises and throws Mercury out of orbit, experts are horrified to discover the result of the mishap: Mercury is now on a collision course with Earth. Scientist James (Kirk Acevedo) believes he may have a way of deflecting Mercury from its apocalyptic course, but struggles to get his ideas heard due to previous issues with the weapon system he thinks has the capacity to save the day. However, with help from Victoria (Diane Farr), the sole surviving crew member of a space shuttle in Mercury's orbit, James may yet have the chance to make himself a hero.

The headline from The Maningpool Telegraph read: TRAGIC DEATH OF SIR NOEL GRAMPIAN – shot during performance – Symphony Concert Calamity.

As a rousing Strauss piece is reaching its crescendo in Maningpool Civic Hall, the talented yet obnoxious conductor Sir Noel Grampian is shot dead in full view of the Municipal Orchestra and the audience. It was no secret that he had many enemies – musicians and music critics among them – but to be killed in mid flow suggests an act of the coldest calculation.

Told through the letters and documents sent by D.I. Alan Hope to his wife as he puzzles through the dauntingly vast pool of suspects and scant physical evidence in the case, this is an innovative and playful mystery underscored by the author’s extensive experience of the highly-strung world of music professionals. First published in 1941, this new edition returns Farr’s only crime novel to print to receive its long-deserved encore.

The dazzling follow-up to the phenomenal The Book of Stolen Dreams from master storyteller David Farr, perfect for fans of Katherine Rundell and Philip Pullman. Step inside the pages of an immortal adventure... Rachel and Robert have defeated the tyrant Malstain and become the heroes of Krasnia, but all is not how it should be. Robert is swept away with his new friends, leaving Rachel alone to take care of her ailing father, who's lost without their beloved mother. From nowhere, a boy appears knowing the secrets of the hidden blood-red key. For the key is a way into the Hinterland - and Rachel must promise that, as a new key keeper, she will answer when it calls. When a young girl, Elsa Spiegel, is illegally smuggled into the Hinterland, Rachel has no choice but to use her key to save Elsa. But her fate is linked to Krasnia, and Rachel must battle to save her home as she knows it. Praise for The Book of Stolen Dreams: "A new and important voice for young people." Michael Morpurgo "Dazzling! An instant classic. An eye-wateringly funny and jaw-droppingly fantastical adventure, chock-a-block with rare books, airships, and penguin-shaped hats." Ben Miller "A wonderful story. Gripping and magical." Anthony Horowitz

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.