The Internship (2013)
Vince Vaughn and Owen Wilson star as two former salesmen who, never having managed to come to grips with the digital age, are left high and dry when their employer suddenly decides to call it a day. Staking everything on one last throw of the dice, the pair, defying all the odds, somehow manage to get themselves accepted onto a coveted internship at tech giants Google. But will they be able to keep up the facade once they take up their positions?

The Watch (2012)
Ben Stiller, Vince Vaughn, Jonah Hill and Richard Ayoade star as a group of friends who form a neighbourhood watch group. While Evan Trautwig, a newcomer to the suburban neighbourhood, may have a legitimate reason for forming a crime watch group following the recent murder of a friend, it is clear that for most of the men ulterior motives are at work. Indeed, Bob Finnerty seems to spend a lot more time examining the dating habits of his daughter, Chelsea, than he does looking for threats. However, when the men stumble across what appears to be an alien plan to destroy humankind, they understand where their responsibilities lie and set out to counter the threat.

Peter Bogdanovich directs and co-writes this comedy starring Owen Wilson, Jennifer Aniston and Imogen Poots. One of prostitute Isabella Patterson (Poots)'s clients is Broadway director Arnold Albertson (Wilson). When she auditions for one of his plays things get complicated, especially since he is married to the star of the production Delta Simmons (Kathryn Hahn). The situation only gets more out of hand when Isabella becomes involved with her therapist Jane Claremont (Aniston)'s boyfriend, playwright Joshua Fleet (Will Forte). The cast also includes Rhys Ifans, Cybill Shepherd, Illeana Douglas and Joanna Lumley. Wes Anderson and Noah Baumbach are among the film's executive producers.

Adam Sandler stars in this comedy as an absent father who re-enters the life of his estranged son in an attempt to sting him for cash. Donny, a foul-mouthed, hedonistic middle-aged playboy who is facing a jail sentence for tax evasion, finds out that Todd (Andy Samberg), the son he fathered as a teenager with his high school teacher, is now a hedge fund manager and about to tie the knot with his fiancée (Leighton Meester). Donny instantly sees an opportunity to get hold of the cash he needs to bail him out of jail, and turns up at Todd's door the day before his wedding, sending his son's well-ordered life spinning into chaos.

Classic film version of the vampire tale, based on Hamilton Deane's theatrical adaptation of Bram Stoker's novel. Estate agent Renfield (Dwight Frye) travels to Transylvania to arrange the sale of an English mansion to nobleman Count Dracula (Bela Lugosi). When Renfield discovers that his host is a 500-year-old vampire, he is bitten and himself enslaved. After arriving in London, Dracula attempts to get his teeth into Mina Seward (Helen Chandler), an innocent maiden betrothed to Jonathan Harker (David Manners). Vampire expert Professor Van Helsing (Edward van Sloan) attempts to put a stop to the bloodsucking.

A WALL STREET JOURNAL BESTSELLER A FINANCIAL TIMES BUSINESS BOOK OF THE MONTH A FAST COMPANY TOP SUMMER PICK 'Completely changed my life' - Ali Abdaal, YouTuber and Entrepreneur 'Reading this book feels like being let in on a secret. ... an absolute must read' - Ryder Carroll, author of The Bullet Journal Method Discover the full potential of your ideas and make powerful, meaningful improvements in your work and life by Building a Second Brain. For the first time in history, we have instantaneous access to the world's knowledge. There has never been a better time to learn, to create and to improve ourselves. Yet, rather than being empowered by this information, we're often overwhelmed, paralysed by believing we'll never know or remember enough. This eye-opening and accessible guide shows how you can easily create your own personal system for knowledge management, otherwise known as a Second Brain. A trusted and organised digital repository of your most valued ideas, notes and creative work, a Second Brain gives you the confidence to tackle your most important projects and ambitious goals. From identifying good ideas, to organising your thoughts, to retrieving everything swiftly and easily, it puts you back in control of your life and information.

'A nostalgic experience, informative, humorous, charming, but pervaded by the bitter-sweet scent of regret' Daily Mail 'Fort has an eye for the quirky, the absurd, the pompous and a style that, like the road, is always on the move' Sunday Telegraph 'A lovely book...At last someone has celebrated the romance of the British road' Guardian The A303 is more than a road. It is a story. One of the essential routes of English motoring and the road of choice to the West Country for thousands of holidaymakers, the A303 recalls a time when the journey was an adventure and not simply about getting there. In this fully revised and updated edition, Tom Fort gives voice to the stories this road has to tell, from the bluestones of Stonehenge, Roman roads and drovers paths to turnpike tollhouses, mad vicars, wicked Earls and solstice seekers, the history, geography and culture of this road tells a story of an English way of life.

At the dawn of the great ice age, a group of three animals embark upon an epic journey. Sid the sloth, Manfred the mammal, and Diego the sabre-toothed tiger team up to help return a human baby to its father, and must risk life and limb as they traverse boiling lava pits and travel through dangerous ice caves to complete their mission. Along the way they also meet Scrat, a squirrel-rat determined to plant an acorn in a glacier. Features the voices of John Leguizamo, Denis Leary and Jack Black.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.