One of the most popular and memorable American musicians of the 20th century, Nat King Cole (1919-65) is remembered today as both a pianist and a singer, a feat rarely accomplished in the world of popular music. Now, in this complete life and times biography, author Will Friedwald offers a new take on this fascinating musician, framing him first as a bandleader and then as a star. In Cole's early phase, Friedwald explains, his primary task of keeping his trio going was just as much of a focus for him as his own playing and singing, always a collective or group performance. In the second act, Cole's collaborators were more likely to be arranger-conductors like Nelson Riddle and Gordon Jenkins, rather than his sidemen on bass and guitar. In the first act, his sidemen were equals, in the second phase, his collaborators were tasked exclusively with putting the focus on him, making him sound good, while being largely invisible themselves. Friedwald brings his full musical knowledge to bear in putting the man in the work, demonstrating how this duality appears over and over again in Cole's life and career: jazz vs. pop, solo vs. trio, piano vs. voice, wife number one (Nadine) vs. wife number two (Maria), the good songs vs. the less-than-good songs, the rhythm numbers vs. the ballads, the funny songs and novelties vs. the "serious" songs of love and loss, Cole as an advocate for the Great American Songbook vs. Cole the intrepid explorer of other options: world music, rhythm & blues, country & western. Cole was different from his contemporaries in other ways; for roughly ten years after the war, the majority of hitmakers on the pop charts were veterans of the big band experience, from Sinatra on down.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Peter Himmelreich's Und Michael Friedwald's, Des Lowentodters, Elbingisch-preussische Geschichten, Herausg. Von M. Toeppen; Volume 4 Of Preuss. Geschichteschreiber D. Xvi. U. Xvii. Jahrh Peter Himmelreich, Michael Friedwald Max Pollux Toeppen Duncker, 1879

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Peter Himmelreich's Und Michael Friedwald's, Des Lowentodters, Elbingisch-preussische Geschichten, Herausg. Von M. Toeppen; Volume 4 Of Preuss. Geschichteschreiber D. Xvi. U. Xvii. Jahrh Peter Himmelreich, Michael Friedwald Max Pollux Toeppen Duncker & Humblot, 1881

He's that regular guy from Astoria, Queens, who left his heart in San Francisco. He's the postwar heartthrob who inspired hundreds of young girls to wear black outside St. Patrick's Cathedral on his wedding day. He's the darling of the MTV generation who made music history when, at the age of 68, he won the coveted Grammy Award(R) for Album of the Year. He's the consummate artist known worldwide for his paintings. He's Tony Bennett, whose star shines brighter than ever as he enters his fifth decade of performing. Now, for the first time, this legend shares his amazing life story -- in a voice that's pure Tony Bennett: warm, resonant, and unforgettable. "Tony Bennett has not just bridged the generation gap, he has demolished it," praised "The New York Times." Since his appearance with the Red Hot Chili Peppers of the 1993 MTV Video Awards, and the addition of his seminal video, "Steppin' Out," to the MTV playlist, Bennett has become the hottest -- and coolest -- pop-culture icon for today's younger listeners, while remaining beloved by their parents and grandparents. An astonishing four generations have experienced the Tony Bennett magic -- the mesmerizing spell of a singer in love with singing, who embraces his audience with a soulful serenity communicated by both the man and his music. Honored with countless awards, including eight Grammys, and with more than ninety albums to his credit (more than thirty million sold for the Columbia label alone), no other recording artist has attained Bennett's stature -- or garnered the half-century of memories shared in "The Good Life." From Sinatra, Judy Garland and Ella Fitzgerald, to k.d. lang and Elvis Costello, Bennett shares his unique takes on the most fascinating talents of our time. Here is the story of his lifelong love affair with art, music, and performing -- from his childhood in Depression-era Queens, where opera and Billie Holiday flowed freely; to his stint as a singing waiter; to soaking up the New York jazz scene in the 1940s. With crisp wit and firmly grounded emotion, Bennett captures the people and places that shaped his sublime performances. The dozens of hits he introduced to the great American songbook, including "Because of You," "Rags to Riches," "Cold, Cold Heart," and his signature song, "I Left My Heart in Son Francisco," remain a legacy of truth and beauty for the classic art of intimate singing. In this wonderfully revealing self-portrait, we get to know Tony Bennett as he really is: an unpretentious and thoughtful human being. His key to success is consistency: His constant dedication in his pursuit of excellence has never wavered, despite the trials and tribulations one can encounter when placing integrity above all else. Through all of his personal and artistic challenges, he has remained, in his own words, "a humanist" whose Zen-like philosophy of life is an inspiration for all ages. Like the fascinating story he shares in "The Good Life, " Tony Bennett is one of a kind, an American treasure, an enduring artist seasoned with experience and self-knowledge, and a true class act.

This comprehensive study of jazz singing is a revelation to anyone who owns at least one jazz recording and a must for the serious jazz enthusiast. Friedwald traces the growth and development of jazz, discusses performers who have never been thought of as jazz singers, and looks at contemporary artists who have incorporated jazz into their music. 16-page insert.