The Whitbread Prize-winning biography of Vita Sackville-West. Vita Sackville-West was a vital, gifted and complex woman. A dedicated writer, she made her mark as poet, novelist, biographer, travel writer, journalist and broadcaster. She was also one of the most influential English gardeners of the century, creating with her husband the famous gardens at Sissinghurst. In her Whitbread Prize-winning biography, Glendinning documents Vita's extraordinary life, focusing on her relationships with Violet Trefusis, Virginia Woolf, her husband, and her two sons together with her unpublicised love affairs. Vita was determined to be more than just a married woman and mother; her passionate, secretive character, and the strains, mistakes and achievements of her remarkable life makes this an absorbing and disturbing book.

Major philosophical history of the concept of Europe, the first full-scale book of its kind Author is a leading figure in pioneering the philosophical study of Europe Potential to appeal to readers in several broad areas of study: philosophy, European studies, politics, and history.

Major philosophical history of the concept of Europe, the first full-scale book of its kind Author is a leading figure in pioneering the philosophical study of Europe Potential to appeal to readers in several broad areas of study: philosophy, European studies, politics, and history.

Major philosophical history of the concept of Europe, the first full-scale book of its kind Author is a leading figure in pioneering the philosophical study of Europe Potential to appeal to readers in several broad areas of study: philosophy, European studies, politics, and history.

Major philosophical history of the concept of Europe, the first full-scale book of its kind Author is a leading figure in pioneering the philosophical study of Europe Potential to appeal to readers in several broad areas of study: philosophy, European studies, politics, and history.

This is the most authoritative and accessible single-volume reference book on applied mathematics. Featuring numerous entries by leading experts and organized thematically, it introduces readers to applied mathematics and its uses; explains key concepts; describes important equations, laws, and functions; looks at exciting areas of research; covers modeling and simulation; explores areas of application; and more. Modeled on the popular Princeton Companion to Mathematics, this volume is an indispensable resource for undergraduate and graduate students, researchers, and practitioners in other disciplines seeking a user-friendly reference book on applied mathematics. * Features nearly 200 entries organized thematically and written by an international team of distinguished contributors* Presents the major ideas and branches of applied mathematics in a clear and accessible way* Explains important mathematical concepts, methods, equations, and applications* Introduces the language of applied mathematics and the goals of applied mathematical research* Gives a wide range of examples of mathematical modeling* Covers continuum mechanics, dynamical systems, numerical analysis, discrete and combinatorial mathematics, mathematical physics, and much more* Explores the connections between applied mathematics and other disciplines* Includes suggestions for further reading, cross-references, and a comprehensive index

First published in 1986, this study explores the increased public concern with policies of 'community care' and their effects on informal carers, at that time. It looks at the widespread evidence that one particular group of informal carers- parents looking after their severely disabled child- lack information, advice and a co-ordinated pattern of supporting services. The author, who carried out research on disabled children and their families for a number of years, describes in detail a low-cost experimental project in which specialist social workers set out to remedy these shortcomings. Drawing on the results of this particular study, the author argues strongly for widespread assignment of 'key' social workers to this and other groups of informal carers. Despite being written in the mid-1980s, this book discusses topic that will still be of interest and use today.

First published in 1986, this study explores the increased public concern with policies of 'community care' and their effects on informal carers, at that time. It looks at the widespread evidence that one particular group of informal carers- parents looking after their severely disabled child- lack information, advice and a co-ordinated pattern of supporting services. The author, who carried out research on disabled children and their families for a number of years, describes in detail a low-cost experimental project in which specialist social workers set out to remedy these shortcomings. Drawing on the results of this particular study, the author argues strongly for widespread assignment of 'key' social workers to this and other groups of informal carers. Despite being written in the mid-1980s, this book discusses topic that will still be of interest and use today.

Winner of the 2016 Antoinette Forrester Downing Award presented by the Society of Architectural Historians. In many cities across the world, particularly in Europe, old buildings form a prominent part of the built environment, and we often take it for granted that their contribution is intrinsically positive. How has that widely-shared belief come about, and is its continued general acceptance inevitable? Certainly, ancient structures have long been treated with care and reverence in many societies, including classical Rome and Greece. But only in modern Europe and America, in the last two centuries, has this care been elaborated and energised into a forceful, dynamic ideology: a 'Conservation Movement', infused with a sense of historical destiny and loss, that paradoxically shared many of the characteristics of Enlightenment modernity. The close inter-relationship between conservation and modern civilisation was most dramatically heightened in periods of war or social upheaval, beginning with the French Revolution, and rising to a tragic climax in the 20th-century age of totalitarian extremism; more recently the troubled relationship of 'heritage' and global commercialism has become dominant. Miles Glendinning's new book authoritatively presents, for the first time, the entire history of this architectural Conservation Movement, and traces its dramatic fluctuations in ideas and popularity, ending by questioning whether its recent international ascendancy can last indefinitely.

From the Golden Age to Goya. This is the first study wholly devoted to reception of Spanish art in Britain and Ireland. Examining the extent and sources of knowledge of Spanish art in the British Isles during an age of increasing contact, particularly in theaftermath of the Peninsular War, it contains contributions by leading scholars, including reprints of three essays by Enriqueta Harris Frankfort, to whose memory this book is dedicated. Focusing on Spanish art from the Golden Age to Goya, these studies chart the growth in understanding and appreciation of the Spanish School, and its punctuation by controversies and continuing distrust of religious images in Protestant Britain, as well as by the successive `discoveries' of individual artists - Murillo, Velazquez, Ribera, Zurbaran, El Greco and Goya. The book publishes important new research on art importation, collecting and dealing, and discusses the increase in access to andscholarship on works of art, including their reproduction through both traditional prints and copies and the newly invented photographic methods. It also considers for the first time the role of women in reflecting taste for thearts of Spain. It is richly illustrated with 17 colour and 54 black and white illustrations. NIGEL GLENDINNING is Emeritus Professor of Spanish and Fellow of Queen Mary University of London. HILARY MACARTNEY isHonorary Research Fellow of the Institute for Art History, University of Glasgow. Contributors: NIGEL GLENDINNING, HILARY MACARTNEY, JEREMY ROE, SARAH SYMMONS, MARJORIE TRUSTED, ENRIQUETA HARRIS FRANKFORT

This volume brings together some of the most well-known and highly respected commentators on the work of Jacques Derrida from Britain and America in a series of essays written to commemorate the life and come to terms with the death of one of the most important intellectual presences of our time.

Derrida's thought reached into nearly every corner of contemporary intellectual culture and the difference he has made is incalculable. He was indeed controversial but the astonishing originality of his work, always marked by the care, precision and respect with which he read the work of others, leaves us with a philosophical, ethical and political legacy that will be both lasting and decisive.

The sometimes personal, always insightful essays reflect on the multiple ways in which Derrida's work has marked intellectual culture in general and the literary and philosophical culture of Britain and America in particular. The outstanding contributors offer an interdisciplinary view, investigating areas such as deconstruction, ethics, time, irony, technology, location and truth. This book provides a rich and faithful context for thinking about the significance of Derrida's own work as an event that arrived and perhaps still remains to arrive in our time.

Contributors: Derek Attridge, Thomas Baldwin, Geoffrey Bennington, Rachel Bowlby, Alex Callinicos, David E. Cooper, Simon Critchley, Robert Eaglestone, Simon Glendinning, Marian Hobson, Christopher Johnson, Peggy Kamuf, Michael Naas, Nicholas Royle

This volume brings together some of the most well-known and highly respected commentators on the work of Jacques Derrida from Britain and America in a series of essays written to commemorate the life and come to terms with the death of one of the most important intellectual presences of our time.

Derrida's thought reached into nearly every corner of contemporary intellectual culture and the difference he has made is incalculable. He was indeed controversial but the astonishing originality of his work, always marked by the care, precision and respect with which he read the work of others, leaves us with a philosophical, ethical and political legacy that will be both lasting and decisive.

The sometimes personal, always insightful essays reflect on the multiple ways in which Derrida's work has marked intellectual culture in general and the literary and philosophical culture of Britain and America in particular. The outstanding contributors offer an interdisciplinary view, investigating areas such as deconstruction, ethics, time, irony, technology, location and truth. This book provides a rich and faithful context for thinking about the significance of Derrida's own work as an event that arrived and perhaps still remains to arrive in our time.

Contributors: Derek Attridge, Thomas Baldwin, Geoffrey Bennington, Rachel Bowlby, Alex Callinicos, David E. Cooper, Simon Critchley, Robert Eaglestone, Simon Glendinning, Marian Hobson, Christopher Johnson, Peggy Kamuf, Michael Naas, Nicholas Royle

The attempt to pursue philosophy in the name of phenomenology is one of the most significant and important developments in twentieth century thought. In this bold and innovative book, Simon Glendinning introduces some of its major figures, and demonstrates that its ongoing strength and coherence is to be explained less by what Maurice Merleau-Ponty called the 'unity' of its 'manner of thinking' and more by what he called its 'unfinished nature'.

Beginning with a discussion of the nature of phenomenology, Glendinning explores the changing landscape of phenomenology in key texts by Husserl, Heidegger, Sartre, Merleau-Ponty, Levinas and Derrida. Focusing on the different ways in which each philosopher has responded to and transformed the legacy of phenomenology, Glendinning shows that the richness of this legacy lies not in the formation of a distinctive movement or school but in a remarkable capacity to make fertile philosophical breakthroughs. Important topics such as the nature of phenomenological arguments, the critique of realism and idealism, ontology, existentialism, perception, ethics and the other are also closely examined. Through a re-evaluation of the development of phenomenology Glendinning traces the ruptures and dislocations of philosophy that, in an age dominated by science, strive constantly to renew our understanding of ourselves and our place in the world.

Clearly and engagingly written, In the Name of Phenomenology is essential reading for students of phenomenology and contemporary philosophy.

The attempt to pursue philosophy in the name of phenomenology is one of the most significant and important developments in twentieth century thought. In this bold and innovative book, Simon Glendinning introduces some of its major figures, and demonstrates that its ongoing strength and coherence is to be explained less by what Maurice Merleau-Ponty called the 'unity' of its 'manner of thinking' and more by what he called its 'unfinished nature'.

Beginning with a discussion of the nature of phenomenology, Glendinning explores the changing landscape of phenomenology in key texts by Husserl, Heidegger, Sartre, Merleau-Ponty, Levinas and Derrida. Focusing on the different ways in which each philosopher has responded to and transformed the legacy of phenomenology, Glendinning shows that the richness of this legacy lies not in the formation of a distinctive movement or school but in a remarkable capacity to make fertile philosophical breakthroughs. Important topics such as the nature of phenomenological arguments, the critique of realism and idealism, ontology, existentialism, perception, ethics and the other are also closely examined. Through a re-evaluation of the development of phenomenology Glendinning traces the ruptures and dislocations of philosophy that, in an age dominated by science, strive constantly to renew our understanding of ourselves and our place in the world.

Clearly and engagingly written, In the Name of Phenomenology is essential reading for students of phenomenology and contemporary philosophy.

Her looks attracted Cecil Beaton and the principal painters of the day. Among her friends were Aldous Huxley, T.S. Eliot, and Gertrude Stein. She rebuffed Wyndham Lewis and ardently loved the temperamental Russian painter, Pavel Tchelitchew. The 1930s she spent in penury, writing fiction, biography and verse. Only when Yeats hailed her as 'a major poet' did her work reach a wider audience, whereupon Edith Sitwell set off to conquer New York and Hollywood. Winner of the Duff Cooper Prize and James Tait Black Memorial Prize for Biography, this is the definitive portrait of a spontaneous, gallant, yet tragically insecure woman. 'The excellence of Mrs Glendinning's book is that it remains wise and balanced while never sacrificing critical edge... It's hard to imagine a life of Edith Sitwell that could surpass it.' John Carey, Sunday Times

In this richly detailed biography Victoria Glendinning brings alive the great Anglo-Irish novelist (The Death of the Heart, The Heat of the Day) whose literary achievements were matched by her tremendous talent for living. Taking us from Elizabeth Bowen's ancestral home in Ireland to Oxford (where she met Yeats and Eliot), through her service as an air-raid warden in London during World War II, to her friendships with such luminaries as Virginia Woolf, Evelyn Waugh and Graham Greene, Glendinning lifts the veil between Bowen's imaginative world and the complex emotional life that fired her novels. 'One of the best critical biographies to have come my way for some time... A beautifully composed portrait.' Sunday Telegraph 'It reads like a good novel.' Irish Times

This work seeks to uncover one of the key questions in philosophy: how can we claim to have knowledge of minds other than our own? It shows how the problem of other minds is trapped in a fruitless debate between the sceptical belief that the minds of others cannot be known and those who wish to dispel that scepticism. Simon Glendinning's analysis of this problem argues that it has polarized debate to such an extent that we do not know how to meet Wittgenstein's famous challenge that to "see the behaviour of a living thing is to see its soul". The book sets out to discover whether Wittgenstein's remark can be justified by drawing on both the analytic and continental traditions. The author explores why early attempts by Austin and Heidegger to reframe scepticism failed before linking this to the philosophy of language. Glendinning draws on the debate between Searle and Derrida and the work of John McDowell to show how a similar, misleading split over meaning has also been created in language.;A key feature of the book is how to recast these debates to find out whether we can "see" behaviour. A challenging and controversial linking of contemporary controversies in the philosophy of mi

On Being With Others is an outstanding exploration of this key philosophical question. Simon Glendinning shows how traditional positions in the philosophy of mind can do little to rebuff the accusation that in fact we have little claim to have knowledge of minds other than our own.
On Being With Others sets out to refute this charge and disentangle many of the confusions in contemporary philosophy of mind and language that have led to such scepticism. Simon Glendinning explores why early attempts by J.L. Austin and Martin Heidegger to refute scepticism about other minds failed and argues that we must turn to Wittgenstein in order to build a solid theory of other minds. Drawing on the celebrated debate between John Searle and Jacques Derrida, Simon Glendinning establishes fascinating and important links between controversies in the philosophy of mind, language and epistemology.

As the debate about Scottish independence rages on, this book takes a timely look at how Scotland's politics have been expressed in its buildings, exploring how the architecture of Scotland - in particular the constantly-changing ideal of the 'castle' - has been of great consequence to the ongoing narrative of Scottish national identity. Scotch Baronial provides a politically-framed examination of Scotland's kaleidoscopic 'castle architecture', tracing how it was used to serve successive political agendas both prior to and during the three 'unionist centuries' from the early 17th century to the 20th century. The book encompasses many of the country's most important historic buildings - from the palaces left behind by the 'lost' monarchy, to revivalist castles and the proud town halls of the Victorian age - examining their architectural styles and tracing their wildly fluctuating political and national connotations. It ends by bringing the story into the 21st century, exploring how contemporary 'neo-modernist' architecture in today's Scotland, as exemplified in the Holyrood parliament, relates to concepts of national identity in architecture over the previous centuries.