Named as no.1 in the 100 Best Books of the 21st Century by the New York Times.

From one of Italy’s most acclaimed authors, comes this ravishing and generous-hearted novel about a friendship that lasts a lifetime.

The story of Elena and Lila begins in the 1950s in a poor but vibrant neighbourhood on the outskirts of Naples. Growing up on these tough streets the two girls learn to rely on each other ahead of anyone or anything else, as their friendship, beautifully and meticulously rendered, becomes a not always perfect shelter from hardship.

Ferrante has created a memorable portrait of two women, but My Brilliant Friend is also the story of a nation.

Through the lives of Elena and Lila, Ferrante gives her readers the story of a city and a country undergoing momentous change.

Out running an errand, Valeria Cossati gives in to a sudden impulse - she buys a shiny black notebook. She starts keeping a diary in secret, recording her concerns about her daughter, the constant churn of the domestic routine and her fears that her husband will discover her new habit. With each entry Valeria plunges deeper into her interior life, uncovering profound dissatisfaction and restlessness. As she finds her own voice, the roles that have come to define her-as wife, as mother, as daughter-begin to break apart. Forbidden Notebook is a rediscovered jewel of Italian literature, published here in a new translation by the celebrated Ann Goldstein and with a foreword by Jhumpa Lahiri. A captivating feminist classic, it is an intimate, haunting story of domestic discontent in postwar Rome, and of one woman's awakening to her true thoughts and desires.

“Nothing quite like this has ever been published before,” proclaimed The Guardian about the Neapolitan novels in 2014. Against the backdrop of a Naples that is as seductive as it is perilous and a world undergoing epochal change, Elena Ferrante tells the story of a lifelong friendship between two women with unmatched honesty and brilliance.

The Story of the Lost Child is the concluding volume in the dazzling saga of two women― the brilliant, bookish Elena, and the fiery, uncontainable Lila. Both are now adults, with husbands, lovers, aging parents, and children. Their friendship has been the gravitational center of their lives. Both women fought to escape the neighborhood in which they grew up―a prison of conformity, violence, and inviolable taboos. Elena married, moved to Florence, started a family, and published several well-received books. In this final novel she has returned to Naples, drawn back as if responding to the city’s obscure magnetism. Lila, on the other hand, could never free herself from the city of her birth. She has become a successful entrepreneur, but her success draws her into closer proximity with the nepotism, chauvinism, and criminal violence that infect the neighborhood. Proximity to the world she has always rejected only brings her role as its unacknowledged leader into relief. For Lila is unstoppable, unmanageable, unforgettable.

The four volumes in this series constitute a long remarkable story that readers will return to again and again, and each return will bring with it new revelations.

Set in the late 1960s and the 1970s, Those Who Leave and Those Who Stay continues the story of the feisty and rebellious Lina and her lifelong friend, the brilliant and bookish Elena. Lina, after separating from her husband, is living with her young son in a new neighborhood of Naples and working at a local factory. Elena has left Naples, earned a degree from an elite college, and published a novel, all of which has opened the doors to a world of learned and fascinating interlocutors. The era, with its dramatic changes in sexual politics and social costumes, with its seemingly limitless number of new possibilities, is rendered with breathtaking vigor. This third Neapolitan Novel is not only a moving story of friendship but also a searing portrait of a rapidly changing world.

Since the publication of My Brilliant Friend, the first of the Neapolitan Novels, Elena Ferrante’s fame as one of today’s most compelling, insightful, and stylish authors has grown. She has gained admirers among authors, artists, and critics. But her most resounding success has undoubtedly been with readers, who have discovered in Ferrante a writer who speaks with great power and beauty of the mysteries of belonging, human relationships, love, family, and friendship.

The debut novel from the author of My Brilliant Friend in a brand-new edition Following her mother's untimely death, Delia sets off on a breath-taking odyssey through the chaotic, suffocating streets of her native Naples in search of the truth about her family. Reality is buried in the fertile soil of memory, and Delia digs deep to reconcile the past with the mysterious events leading up to her mother's death. Spurred by a series of anonymous phone calls, Delia reconstructs her mother's final days and with every new discovery must face the possibility that her mother was not at all the person Delia believed her to be. To learn the truth and to untangle the knot of lies, passions and memories that bind mother and daughter, Delia must return to the Naples of her childhood.

The Story of a New Name, the second book of the Neapolitan Quartet, picks up the story where My Brilliant Friend left off.

Lila has recently married and made her entrée into the family business; Elena, meanwhile, continues her studies and her exploration of the world beyond the neighbourhood that she so often finds stifling. Love, jealousy, family, freedom, commitment, and above all friendship: these are signs under which both women live out this phase in their stories. Marriage appears to have imprisoned Lila, and the pressure to excel is at times too much for Elena. Yet the two young women share a complex and evolving bond that is central to their emotional lives and is a source of strength in the face of life’s challenges.

In the Neapolitan Quartet, Elena Ferrante gives readers a poignant and universal story about friendship and belonging.

A NEW EDITION TO TIE IN WITH THE CRITICALLY ACCLAIMED FILM DIRECTED BY MAGGIE GYLLENHAAL, STARRING OLIVIA COLMAN, DAKOTA JOHNSON AND PAUL MESCAL From the international bestselling author of MY BRILLIANT FRIEND Leda is devoted to her work as an English teacher and to her two children. When her daughters leave home to be with their father in Canada, Leda anticipates a period of loneliness and longing. Instead, slightly embarrassed by the sensation, she feels liberated, as if her life has become lighter, easier. She decides to take a holiday by the sea, in a small coastal town in southern Italy. But after a few days of calm and quiet, things begin to take a menacing turn. Leda encounters a family whose brash presence proves unsettling, at times even threatening. When a small, apparently meaningless, event occurs, Leda is overwhelmed by memories of the difficult and unconventional choices she made as a mother and their consequences for herself and her family. The seemingly serene tale of a woman's pleasant rediscovery of herself soon becomes the story of a ferocious confrontation with an unsettled past. The Lost Daughter is a compelling and perceptive meditation on womanhood and motherhood, exploring the conflicting emotions that tie us to our children. 18M copies of Elena Ferrante's books sold worldwide

"AN INCENDIARY PORTRAIT OF THE VOLCANIC CURRENTS OF SEX AND BETRAYAL."-Mail on Sunday THE INTERNATIONAL No. 1 BESTSELLER FROM THE AUTHOR OF MY BRILLIANT FRIEND A BBC2 Between The Covers Book Club Pick BRITISH BOOK AWARDS 2021 - SHORTLISTED FOR FICTION BOOK OF THE YEAR Soon to be a NETFLIX original series 18M OF ELENA FERRANTE'S BOOKS SLOD WORLDWIDE Giovanna's pretty face has changed: it's turning into the face of an ugly, spiteful adolescent. But is she seeing things as they really are? Where must she look to find her true reflection and a life she can claim as her own? Giovanna's search leads her to two kindred cities that fear and detest one another: the Naples of the heights, which assumes a mask of refinement, and the Naples of the depths, a place of excess and vulgarity. Adrift, she vacillates between these two cities, falling into one then climbing back to the other. Set in a divided Naples, The Lying Life of Adults is a singular portrayal of the transition from childhood to adolescence to adulthood. A SUNDAY TIMES BESTSELLER "This is no amiable coming-of-age tale... the most intense writing about the experiences and interior life of a girl on the cusp of adulthood that I have ever read. It is brilliant."-The Financial Times "An astonishing, deeply moving tale."-The Guardian "Ferrante confronts female sexual awakening with such an absence of romantic enchantment it leaves you gasping."-The Daily Mail WHAT READERS ARE SAYING: "Brilliant as always."-Jan on Amazon "A tightly crafted and gripping story."-Maxwell on Goodreads "Excellent book. My only complaint was that it ended too soon!"-Mhairi on Amazon "I woke up eagerly looking forward to reading more of this novel every single day."-Violet on Goodreads "Fans of Elena Ferrante will not be disappointed."-Lesley on Amazon

All three series of the BBC comedy starring Nick Helm as the eponymous uncle. On the verge of suicide after being dumped by his girlfriend Gwen (Sydney White), out-of-work musician Andy (Helm) is blackmailed by his sister Sam (Daisy Haggard) into looking after her 12-year-old son Errol (Elliot Speller-Gillott). With a little help from his nephew, Andy continues to try to win back his former girlfriend and the pair help each other begin to grow up and become better people, but it's not an easy road for either of them. Series 1 episodes are: 'Mind the Cracks', 'Party Monster', 'I Like-Like You', 'Favourites', 'Last of the Red Hot Uncles' and 'Nephew'. Series 2 episodes are: 'I'm Back', 'Love Is All Around', 'Last Place Hero', '7 Minutes in Heaven', 'Frank' and 'Fight for the Future'. Series 3 episodes are: 'Father's Day', 'Bringing Sexy Back', 'Dinner, I Hardly Knew Her', '2:27', 'Rivals', '...Is This Just Fantasy' and 'The Last Assembly'.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.