The Roman statesman and philosopher Seneca (4 BCE-65 CE) recorded his moral philosophy and reflections on life as a highly original kind of correspondence. Letters on Ethics includes vivid descriptions of town and country life in Nero's Italy, discussions of poetry and oratory, and philosophical training for Seneca's friend Lucilius. This volume, the first complete English translation in nearly a century, makes the Letters more accessible than ever before. Written as much for a general audience as for Lucilius, these engaging letters offer advice on how to deal with everything from nosy neighbors to sickness, pain, and death. Seneca uses the informal format of the letter to present the central ideas of Stoicism, for centuries the most influential philosophical system in the Mediterranean world. His lively and at times humorous expositions have made the Letters his most popular work and an enduring classic. Including an introduction and explanatory notes by Margaret Graver and A. A. Long, this authoritative edition will captivate a new generation of readers.

This book is about heroes of law. It provides examples of when judges have exercised courage, moderation, wisdom, and justice rather than blindly following the law. It also discusses the contentious issue of whether a judge has a moral responsibility to defend the rule of law, regardless of what the law actually states. The work presents a collection of thirteen stories about judges who in different settings have stood up against the authorities and public opinion in the defence of the rule of law. An introductory chapter sets the scene with two examples of situations gone wrong when those applying the law have just followed the demands of those in power. The thirteen stories are followed by two theoretical chapters discussing the moral responsibility of the judge. Finally, the book explores the kind of ethical theory required to guide judges in the assessments they must make, and the choices they have to take in order to fulfil their moral responsibilities. It is argued that the classic virtues of courage, moderation, wisdom, and justice are all qualities that can contribute to both sound judgment and reflection. The book thus seeks to nurture a realistic culture and a tradition of cultivating lawyers who defend the rule of law. Against a background where the history of our legal institutions when put to the test, is largely nothing to be proud of, the work seeks to change this by highlighting and reflecting on the exceptions. The book will be illuminating reading for students and academics working in the areas of Jurisprudence, Legal Ethics, and Legal History.

This book is about heroes of law. It provides examples of when judges have exercised courage, moderation, wisdom, and justice rather than blindly following the law. It also discusses the contentious issue of whether a judge has a moral responsibility to defend the rule of law, regardless of what the law actually states. The work presents a collection of thirteen stories about judges who in different settings have stood up against the authorities and public opinion in the defence of the rule of law. An introductory chapter sets the scene with two examples of situations gone wrong when those applying the law have just followed the demands of those in power. The thirteen stories are followed by two theoretical chapters discussing the moral responsibility of the judge. Finally, the book explores the kind of ethical theory required to guide judges in the assessments they must make, and the choices they have to take in order to fulfil their moral responsibilities. It is argued that the classic virtues of courage, moderation, wisdom, and justice are all qualities that can contribute to both sound judgment and reflection. The book thus seeks to nurture a realistic culture and a tradition of cultivating lawyers who defend the rule of law. Against a background where the history of our legal institutions when put to the test, is largely nothing to be proud of, the work seeks to change this by highlighting and reflecting on the exceptions. The book will be illuminating reading for students and academics working in the areas of Jurisprudence, Legal Ethics, and Legal History.

Seneca stands apart from other philosophers of Greece and Rome not only for his interest in practical ethics, but also for the beauty and liveliness of his writing. These twelve in-depth essays take up a series of interrelated topics in his works, from his relation to Stoicism, Epicureanism, and other schools of thought; to the psychology of emotion and action and the management of anger and grief; to letter-writing, gift-giving, friendship, and kindness; to Seneca's innovative use of genre, style, and humor. Recalling Socrates's critique of philosophical writing in Plato's Phaedrus, this volume gives particular attention to Seneca's ideas about the techniques of reading, writing, and study that make philosophy beneficial to the individual and to society. Clear explanations and careful translations make the volume accessible to a wide range of readers.

There is a lot to learn about weaving! As a new weaver, you might wonder what the next steps are to grow your skills. Next Steps in Weaving has the answers you're looking for. In this beautiful book by Pattie Graver, former Managing Editor of Handwoven magazine, you'll be explore a variety of weave structures and concepts in depth and detail including twill, color-and-weave, overshot, summer and winter, lace, and doubleweave. This is not just a book of weaving patterns. Each topic is explained and supplemented with instructions for weaving a sampler and a project in order to solidify the concepts and enable you to design your own projects. In addition, the book offers troubleshooting tips in order to expand your weaving expertise. Whether you're new to weaving, have the basics down, or are looking to improve your foundation skills, this book will be an asset to your weaving library. So what are you waiting for? Take the Next Steps in Weaving!

The 1931 Universal Pictures film adaptation of Frankenstein directed by James Whale and starring Boris Karloff as the now iconic Monster claims in its credits to be ‘Adapted from the play by Peggy Webling’. Webling’s play sought to humanize the creature, was the first to position Frankenstein and his creation as doppelgängers, and offered a feminist perspective on scientific efforts to create life without women, ideas that suffuse today’s perceptions of Frankenstein’s monster. Buried in a private archive, scholars have never had access to the original play script and so could not fully chart the evolution of Frankenstein from book to stage to screen. In Peggy Webling’s Frankenstein, Dorian Gieseler Greenbaum (Webling’s great grandniece) and Bruce Graver present the full texts of Webling’s unpublished play for the first time. A vital critical edition, this book includes: - the 1928 Library of Congress version of the play Frankenstein with a short manuscript census - the 1927 British Library version of the first production of the play in Preston, Lancashire - the 1930 Prompt Script for the London production, held by the Westminster Archive, London - Webling’s private correspondence including negotiations with theatres managers and Universal Pictures, family letters about the production process, and selected contracts - Text of the chapter ‘Frankenstein’ from Webling’s unpublished literary memoir, The Story of a Pen for additional context - Exposition on Webling’s life that bears directly on the sensibilities and skills she brought to the writing of her play - History of how the play came to be written and produced - The relationship of Webling’s play to earlier stage adaptations - An exploration of playwright and screenwriter John L. Balderston’s changes to Webling’s play and how the 1931 film compares Offering a new perspective on the genesis of the Frankenstein movie, this critical exploration makes available a unique and necessary ‘missing link’ in the novel’s otherwise well-documented transmedia cultural history.

This set comprises 40 volumes covering 19th and 20th century European and American authors. These volumes will be available as a complete set, mini boxed sets (by theme) or as individual volumes. This second set compliments the first 68 volume set of Critical Heritage published by Routledge in October 1995.

This study probes the complex relationship between nationalism, violence and Buddhism in 19th-20th century Burma. Graver's study examines present-day Burma and the struggle by Nobel Prize winner Aung San Suu Kyi for a new Burmese identity. The present volume is a revised and expanded version of the study originally published by the Nordic Institute of Asian Studies.

Probes the complex relationship between nationalism, violence and Buddhism in nineteenth- and twentieth-century Burma, bringing us to present-day Burma and the struggle by Aung San Suu Kyi for a new Burmese identity.

The "Collected Critical Heritage II" comprises 40 volumes covering 19th and 20th century European and American authors. These volumes will be available as a complete set, mini boxes sets (by theme) or as individual volumes. This second set compliments the first 68 volume set of "Critical Heritage" published by Routledge in October 1995. "The Critical Heritage" series gathers together a large body of critical figures in literature. These selected sources include contemporary reviews from both popular and literary media. This volume studies dramatist and poet, Samuel Beckett.

Extensively trained as a philosopher, Cicero was also a working politician with a keen awareness of the distance between pure intellectual endeavor and effective strategies of persuasion. This volume explores a series of interrelated problems in his works, from the use of emotion, self-correction, and even fiction in intellectual inquiry, to the motives of political agents and the morality of political arguments, to the means of justifying the use of force in international relations. It features close readings of works from all periods of Cicero's philosophical career, from the threshold of Rome's civil war to the year following the assassination of Julius Caesar. For a richer body of evidence, the volume also makes use of material from Cicero's personal letters and political speeches. Power and Persuasion in Cicero's Philosophy will be essential reading not only in Roman philosophy but also for the political and rhetorical culture of the Roman Republic.

This book explores concrete situations in which judges are faced with a legislature and an executive that consciously and systematically discard the ideals of the rule of law. It revolves around three basic questions: What happen when states become oppressive and the judiciary contributes to the oppression? How can we, from a legal point of view, evaluate the actions of judges who contribute to oppression? And, thirdly, how can we understand their participation from a moral point of view and support their inclination to resist?

This book explores concrete situations in which judges are faced with a legislature and an executive that consciously and systematically discard the ideals of the rule of law. It revolves around three basic questions: What happen when states become oppressive and the judiciary contributes to the oppression? How can we, from a legal point of view, evaluate the actions of judges who contribute to oppression? And, thirdly, how can we understand their participation from a moral point of view and support their inclination to resist?

A place out of time, Ashaunt Point, Massachusetts, has provided sanctuary and anchored life for generations of the Porter family, who summer along its remote, rocky shore. But in 1942, the U.S. Army arrives on the Point, bringing havoc and change.An unforgettable portrait of one family's journey through the second half of the twentieth century, The End of the Point artfully probes the hairline fractures hidden beneath the surface of our lives and traces the fragile and enduring bonds that connect us. With subtlety and grace, Elizabeth Graver illuminates the powerful legacy of family and place, exploring what we are born into and what we pass down, preserve, cast off, or willingly set free.

The 1931 Universal Pictures film adaptation of Frankenstein directed by James Whale and starring Boris Karloff as the now iconic Monster claims in its credits to be ‘Adapted from the play by Peggy Webling’. Webling’s play sought to humanize the creature, was the first to position Frankenstein and his creation as doppelgängers, and offered a feminist perspective on scientific efforts to create life without women, ideas that suffuse today’s perceptions of Frankenstein’s monster. Buried in a private archive, scholars have never had access to the original play script and so could not fully chart the evolution of Frankenstein from book to stage to screen. In Peggy Webling’s Frankenstein, Dorian Gieseler Greenbaum (Webling’s great grandniece) and Bruce Graver present the full texts of Webling’s unpublished play for the first time. A vital critical edition, this book includes: - the 1928 Library of Congress version of the play Frankenstein with a short manuscript census - the 1927 British Library version of the first production of the play in Preston, Lancashire - the 1930 Prompt Script for the London production, held by the Westminster Archive, London - Webling’s private correspondence including negotiations with theatres managers and Universal Pictures, family letters about the production process, and selected contracts - Text of the chapter ‘Frankenstein’ from Webling’s unpublished literary memoir, The Story of a Pen for additional context - Exposition on Webling’s life that bears directly on the sensibilities and skills she brought to the writing of her play - History of how the play came to be written and produced - The relationship of Webling’s play to earlier stage adaptations - An exploration of playwright and screenwriter John L. Balderston’s changes to Webling’s play and how the 1931 film compares Offering a new perspective on the genesis of the Frankenstein movie, this critical exploration makes available a unique and necessary ‘missing link’ in the novel’s otherwise well-documented transmedia cultural history.

Combinatorics and graph theory have mushroomed in recent years. Many overlapping or equivalent results have been produced. Some of these are special cases of unformulated or unrecognized general theorems. The body of knowledge has now reached a stage where approaches toward unification are overdue. To paraphrase Professor Gian-Carlo Rota (Toronto, 1967), "Combinatorics needs fewer theorems and more theory. " In this book we are doing two things at the same time: A. We are presenting a unified treatment of much of combinatorics and graph theory. We have constructed a concise algebraically based, but otherwise self-contained theory, which at one time embraces the basic theorems that one normally wishes to prove while giving a common terminology and framework for the develop ment of further more specialized results. B. We are writing a textbook whereby a student of mathematics or a mathematician with another specialty can learn combinatorics and graph theory. We want this learning to be done in a much more unified way than has generally been possible from the existing literature. Our most difficult problem in the course of writing this book has been to keep A and B in balance. On the one hand, this book would be useless as a textbook if certain intuitively appealing, classical combinatorial results were either overlooked or were treated only at a level of abstraction rendering them beyond all recognition."

The initial purposes of this 1983 text were to develop mathematical topics relevant to the study of the incidence and symmetry structures of geometrical objects and to expand the reader's geometric intuition. The two fundamental mathematical topics employed in this endeavor are graph theory and the theory of transformation groups. Part I, Incidence, starts with two sections on the basics of graph theory and continues with a variety of specific applications of graph theory. Following this, the text becomes more theoretical; here graph theory is used to study surfaces other than the plane and the sphere. Part II, Symmetry, starts with a section on rigid motions or symmetries of the plane, which is followed by another on the classification of planar patterns. Additionally, an overview of symmetry in three-dimensional space is provided, along with a reconciliation of graph theory and group theory in a study of enumeration problems in geometry.

This important book provides the first systematic assessment of the so-called Norway Model, suggested as an off-the-shelf option for the UK to 'square the circle' after Brexit. Two preeminent Norwegian scholars of politics and law offer a comprehensive first-hand account of Norway's relationship with the EU and how this affects the country's legal and political system, setting out what Britain can learn from Norway's experience and how transferable these lessons are. Their analysis also explores what impact the UK's presence is likely to have on existing members of the European Economic Area (EEA) discussing both the opportunities and the challenges. The book will be a valuable resource for anyone interested in the future of the UK's relationship with Europe.

In a 2013 Healthcare Cost and Utilization Project Statistical Brief by the US Agency for Healthcare Research and Quality, septicemia was ranked as the number one most expensive national inpatient hospital cost. This ranking comes in spite of substantial advances in the clinical management of sepsis over the past fifteen years. While adherence with internationally established sepsis management protocols have demonstrated reduction in mortality and hospital/ICU length of stay, compliance with these protocols remains poor. This book discusses risk factors, management and prognosis of septic shock in individuals.

Ash produced as a consequence of explosive volcanic eruptions can cause multiple hazards both close to the volcano and at great distances. Explosive volcano eruptions often release volcanic plumes into the atmosphere, which consist of tephra (submillimeter-sized rock particles), water vapor and other gases such as carbon dioxide (CO2), sulfur dioxide (SO2) and hydrogen sulfide (H2S). Particles from volcano eruptions are transported by wind to thousands of kilometers away, or even over 10,000 km from their source for some fine particles. This book discusses the environmental impact and health risks volcanic ash poses as well as its chemical composition.

This is your essential guide to less harmful, but equally effective, environmentally friendly printmaking methods. Traditional printmaking techniques expose the artist and the environment to a multitude of toxic materials. In this book, Mark Graver puts the case for non-toxic printmaking and discusses the replication of traditional techniques with less harmful, but equally effective, environmentally friendly methods. This book covers engraving, etching with acrylic resists, using drypoint, making aquatints, mezzotints and collagraphs, and using photopolymers as well as combining various printmaking techniques. Highly illustrated wit the works of artists from around the world, this practical and inspiring book contains everything you need to know about switching to a non-toxic printmaking practice.

This 2004 volume offers a comprehensive critical study of Samuel Beckett's first and most renowned dramatic work, Waiting for Godot, which has become one of the most frequently discussed, and influential plays in the history of the theatre. Lawrence Graver discusses the play's background and provides a detailed analysis of its originality and distinction as a landmark of modern theatrical art. He reviews some of the differences between Beckett's original French version and his English translation, and discusses the liberating influence of Waiting for Godot on such important playwrights as Harold Pinter and Tom Stoppard.

In the year 62, citing health issues, the Roman philosopher Seneca withdrew from public service and devoted his time to writing. His letters from this period offer a window into his experience as a landowner, a traveler through Roman Italy, and a man coping with the onset of old age. They describe the roar of the arena, the festival of Saturnalia, and the perils of the Adriatic Sea, and they explain his thoughts about political power, the treatment of slaves, the origins of civilization, and the key points of Stoic philosophy. This selection of fifty of his letters brings Seneca to readers in a fresh modern voice and shows how, as a philosopher, he speaks to our time. Above all, these letters explore the inner life of the individual: from the life of heedless vanity to the first interest in philosophy, to true friendship, self-determination, and personal excellence.