For the vast majority of human existence we did without the idea of race. Since its inception a mere few hundred years ago, and despite the voluminous documentation of the problems associated with living within the racial worldview, we have come to act as if race is something we cannot live without. The arc of a bad idea: Understanding and transcending race presents a penetrating, provocative, and promising analysis of and alternative to the hegemonic racial worldview. How race came about, how it evolved into a natural-seeming aspect of human identity, and how racialization, as a habit of the mind, can be broken is presented through the unique and corrective framing of race as a time-bound (versus eternal) concept, the lifespan of which is traceable and the demise of which is predictable. The narratives of individuals who do not subscribe to racial identity despite be ascribed to the black/African American racial category are presented as clear and compelling illustrations of how a non-racial identity and worldview is possible and arguably preferable to the status quo. Our view of and approach to race (in theory, pedagogy, and policy) is so firmly ensconced in a sense of it as inescapable and indispensible that we are in effect shackled to the lethal absurdity we seek to escape. Theorist, teachers, policy-makers and anyone who seeks a transformative perspective on race and racial identity will be challenged, enriched, and empowered by this refreshing treatment of one of our most confounding and consequential dilemmas.

Collection of four children's animated features. In 'Home On the Range' (2004), when an eviction notice goes up at the Little Piece of Heaven family-run dairy farm, notorious yodelling outlaw cattle rustler Alameda Slim (voice of Randy Quaid) sees his big chance to claim it for himself. However, he hasn't counted on three resourceful dairy cows, old-timer Mrs Calloway (Judi Dench), tough-talking Maggie (Roseanne Barr) and gentle Grace (Jennifer Tilly), who enlist the help of the other farm animals to track down Slim and use the ransom on his head to save their beloved farm. But the bovine trio have another enemy to contend with - ruthless bounty hunter Rico (Charles Dennis) is also after the reward for capturing Slim. 'G-Force' (2009) follows a team of secret agent guinea pigs who have been trained in espionage techniques and armed with the latest high-tech spy equipment in order to take on a covert mission for the US government. The team, known by code name 'G-Force', includes ambitious squad leader Darwin (Sam Rockwell), fearless weapons expert Blaster (Tracy Morgan) and lithe martial arts genius Juarez (Penélope Cruz). Also along for the ride is Darwin's housefly sidekick Mooch and computer whiz Speckles (Nicolas Cage), a star-nosed mole. Can the gang prevent an evil billionaire from taking over the world with a dastardly plan involving household appliances? In 'The Wild' (2006) an odd assortment of animals from the New York Zoo discover what a jungle the city can be when one of their own is mistakenly shipped to the wild. When an adolescent lion (Greg Cipes) is accidentally shipped from the zoo to Africa, his pals, including Samson the lion (Kiefer Sutherland), Benny the squirrel (James Belushi), Bridget the giraffe (Janeane Garofalo), Larry the anaconda (Richard Kind), Kazar the wildebeest (William Shatner) and Nigel the koala bear (Eddie Izzard), must put aside their differences to help bring him back. In 'Beverly Hills Chihuahua' (2008), when pampered Beverly Hills chihuahua Chloe (Drew Barrymore) gets lost while holidaying in Mexico, she is forced to rely on the kindness of various dogs she befriends as she tries to get home before she is captured by a villainous dognapper. Also in pursuit of Chloe is male chihuahua Papi (George Lopez), who is in love with her, and evil Doberman Diablo (Edward James Olmos), who has his eye on her valuable diamond collar.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.