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His father, an Irishman, was on the run from the "Brits". He took
refuge in Jersey C.I. where Desmond was born. The family left the
island when he was four, but retained strong ties and family to
this very day. After the tragic deaths of his two young brothers at
17 and 27 he was reminded that you only live once, but if you do it
right, once is enough. From humble beginnings as a butcher in
Birmingham, he made himself into a relatively small but successful
businessman, with a chain of shops and houses to rent. He took life
by the scruff of the neck and lived a playboy life of booze, women
and fast cars. He has dived the oceans of the world, travelled to
all the places he ever wanted to see and ticked all his boxes.
Retiring from business at 49, he turned to a new life of
songwriting, TV plays and a successful trilogy of Jack Reec novels.
Once asked, "Is there anything you haven't done?" Thoughtfully he
replied, "Well if there is, it's because I didn't want to do it".
Share the ride with him, on an exciting journey to far flung exotic
locations in this hugely readable and amusingly written
autobiography.
Jack Reeca s hurting. Wounded three times by his old enemy,
psychopathic killer David Walker, hea s got his life back a " just
a " with the help of two fun-loving seA+/-oritas. But when Jack
starts diving for Brinks Mat gold bars in MA!laga Lakes, and is
befriended by beautiful rock sensation, Caviar, his Andalusian farm
attracts attention from all the wrong quarters, including David
Walker. The psycho has made a fresh kill, and is now branded a the
Rabbit Mana and a the Costa Killera . And then Caviar goes missinga
| With the action swinging from southern Spain to the Black Sea
coast of Turkey, the intimacies of kidnapping and revenge are fully
explored. Ita s the Stockholm syndrome, and ita s often sexual,
sometimes humorous and frequently violent. Desmond McGratha s
insight into the minds of killer captive and pursuer is
breathtaking, and in an epic showdown worthy of a Clint Eastwood
Western, we see how an armed man whoa s frightened of nothing can
harbour a secret terror a " of the beast inside himself.
A plane carrying gold ingots crashes into the sea. A boat with its
illegal cargo of drugs founders on the rocks. _ese two events shape
the future of our tough modern-day hero, Jack Harry Reec, whose
skills as a diver and willingness to take risks bring him big
pro_ts _e action takes him from Jersey, his native island, to Spain
where he lives life to the _ll, enjoying good food, excellent wine,
and the beautiful scenery with his new girlfriend and his long-time
male friend. But the relaxed and self-indulgent lifestyle does not
last long. Along the dangerous road he has followed, he has enemies
of violent, brutal men with horrifying and bloody results. An
ex-Falklands veteran. Jack is already haunted by death. Now he is
ruthless in his pursuit of vengeance for the latest tragedies. We
follow his quest to a rid his soul of angera . Carefully and
patiently, he plots a terrible revenge on his enemy. But the _nal
stage of his plan may be jeopardised. Will there be a Private
Execution? _is at time, shocking action drama is a genuinely
exciting story, full of surprises and tension right until the end.
Desmond McGrath was born in Jersey and is __y-six. He has dived the
oceans of the world for twenty-_ve years. He rited at forty-nine
and _lls his time writing songs and plays for television. Some say
he has lived life in the fast lane, having spent some time in Spain
and America, where in California there is a warrant out for his
arrest. He denies the charges! He is happily married to wife,
Barbara, and has one daughter, Angela and three grandchildren,
Kimberly, Tara and a Jack Harry Reeca . At present he is writing
the second Reec book, _e Executioner.
The first prescriptive, innovative guide to seeing inflection
points before they happen--and how to harness these disruptive
influences to give your company a strategic advantage Featuring a
foreword by Clayton Christensen Paradigmatic shifts in the business
landscape, known as inflection points, can either create new,
entrepreneurial opportunities (see Amazon and Netflix) or they can
lead to devastating consequences (e.g., Blockbuster and Toys "R"
Us). Only those leaders who can "see around corners"--that is, spot
the disruptive inflection points developing before they hit--are
poised to succeed in this market. Columbia Business School
professor and corporate consultant Rita McGrath contends that
inflection points, though they may seem sudden, are not random.
Every seemingly overnight shift is the final stage of a process
that has been subtly building for some time. Armed with the right
strategies and tools, smart businesses can see these inflection
points coming and use them to gain a competitive advantage. Seeing
Around Corners is the first hands-on guide to anticipating,
understanding, and capitalizing on the inflection points shaping
the marketplace.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
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