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In this fascinating and entertaining memoir, the legendary White Bushman, Peter Stark, writes about his experiences in the former German South West Africa: first as a farm manager and lion hunter, and later as nature conservationist.
Stark's fearless personality and phenomenal knowledge of the veld, combined with an intimate knowledge of the San people and their culture make for stories and experiences that most people can only dream of. Whether it's about lions chasing San trackers, elephants trampling a campsite or the spearing of 32 scorpions with a kebab-skewer - Stark's stories are bound to awe and entertain.
With Peter Stark's unique and genial narrative voice, The White Bushman presents an important cultural-historical perspective on the country that became Namibia. The photographs, taken either by Stark himself or his fellow game wardens, contribute greatly to enhancing the images conjured up by these captivating adventures and anecdotes.
Exam Board: Edexcel Level: GCSE Subject: History First teaching:
September 2016 First exams: Summer 2018 Series Editor: Angela
Leonard This Student Book: covers the essential content in the new
specification in an engaging way, using detailed narrative,
sources, timelines, key words, helpful activities and extension
material uses the 'Thinking Historically' approach and activities
to help develop conceptual understanding of areas such as evidence,
interpretations, causation and change, through targeted activities
has 'Writing Historically' features that focus on the writing
skills most important to historical success. This literacy support
uses the proven Grammar for Writing approach used in many English
departments includes lots of exam guidance, with practice
questions, sources, sample answers and tips to support preparation
for GCSE assessments. * These resources have not yet been endorsed.
This information is correct as of 31st July 2015, but may be
subject to change. You do not have to purchase any resources to
deliver our qualification.
Discover the first novel in the epic and magical Kingdom of Lies series
. . .
Just hours after humans are born, the gods take what little power we
have. In return, they protect our borders from the vicious, merciless
fae.
The humans who manage to keep their power are known as the corrupt.
And they are put to death.
When my forbidden power is discovered, I’m forced to flee my tiny
village and the life I adore.
To survive, I make a desperate bargain with the mercenary. A dark and
brooding man.
Whose face I have been seeing in my dreams . . .
It’s agreed that I’ll help him into the city. And he’ll help me learn
to wield the strange, dark power I’ve always kept hidden.
The power that may just be the key to my survival.
But the ruthless mercenary is hiding secrets of his own. Secrets that
threaten the safety of everyone I love.
Secrets that could tear this kingdom – and perhaps even this world –
apart . . .
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
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