Meet Wanda with her beautiful head of hair. She is brave and strong, but she's unhappy because of the endless teasing by the boys at school. After a particularly hard day at school, feeling confused, forlorn and hopeless, Wanda's grandmother lets her in on a few secrets. Through these hair secrets and stories, she finds the courage to face her fears and realise that her hair is a crown and something to be proud of. This book stands at the intersection of identity and beauty, celebrating how cultural pride is learned and passed on over the generations. This book encourages young children to love themselves for what they are born with, despite what society may say or think.

Ontmoet vir Wanda, met haar pragtige bos hare. Sy is dapper en sterk, maar sy is ongelukkig omdat die seuns by die skool haar genadeloos terg. Deur Makhulu se haargeheime en stories leer sy egter om haar hare as 'n kroon te sien, en iets waarop sy trots kan wees. Hierdie boek gaan oor identiteit en skoonheid, en is 'n viering van hoe kultuurtrots deur generasies heen geleer en oorgedra word.

Bukeng ena e ntle le e tletseng kgothatso, Mofts Afrika Borwa, Shudufhadzo Musida, o pheta pale ya moo a tswang teng bophelong; ho tsa mmino le ho tantsha le ho ba sebueng motsaneng o bitswang Ha-Vhangani, a potapotilwe ke lerato haholoholo le tswang ho mme wa hae le Nkgono Gugu.

Empa dintho di a senyeha ha Shudu a fallela toropong e ntjha mme o hloriswa ke bomphato ba hae ka tlelaseng.

Bala kamoo Shudu a hlolang tlhonamo le mathata ao a kopaneng le ona, mme e eba ngwanana, le ho ba motho e moholoya ithutileng ho ithata!

Kha bugu iyi yavhudi i neaho mafulufulu, Mufumakadzana wa lunako wa Afrika Tshipembe, Shudufhadzo Musida, u ri anetshela tshiori tsha he a thoma hone; tsha u imba na u tshina na musidzana a ambesaho a bvaho kusini ku vhidzwaho nga la Ha Vhangani, o tangwaho nga lufuno nahone zwihulusa nga mme awe na makhulu wawe.

Zwithu zwo khakhea kha Shudu musi a tshi pfulutshela doroboni ntswa he a do tambudzwa nga vhane a dzhena navho kilasini.

Vhalani uri Shudu o kunda hani matungu awe na dzikhaedu, na uri a vha musidzana, mualuwa, we a guda u difuna ene mune!

Inspired by traditional animal stories from Africa, find out WHY lion roars! Did you ever wish to be an animal, running or swinging or climbing free? Imagine being in the wild bush at night with the stars up above. How peaceful! Not always. There is one sound everyone fears - Shamba, the lion's mighty ... ROARRRRRRRRRRRRRRRRRRRRRRRRRRRRRR! A colourful animal adventure perfect for curious little ones. Written by the award-winning Ken Wilson-Max and illustrated by the mutli award-winning Chantelle and Burgen Thorne. Also available in the Storytime Africa series: Once Upon an Elephant, Once Upon a Zebra, Once Upon a Giraffe and Once Upon a Hippo.

Children's animated sequel directed by John Kafka. After returning from their honeymoon, Cinderella (voice of Jennifer Hale) and Prince Charming (Christopher D. Barnes) attempt to settle into the routine of normal palace life. However, when she is cast in the role of Royal Hostess, Cinderella finds the prospect so daunting that she begins to think the happily-ever-afters might have been spoken too soon. But with the Fairy Godmother (Russi Taylor) and her friends on hand to help out, Cinderella soon sees she can overcome any challenge put in front of her.

A feature-length animated version of Roald Dahl's novel. Sophie is a little girl who befriends BFG (David Jason), a big friendly giant, but soon discovers that his brethren aren't all as good-natured. It's up to her to convince the Queen of England that the likes of the Bloodbottler, the Trogglehumper and the Fleshlumpeater should be brought to book.

British action drama starring Saoirse Ronan. Understandably cold and aggressive after being shipped off to Britain from America to stay with her distant relatives, Daisy (Ronan) is initially weary of her new home in the English countryside, but as a relationship develops between Daisy and her cousin Edmond (George MacKay), she starts warming to her new surroundings. Left to their own devices while her Aunt Penn (Anna Chancellor) is abroad involved in peace negotiations, the group enjoy their idyllic surroundings and isolation from parental influence. However, when World War Three breaks out over Europe and Britain is taken over by military forces, the group is split up and detained in prisoner-of-war camps. With nothing left to lose, Daisy begins planning her escape in the hope of reuniting with her lover, but with war taking its toll on everyone throughout the country, she grows fearful of what she may find...

Triple bill of horror films. In 'Devil Riders' (2009), lawyers Robert (Bertie Higgins) and Allen (J.D. Rudometkin) go on a five-stop motorcycle poker run, along with their wives Susan (Debra Hopkins) and Cheri (Jasmine Waltz), but on the way they encounter psychopaths Ray (Robert Thorne) and Billy (Jay Wisell). Before long Susan and Cheri are kidnapped and Robert and Allen are put through their paces in a number of horrific challenges as they attempt to get their wives back. In 'The Maze' (2010), five teenagers decide to explore a corn maze one night. Unbeknown to them, however, a murderous lunatic lurks within the maze and is luring them to their deaths. Will any of them make it out alive? In 'The Goatman Murders' (2011), a group of friends on a road trip to Florida experience some car trouble and end up in the Maryland countryside where an axe-wielding murderer, who is half-man, half-goat, begins to kill them one by one. Will there be any survivors?

Low-budget British crime thriller. Mitchell Parker (Nick Rendell) is a backstreet, lowlife debt collector who thinks he has hit the big time when he stumbles across a cache of money hidden in the flat of one of his clients, drug dealer Hopper (Giovanni Lombardo Radice). But helping himself turns out to be a deadly mistake when it materialises that the money was in fact the property of Mitchell's new boss, gangster Curtis Boswell (Victor D Thorn).

Written and reviewed by a team of experienced South African teachers, occupational therapists, speech therapists and physiotherapists, Smart-Kids Am I ready for school? is perfect for making sure your child is ready for primary school. Helpful ideas and advice combined with colourful and stimulating activities test emotional, physical and mental readiness. The activities cover important developmental aspects, such as body image; perception of self, others and the environment; memory; coordination; and speech and hearing. The detailed notes with each activity explain the concepts and suggest extension activities for extra practice. There is also a detailed glossary of words used to describe children's development; an explanation of the roles of occupational therapists, speech therapists, psychologists, physiotherapists and play therapists; valuable information about choosing the right school; and a list of the South African organisations that provide help and support for parents and children.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

The newest, most updated book on Prince available today—now updated with information about the afterlife of his work following his untimely death. Famously reticent and perennially controversial, Prince was one of the few music superstars who remained, largely, an enigma—even up to his premature death on April 21, 2016. A fixture of the pop canon, Prince is widely held to be the greatest musician of his generation and will undoubtedly remain an inspiring and singular influence throughout our culture. This revised and updated second edition of this meticulously researched biography is the most comprehensive work on Prince yet published. Unlike other Prince books, this one eschews speculation into the artist's highly guarded private life and instead focuses deep and sustained attention exactly where it should be: on his work. Acclaimed British novelist and critic Matt Thorne draws on years of research and dozens of interviews with Prince's intimate associates (many of whom have never spoken on record before) to examine every phase of the musician's 35-year career, including nearly every song—released and unreleased—that Prince has recorded. Originally released in the UK in 2012, this revised and updated second US edition of Prince includes updated content regarding work released and made available after the artist’s death.. This astonishingly rich, almost encyclopedic biography is a must-have for any serious fan of Prince.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.