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The novels O Pioneers!, The Song of the Lark, and My Ãntonia made Willa Cather's reputation and, though published separately, are now studied together as Willa Cather’s Great Plains Trilogy. These three novels, set in Nebraska and Colorado, cemented Cather’s reputation in the early 1920s as a writer who exalted the lives of ordinary people. Together, these novels portray the magnificent prairie landscape and the indomitable spirit of the men and women who inhabited, and adapted, to its harsh beauty: My Ã​ntonia: The intertwined stories of Jim Burden, an orphan from Virginia, and the elder daughter in a family of Czech immigrants, Ãntonia Shimerda, who are each brought to Nebraska as children. O Pioneers!: The Bergsons move from Sweden and struggle to carve out a living on their Nebraska homestead. The eldest daughter, Alexandra, inherits the farm when her father dies, and devotes her life to its success even as other immigrant families leave the prairie, defeated. The Song of the Lark: Thea Kronborg grows up in a small Colorado town, next to the railroad that connects her to a wider world, a world she will conquer with her glorious voice and strength of will.
In 1851 Father Jean Marie Latour comes to serve as the Apostolic Vicar to New Mexico. What he finds is a vast territory of red hills and tortuous arroyos, American by law but Mexican and Indian in custom and belief. In the almost forty years that follow, Latour spreads his faith in the only way he knows—gently, all the while contending with an unforgiving landscape, derelict and sometimes openly rebellious priests, and his own loneliness. Out of these events, Cather gives us an indelible vision of life unfolding in a place where time itself seems suspended. Â
The spirited daughter of Bohemian immigrants, Ãntonia must adapt to a hard existence on the desolate prairies of the Midwest. Enduring childhood poverty, teenage seduction, and family tragedy, she eventually becomes a wife and mother on a Nebraska farm. A fictional record of how women helped forge the communities that formed a nation, My Ãntonia is also a hauntingly eloquent celebration of the strength, courage, and spirit of America’s early pioneers.Â
The Burglar's Christmas was originally published near the beginning of Willa Cather's writing career in 1896 under the pseudonym of Elizabeth L. Seymour. The story follows William Crawford on the cold streets of Chicago as he contemplates the multiple failures plaguing his life, including his time at college and careers in journalism, real estate, and performing. Distraught, he tries one more role: thief. Attempting to burgle a residence and caught in the act by the lady of the house, William must come to terms with the choices that led him to that moment. Cather provides a heartwarming short story of redemption and love at Christmas, a timely reminder that kindness is in everyone, just waiting to be uncovered.
'He drew a long sigh of rich content. The old life, with all its bitterness and useless antagonism and flimsy sophistries, its brief delights that were always tinged with fear and distrust and unfaith, that whole miserable, futile, swindled world of Bohemia seemed immeasurably distant and far away, like a dream that is over and done.' First published in 1896, The Burglar's Christmas is a short story by the great American writer Willa Cather. Set in Chicago on a cold Christmas Eve, the down-and-out Crawford learns the value of forgiveness. (Part of Renard's Christmas Card Classics series, 25% of the RRP of each book sold goes to Three Peas, a small refugee charity. This year, instead of a Christmas card, why not send a book?)
This Norton Critical Edition brings to life-through Cather's words, and through the words and images of others-the uniquely American frontier experience. In inscribing a copy of O Pioneers! for a childhood friend, Cather wrote, "In this one I hit the home pasture..." "Contexts and Backgrounds" includes a rich selection of autobiographical and biographical remembrances (including three interviews with Cather), literary contexts (by Cather and her contemporaries, Henry James and Sarah Orne Jewett), and writings on the American West (including selected letters that paint a picture of one family's life on the Nebraska prairie). "Criticism" provides seven contemporary reviews and eight modern critical interpretations by David Stouck, John J. Murphy, C. Susan Wiesenthal, Marilee Lindemann, Melissa Ryan, Guy Reynolds, and Sharon O'Brien.
"The time will come when she will be ranked above Hemingway." --Leon Edel
Includes the unabridged text of Cather's classic novel plus a complete study guide that helps readers gain a thorough understanding of the work's content and context. The comprehensive guide includes chapter-by-chapter summaries, explanations and discussions of the plot, question-and-answer sections, author biography, analytical paper topics, list of characters, bibliography, and more.
'As I looked about me I felt that the grass was the country, as the water is the sea. The red of the grass made all the great prairie the colour of wine-stains...And there was so much motion in it; the whole country seemed, somehow, to be running.' My Antonia (1918) depicts the pioneering period of European settlement on the tall-grass prairie of the American midwest, with its beautiful yet terrifying landscape, rich ethnic mix of immigrants and native-born Americans, and communities who share life's joys and sorrows. Jim Burden recounts his memories of Antonia Shimerda, whose family settle in Nebraska from Bohemia. Together they share childhoods spent in a new world. Jim leaves the prairie for college and a career in the east, while Antonia devotes herself to her large family and productive farm. Her story is that of the land itself, a moving portrait of endurance and strength. Described on publication as 'one of the best [novels] that any American has ever done', My Antonia paradoxically took Cather out of the rank of provincial novelists as the same time that it celebrated the provinces, and mythologized a period of American history that had to be lost before its value could be understood. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
Set in the Nebraska landscape in a community evocative of Cather's own (Red Cloud), My Antonia tells the story of Antonia Shimerda, a Bohemian immigrant, and Jim Burden, who like Cather was uprooted from Virginia to the Nebraska prairie. Antonia and Jim, like many of the other characters in this 1918 novel, are based on Cather's childhood friends. This Norton Critical Edition is based on the first published edition of the novel. It is accompanied by explanatory footnotes, key illustrations, an introduction that gives readers a historical overview of both author and novel, and a note on the text. "Contexts and Backgrounds" is a rich collection of materials organized around the novel's central themes: "Autobiographical and Biographical Writings," "Letters," and "Americanization and Immigration." Willa Cather, Edith Lewis, Latrobe Carroll, Rose C. Feld, Guy Reynolds, Woodrow Wilson, Peter Roberts, Horace M. Kallen, Sarka B. Hrbkova, and Rose Rosicky, among others, are included. "Criticism" spans a century of scholarship on Willa Cather and My Antonia, from contemporary reviews by Henry Walcott Boynton, H. L. Mencken, and Elia W. Peattie, among others, to recent critical assessments by Terence Martin, Blanche Gelfant, Jean Schwind, Richard H. Millington, Susan Rosowski, Mike Fischer, Janis Stout, Marilee Lindemann, and Linda Joyce Brown. A Chronology of Cather's life and work and a Selected Bibliography are also included.
Hailed by reviewers and readers for its originality, vitality, and truth, "My Antonia" secured Willa Cather's place in the first rank of American writers. Cather drew deeply on her childhood days in frontier Nebraska for her fourth novel, published in 1918. Antonia Shimerda is memorable as the warm-hearted daughter of Bohemians who must adapt to a hard life on the desolate prairie. She survives and matures, a pioneer woman made radiant by spirit. This Willa Cather Scholarly Edition of "My Antonia" is edited according to standards set by the Committee for Scholarly Editions of the Modern Language Association and it presents the full range of biographical, historical, and textual information on the novel. The selection of W. T. Benda's illustrations and the historical photography and maps also illuminate the fiction of a writer who drew so extensively on actual experience.
Willa Cather said that "O Pioneers " was her first authentic novel, "the first time I walked off on my own feet--everything before was half real and half an imitation of writers whom I admired." Cather's novel of life on the Nebraska frontier established her reputation as a writer of great note and marked a significant turning point in her artistic development. No longer would she let literary convention guide the form of her writing; the materials themselves would dictate the structure. The paperback edition contains all the text and scholarly apparatus found in the original Willa Cather Scholarly Edition. Edited according to standards set by the Committee for Scholarly Editions of the Modern Language Association, this volume presents the full range of biographical, historical, and textual information on the novel.
Willa Cather's best known novel; a narrative that recounts a life lived simply in the silence of the southwestern desert.
The characteristic themes of Cather's mature work are already
present in her debut novella, an evocation of a tragic love
triangle.
Hailed by reviewers and readers for its originality, vitality, and truth, this novel secured Willa Cather a place in the first rank of American writers. Cather called My Antonia "the best thing I've done." For Oliver Wendell Holmes, My Antonia had "unfailing charm, perhaps not to be defined; a beautiful tenderness, a vivifying imagination that transforms but does not distort or exaggerate." H. L. Mencken declared it "one of the best [novels] any American has ever done." Cather drew deeply on her childhood days in frontier Nebraska for this, her fourth novel, published in 1918. Old immigrant neighbors inspired many of the characters, particularly the heroine. Antonia Shimerda is memorable as the warmhearted daughter of Bohemians who must adapt to a hard life on the desolate prairie. She survives and matures, a pioneer woman made radiant by spirit. W. T. Benda's illustrations further illuminate the fiction of a writer who drew so extensively on actual experience.
'Quite simply a masterpiece ... I am completely bowled over by it; by the power of its writing, by the vividness of its scene painting and by the stories it tells' A. N. Wilson 'Where there is great love there are always miracles' Two French priests have been sent to New Mexico to reawaken the faith. There, they must contend with unforgiving landscapes, danger, rebellion and loneliness. But through their many years together they are sustained by faith, friendship and the awe-inspiring majesty that surrounds them. A work of great simplicity and sublime beauty, Willa Cather's acclaimed novel asks, what is a life well lived? Death Comes for the Archbishop is a masterpiece by the author of O Pioneers! and the great novelist of American frontier life. 'Its whole effect works slowly and mysteriously ... a major, and rare, artistic achievement' A. S. Byatt
In Willa Cather's own estimation, My Antonia, first published in 1918, was "the best thing I've ever done." An enduring paperback bestseller on Houghton Mifflin's literary list, this hauntingly eloquent classic now boasts a new foreword by Kathleen Norris, Cather's soulmate of the plains. Infused with a gracious passion for the land, My Antonia embraces its uncommon subject - the hardscrabble life of the pioneer woman on the prairie - with poetic certitude, rendering a deeply moving portrait of an entire community. Through Jim Burden's endearing, smitten voice, we revisit the remarkable vicissitudes of immigrant life in the Nebraska heartland with all its insistent bonds. Guiding the way are some of literature's most beguiling characters: the Russian brothers plagued by memories of a fateful sleigh ride, Antonia's desperately homesick father and self-indulgent mother, and the coy Lena Lingard. Holding the pastoral society's heart, of course, is the bewitching, free-spirited Antonia Shimerda.
After the death of his parents, Jim Burden is sent to live with his grandparents in Nebraska, where he meets his first and most prominent love, Antonia Shimera. As pioneers in Nebraska, the Shimera family expected hardships, but none as devastating as a death in the family. Narrated by Jim Burden, an orphan living with his grandparents next door to the Shimera's, My Antonia follows the coming of age and life of Jim and Antonia, the eldest daughter in the Shimera family. Starting when Jim and Antonia were young kids, the Burdens and the Shimera's live as neighbors in the plains of 19th century Nebraska. While the weather was often harsh and the untamed land made it difficult to yield crops, the Shimera family worked hard to maintain a content life. However, when a tragic death strikes the Shimera family, they fall into poverty despite the aid Jim's grandparents try to offer. As her family's farm fails, Antonia has to quit school to help out with manual labor. Antonia gets a job as a town girl, helping care for children and households in order to support her family. Meanwhile, Jim moves into town as well for higher education, and is able to reconnect with Antonia, though she does not have as much leisure time as he does. As they both grow into adulthood, Jim witnesses the Shimera's and Antonia to make difficult choices and somber sacrifices, contrasting their hardships to his own comfortable life. My Antonia earned commercial and critical acclaim soon after its publication, and has inspired film and stage adaptations since. With themes of feminism, insight on lower class Americans, and the use of deep metaphors, Willa Cather's My Antonia is a classic gem worthy of even more recognition. Now redesigned with an eye-catching cover and printed in an easy-to-read font, this edition of Willa Cather's My Antonia restores the classic novel to create an engaging experience for modern audiences.
The first of Cather’s renowned prairie novels, O Pioneers! established a new voice in American literature—turning the stories of ordinary Midwesterners and immigrants into authentic literary characters.
With seven short stories, The Troll Garden is a comprehensive exploration of American artists, and the trials they face. In Flavia and Her Artists, a young woman named Imogen goes to visit her friend Flavia, who is a patron of artists. Joining Flavia's group of artists, Imogen becomes immersed in the drama and gossip of the group. As Imogen witnesses the animosity of the group steadily grow, she realizes that it stems from Flavia's own insecurities and arrogance. The Sculptor's Funeral depicts the funeral of a successful sculptor, Harvey Marrick. When his body is returned to his hometown for his burial, there is a mix of emotions from his family and old acquaintances. Only Jim Lavid, Harvey's old friend, truly mourns the death. However, Jim must wrestle with both grief and jealousy when he considers that Harvey was able to leave their small town, something Jim himself never could. With a similar tone, A Death in the Desert follows a man as he wrestles with his identity. Sharing a strong physical resemblance to his prodigy brother, Everett Hilgarde feels haunted by his brother's shadow, robbing him of his sense of self. As the last story in the collection, Paul's Case creates an echo that stays in the reader's mind long after the tale is finished. When Paul, a young boy who has trouble fitting in, steals money from his father, he decides to run away to New York, pretending to be rich and fulfilling the life he'd always wanted. The Troll Garden by Willa Cather explores the melancholy tales of tortured artists without dwelling on the sorrow, instead focusing on the relatable instances and decisions that lead to such predicaments. Though first published one-hundred and fifteen years ago in 1905, Cather explores ever-present issues of identity, failure, and dreams that have remained to be relevant to a current audience. As her debut work of fiction, The Troll Garden marks a capstone in Willa Cather's prolific career. Now presented in an easy-to-read font and with a striking new cover design, this edition of Willa Cather's The Troll Garden is modern and relevant to a contemporary audience. |
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