Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Ovid: The Classical Heritage, first published in 1995, contains a diverse collection of reflections, ranging from the first century, through the Middle Ages, to the twentieth, on a poet who has been adored and reviled in equal measure. With the entire notion of 'Western culture' under duress, the need to establish continuity from antiquity to modernity is as pressing as ever. Each essay, selected by Professor Anderson, indicates an Ovidian theme or perspective which remains relevant to our self-understanding today. An enormous range of topics is investigated, in a variety of modes and styles: contemporary reaction, reception by Medieval Schoolmen, Ovid's influence on Chaucer, and his importance for the 'New Mythologists'. Overall, Ovid: The Classical Heritage offers a rich selection of essays, which cumulatively demonstrate the continuing importance and fascination of this great Roman poet.

(From the Synopsis) The letters passing back and forth between thees two "Bills" trace their day-by-day wartime adventures (and occasional misadventures)

(From the Synopsis) The letters passing back and forth between thees two "Bills" trace their day-by-day wartime adventures (and occasional misadventures)

Ovid: The Classical Heritage, first published in 1995, contains a diverse collection of reflections, ranging from the first century, through the Middle Ages, to the twentieth, on a poet who has been adored and reviled in equal measure. With the entire notion of 'Western culture' under duress, the need to establish continuity from antiquity to modernity is as pressing as ever. Each essay, selected by Professor Anderson, indicates an Ovidian theme or perspective which remains relevant to our self-understanding today. An enormous range of topics is investigated, in a variety of modes and styles: contemporary reaction, reception by Medieval Schoolmen, Ovid's influence on Chaucer, and his importance for the 'New Mythologists'. Overall, Ovid: The Classical Heritage offers a rich selection of essays, which cumulatively demonstrate the continuing importance and fascination of this great Roman poet.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Illustrated by Cheryl Harness

South Dakota is home to an endless supply of American history and Americana. Did you know the world's largest drug store calls Wall, SD home? Or how about the triceratops was one of the state's earliest settlers? What about the prairie the Ingalls family called home? De Smet. Also in South Dakota! The answers to all of these and many more are is the latest Sleeping Bear Press A to Z state exploration - "M is for Mount Rushmore: A South Dakota Alphabet." The state's charm and significance in American folklore goes beyond those four presidents' wonderful mugs and it's all captured here in poem and expository text for citizens and tourists of all ages.

"M is for Mount Rushmore: A South Dakota Alphabet" is a welcome addition to the Sleeping Bear Press library and is sure to find a special place in homes, schools and libraries throughout the nation. Written and illustrated by the first time pairing of children book pros, author Bill Anderson and artist Cheryl Harness, "M is for Mount Rushmore" is the tribute to South Dakota readers will love.

Well known in South Dakota circles and the country for his Little House work, Bill brings his poignant pen to "M is for Mount Rushmore" and the verse and text flow with feeling and pride. And breathing life into Mr. Anderson's prose is incredible images of Cheryl Harness. Bringing years of experience and an eye for extraordinary, Cheryl's images capture the grace and wonderment that is South Dakota.

Available for the first time and collected in one volume, the letters of one of America's most beloved authors, Laura Ingalls Wilder-a treasure trove that offers new and unexpected understanding of her life and work. The Selected Letters of Laura Ingalls Wilder is a vibrant, deeply personal portrait of this revered American author, illuminating her thoughts, travels, philosophies, writing career, and dealings with family, friends, and fans as never before. This is a fresh look at the adult life of the author in her own words. Gathered from museums and archives and personal collections, the letters span over sixty years of Wilder's life, from 1894-1956 and shed new light on Wilder's day-to-day life. Here we see her as a businesswoman and author-including her beloved Little House books, her legendary editor, Ursula Nordstrom, and her readers-as a wife, and as a friend. In her letters, Wilder shares her philosophies, political opinions, and reminiscences of life as a frontier child. Also included are letters to her daughter, writer Rose Wilder Lane, who filled a silent role as editor and collaborator while the famous Little House books were being written. Wilder biographer William Anderson collected and researched references throughout these letters and the result is an invaluable historical collection, tracing Wilder's life through the final days of covered wagon travel, her life as a farm woman, a country journalist, Depression-era author, and years of fame as the writer of the Little House books. This collection is a sequel to her beloved books, and a snapshot into twentieth-century living.

The pioneer spirit lives on...

Readers around the world know and love Laura, the little girl born in the Big Woods of Wisconsin and raised in covered wagons and on wide open prairies. Now Little House fans can learn more about "Half-pint" in this, the first picture book biography book of Laura Ingalls Wilder.

With a simple, glowing text by noted historian and Little House scholar William Anderson, and glorious paintings by Dan Andreasen, Pioneer Girl is a very special portrait of a writer whose classic books and poineer adventures have made her one of the most popular literary figures in America.

This picture-book biography of Laura Ingalls Wilder tells the remarkable story of the pioneer girl who would one day immortalize her adventures in the beloved Little House books. Written in simple, glowing text by noted Little House scholar William Anderson, and illustrated with glorious paintings by artist Dan Andreasen, this wonderful first biography captures the very essence of the little girl called ‘Half-pint,' whose classic books and pioneer adventures have made her one of the most popular literary figures in America.
This picture-book biography of Laura Ingalls Wilder tells the remarkable story of the pioneer girl who would one day immortalize her adventures in the beloved Little House books. Written in simple, glowing text by noted Little House scholar William Anderson, and illustrated with glorious paintings by artist Dan Andreasen, this wonderful first biography captures the very essence of the little girl called ‘Half-pint,’ whose classic books and pioneer adventures have made her one of the most popular literary figures in America.

From her pioneer days on the prairie to her golden years with her husband, Almanzo, and their daughter, Rose, Laura Ingalls Wilder has become a friend to all who have read about her adventures. This behind-the-scenes account chronicles the real events in Laura's life that inspired her to write her stories and also describes her life after the last Little House book ends.

Who wrote the Letters to the Romans and Galatians? Why were these letters composed? What were the major arguments in early Christian communities? How does lectio divina move us to pray with Scripture? Rev. Anderson writes that, "each of Paul's letters] addresses particular issues and arguments within the community to whom he was writing." Although he never preached in Rome, yet converted many in Galatia, he had much of the same message in both letters. The primary issue that is addressed by Paul in his letters is how to assimilate the Old and New covenants -- the communities as a mixture of Jews and Gentiles were beginning to live their Christian faith together. As their traditions and newfound teachings would clash, arguments would arise. Paul's letters were written with love and concern for the communities to which he sent them. And as these conflicts would arise, his letters helped these communities to work through divisions and act lovingly towards one another.