Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

A beautifully and faithfully reissued edition of a rare and wonderful book, its seeming simplicity belying its visionary wisdom. Widely recognised as a masterpiece of English literature, Songs of Innocence and Experience also occupies a key position in the history of Western art. This unique, newly reissued edition of the work allows William Blake to communicate with his readers as he intended, reproducing his own illumination and lettering from the finest existing example of the original work. In this way, readers can experience the mystery and beauty of Blake's poems as he first created them, discovering for themselves the intricate web of symbol and meaning that connects word and image. Each poem is accompanied by a literal transcription, and the volume is introduced by the renowned historian and critic, Richard Holmes. This beautiful edition of The Songs of Innocence and Experience will be essential for those familiar with Blake's work, but also offers an ideal way into his world for those encountering him for the first time.

Two classics of English poetry, alternately describing childhood states of innocence and their inevitable corruption by a harsh and unjust world. Contains the full texts of all the poems in the original 1794 edition of both collections. Alphabetical lists of titles and first lines. Publisher's Note.

A hybrid of Songs of Innocence and Songs of Experience that brings poetry, philosophy and spirituality into an all-inclusive text that's both accessible and enlightening. These selections have an easy-to-follow format that allows readers to smoothly transition from one book to the next. Blake's writing consists of two parts: one focusing on "innocence" and the other on "experience." They each feature a group of poems that fit their respective themes. Songs of Innocence highlights the peaceful naivete of youth, while Songs of Experience emphasizes the loss of purity due to outside influence. Considered one of the greatest British artists to ever live, William Blake's work is revered by critics and scholars. His illustrative style captivates the reader's imagination keeping them interested and engaged. Songs of Innocence and of Experience is an essential sampling of his literary contributions and a worthy addition to any poetry collection. With an eye-catching new cover, and professionally typeset manuscript, this edition of Songs of Innocence and of Experience is both modern and readable.

In this little book for children, first made in 1793, William Blake charted the course of human life and experience in eighteen enigmatic emblems. Twenty-five years later, he revisited the book, adding three plates of explication and some captions. It remains one of his most accessible, yet disconcerting works.

Blake's only wood engravings, made near the end of his life for a school edition of Virgil, are among his most lyrical and enduringly influential creations. This is their first publication as a stand-alone book, with the original text of Ambrose Philips' version of the first Eclogue of Virgil.

A survey of Greek athletics from Homeric times through the fourth century C.E. From the games of the "Iliad, to the foundation of the Olympic games, to the poetry of Pindar and the Olympic Festival, this book covers all aspects of Greek athletics: the events themselves--from the running events held at the first competitions to the later "heavy" events of wrestling, boxing, and the pankration, to the pentathlon, jump, discus, and javelin, held only at festival; the religious and athletic centers; the festivals in which the games took place; the voices of the games' celebrators (like the poet Pindar), critics, and the athletes themselves; the "gyymnasion and its culture; and the evidence--literary, artistic, archeological, and historical. The introduction examines the nineteenth-century bias that created the myth of Greek amateurism. An extensive bibliography aids the reader in pursuing further study.

Written in the form of biblical prophecy, The Marriage of Heaven and Hell presents philosophical ideas about God, humanity and the complex nature of ethics. It's a bold yet humorous examination of binary belief systems and their conflicting principles. The Marriage of Heaven and Hell is a remarkable narrative that explores common religious themes such as good versus evil. The author uses vibrant storytelling to expand on the importance of these contradictory terms. He details how competing ideals are integral to the human experience. Without them, a person may remain stagnant and never reach their full potential. Progress cannot occur without the tension stemming from love and hate, reason and energy, or attraction and repulsion. William Blake's The Marriage of Heaven and Hell uses stunning visuals and metaphors to discuss the nuances of man. His unique perspective highlights fundamental differences that embody the human condition. Within the text, Blake investigates the greatness the is often found in struggle. With an eye-catching new cover, and professionally typeset manuscript, this edition of The Marriage of Heaven and Hell is both modern and readable.

Feelings come alive through the words of the Romantic poets. Romanticism gained traction in the late 1700s as writers moved away from the intellectualism of the Enlightenment and toward more emotional and natural themes. The major works of the movement's six most famous poets-William Wordsworth, George Gordon Byron, Percy Bysshe Shelley, Samuel Taylor Coleridge, John Keats, and William Blake-are represented in this handsome Word Cloud Classics volume, The Romantic Poets. One of the largest and most influential artistic movements in history, Romanticism valued intuition and pastoralism, and its themes are well represented in the verse of its stars.

In this book, Wm. Blake Tyrrell and Larry J. Bennett examine Sophocles' Antigone in the context of its setting in fifth-century Athens. The authors attempt to create an interpretive environment that is true to the issues and interests of fifth-century Athenians, as opposed to those of modern scholars and philosophers. As they contextualize the play in the dynamics of ancient Athens, the authors discuss the text of the Antigone in light of recent developments in the study of Greek antiquity and tragedy, and they turn to modern Greek rituals of lamentation for suggestive analogies. The result is a compelling book which opens new insights to the text, challenges the validity of old problems, and eases difficulties in its interpretation.

'It was like God had a human voice, with all the infinite tenderness and anciency and mortal gravity of a living Creator speaking to his son.' - Allen Ginsberg on the voice of William Blake