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An anonymous letter sent to Larkwood's Prior accuses Peter
Henderson, an academic celebrity renowned for daring ideas, of a
grotesque murder: the calculated killing of Jenny, his disabled
partner, believed by everyone to have died peacefully two years
previously from a sudden attack of cancer. But for this letter
there is no evidence, no suspect and no crime. Time has moved on.
Lives have been rebuilt. Grief and loss are tempered by a
comforting thought: a paralysed woman, once an acclaimed dancer,
had died quickly and painlessly, spared a drawn out illness; a life
marked by agonising misfortune had come to a merciful end. But now
Anselm has been told the truth behind the soothing lie. He must
move cautiously to expose the killer and the killing. He must think
of young Timothy, Jenny and Peter's son. A boy who is still
learning to live without his mother. And so Anselm begins his most
delicate investigation yet, unaware that Jenny's adoring father is
also thinking of Timothy's future; that this urbane former army
officer is haunted by the memory of torture and shoot-to-kill
operations in Northern Ireland; that he remains capable of
anything, if he thinks it's for the best; that he has set out to
execute Peter Henderson. Death, dying and killing, however, were
never so complicated.
What should you do if the world has turned against you? When Father
Anselm is asked this question by an old man at Larkwood Priory, his
response, to claim sanctuary, is to have greater resonance than he
could ever have imagined. For that evening the old man returns,
demanding the protection of the church. His name is Eduard
Schwermann and he is wanted by the police as a suspected war
criminal. With her life running out, Agnes Aubret feels it is time
to unburden to her granddaughter Lucy the secrets she has been
carrying for so long. Fifty years earlier, Agnes had been living in
Occupied Paris, a member of a small group risking their lives to
smuggle Jewish children to safety - until they were exposed by a
young SS Officer: Eduard Schwermann. As Anselm attempts to uncover
Schwermann's past, and as Lucy's search into her grandmother's
history continues, their investigations dovetail to reveal a
remarkable story. 'Brodrick keeps the story going at a cracking
pace, flitting back and forth between its various elements,
characters and eras with timing so expert the reader is compelled
to keep turning the pages' Time Out
Elizabeth Glendinning QC has lost faith in the legal system. In an
attempt to restore it, she has secretly devised a scheme to bring
back to court a guilty man - Graham Riley - whom she had
successfully defended some ten years before. As part of an
elaborate contingency plan, Elizabeth leaves the unsuspecting
Father Anselm with a key to a safety deposit box, to be opened in
the event of her death. Three weeks later she is found dead in the
East End of London and, once the box has been opened, a chain of
events is triggered as if from beyond the grave, leading Anselm to
fulfil what Elizabeth has begun. A powerful portrait of the dark
heart of London and a tense thriller, THE GARDENS OF THE DEAD
confirms William Brodrick's growing critical reputation.
'All you have to do is find out why Harry is prepared to blame an
innocent man. That's the thread. Follow it. You'll reach the Silent
Ones. This is your way - our way - of making a difference.' With
this challenge from Father Edmund Littlemore, Anselm returns to the
Old Bailey. The man in the dock is Littlemore himself. He is
charged with grave offences against Harry Brandwell who, it seems,
is both a victim and a liar. But he's the only link to these others
who've chosen silence over their right to justice. Unknown to
Anselm, Robert Sambourne, a journalist, has been investigating
Littlemore's background. And he's a man with a troubled past,
always on the move, from Boston in the USA to Freetown in Sierra
Leone, finally running from a London police station rather than
explain himself. More disturbingly, Robert uncovers details of a
carefully planned scheme to entice Anselm back into court,
exploiting his reputation for honesty to secure a shock acquittal.
Meanwhile Harry Brandwell - abused, abandoned and betrayed - has
decided to take matters into his own hands. The Silent Ones
examines the one crime that Church, State and Family thought they
could hide in their own best interests; Anselm's return is a
compelling novel about the anatomy of silence, the courage of
victims and the redemptive power of public justice.
To keep quiet about something so important . . . well, it's almost
a lie, wouldn't you say?' When Father Anselm meets Kate Seymour in
the cemetery at Larkwood, he is dismayed to hear her allegation.
Herbert Moore had been one of the founding fathers of the Priory,
revered by all who met him, a man who'd shaped Anselm's own
vocation. The idea that someone could look on his grave and speak
of a lie is inconceivable. But Anselm soon learns that Herbert did
indeed have secrets in his past that he kept hidden all his life.
In 1917, during the terrible slaughter of the Passchendaele
campaign, a soldier faced a court martial for desertion. Herbert,
charged with a responsibility that would change the course of his
life, sat upon the panel that judged him. In coming to understand
the court martial, Anselm discovers its true significance: a secret
victory that transformed the young Captain Moore and shone a light
upon the horror of war.
'All you have to do is find out why Harry is prepared to blame an
innocent man. That's the thread. Follow it. You'll reach the Silent
Ones. This is your way - our way - of making a difference.' With
this challenge from Father Edmund Littlemore, Anselm returns to the
Old Bailey to fight the most difficult and troubling case of his
life. The man in the dock is Littlemore himself. He is charged with
grave offences against Harry Brandwell who, it seems, is both a
victim and a liar. But he's the only link to these others who've
chosen silence over their right to justice. Unknown to Anselm,
Robert Sambourne, a journalist, has been investigating Littlemore's
background. And he's a man with a troubled past, always on the
move, from Boston in the USA to Freetown in Sierra Leone, finally
running from a London police station rather than explain himself.
More disturbingly, Robert uncovers details of a carefully planned
scheme to entice Anselm back into court, exploiting his reputation
for honesty to secure a shock acquittal. Meanwhile Harry Brandwell
- abused, abandoned and betrayed - has decided to take matters into
his own hands. The Silent Ones examines the one crime that Church,
State and Family thought they could hide in their own best
interests; Anselm's return is a compelling novel about the anatomy
of silence, the courage of victims and the redemptive power of
public justice.
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