The first edition of W. B. Yeats's "The Tower" appeared in bookstores in London on Valentine's Day, 1928. His English publisher printed just 2,000 copies of this slender volume of twenty-one poems, priced at six shillings. The book was immediately embraced by book buyers and critics alike, and it quickly became a bestseller.
Subsequent versions of the volume made various changes throughout, but this Scribner facsimile edition reproduces exactly that seminal first edition as it reached its earliest audience in 1928, adding an introduction and notes by esteemed Yeats scholar Richard J. Finneran.
Written between 1912 and 1927, these poems ("Sailing to Byzantium," "Leda and the Swan," and "Among School Children" among them) are today considered some of the best and most famous in the entire Yeats canon. As Virginia Woolf declared in her unsigned review of this collection, "Mr. Yeats has never written more exactly and more passionately."

W. B. Yeats's "The Winding Stair and Other Poems "was published in 1933 when Yeats was sixty-eight, ten years after he won the Nobel Prize and six years before his death in 1939. Yeats famously invoked in "Adam's Curse" the time he spent "stitching and unstitching" the lines of his work, but he also spent considerable time stitching and unstitching his poems to each other. "The Winding Stair "demonstrates that care, combining and reordering the poems of two earlier publications in an edition intended as the companion volume to "The Tower," published in 1928.
This Scribner facsimile edition reproduces exactly the pages of the elegantly planned and designed first edition of "The Winding Stair and Other Poems "as it first appeared, including a photo of the cover design on which Yeats collaborated. It adds an introduction and notes by celebrated Yeats scholar George Bornstein.
Yeats's longest separate volume of verse, it features sixty-four poems written in the late 1920s and early 1930s. Among them are such masterpieces as "Blood and the Moon," "Byzantium," the Coole Park poems, "Vacillation," and two separately titled long sequences ending with the exquisite lyric "From the 'Antigone.'" These poems amply justify T. S. Eliot's contention that Yeats was one of the few poets "whose history is the history of their own time, who are a part of the consciousness of an age which cannot be understood without them."

Since its first appearance in 1962, M. L. Rosenthal's classic selection of Yeats's poems and plays has attracted hundreds of thousands of readers. This newly revised edition includes 211 poems and 4 plays. It adds The Words Upon the Window-Pane, one of Yeats's most startling dramatic works in its realistic use of a seance as the setting for an eerily powerful reenactment of Jonathan Swift's rigorous idealism, baffling love relationships, and tragic madness. The collection profits from recent scholarship that has helped to establish Yeats's most reliable texts, in the order set by the poet himself. And his powerful lyrical sequences are amply represented, culminating in the selection from Last Poems and Two Plays, which reaches its climax in the brilliant poetic plays The Death of Cuchulain and Purgatory.

Scholars, students, and all who delight in Yeats's varied music and sheer quality will rejoice in this expanded edition. As the introduction observes, "Early and late he has the simple, indispensable gift of enchanting the ear....He was also the poet who, while very much of his own day in Ireland, spoke best to the people of all countries. And though he plunged deep into arcane studies, his themes are most clearly the general ones of life and death, love and hate, man's condition, and history's meanings. He began as a sometimes effete post-Romantic, heir to the pre-Raphaelites, and then, quite naturally, became a leading British Symbolist; but he grew at last into the boldest, most vigorous voice of this century." Selected Poems and Four Plays represents the essential achievement of the greatest twentieth-century poet to write in English.

The Collected Poems of W. B. Yeats includes all of the poems authorized by Yeats for inclusion in his standard canon. Breathtaking in range, it encompasses the entire arc of his career, from luminous reworkings of ancient Irish myths and legends to passionate meditations on the demands and rewards of youth and old age, from exquisite, occasionally whimsical songs of love, nature, and art to somber and angry poems of life in a nation torn by war and uprising. In observing the development of rich and recurring images and themes over the course of his body of work, we can trace the quest of this century's greatest poet to unite intellect and artistry in a single magnificent vision.

Revised and corrected, this edition includes Yeats's own notes on his poetry, complemented by explanatory notes from esteemed Yeats scholar Richard J. Finneran. The Collected Poems of W. B. Yeats is the most comprehensive edition of one of the world's most beloved poets available in paperback.

With a new Introduction by Cedric Watts, Research Professor of English, University of Sussex. W. B. Yeats was Romantic and Modernist, mystical dreamer and leader of the Irish Literary Revival, Nobel prizewinner, dramatist and, above all, poet. He began writing with the intention of putting his 'very self' into his poems. T. S. Eliot, one of many who proclaimed the Irishman's greatness, described him as 'one of those few whose history is the history of their own time, who are part of the consciousness of an age which cannot be understood without them'. For anyone interested in the literature of the late nineteenth century and the twentieth century, Yeats's work is essential. This volume gathers the full range of his published poetry, from the hauntingly beautiful early lyrics (by which he is still fondly remembered) to the magnificent later poems which put beyond question his status as major poet of modern times. Paradoxical, proud and passionate, Yeats speaks today as eloquently as ever.

Rooted in myth, occult mysteries, and belief in magic, these stories are populated by a lively cast of sorcerers, fairies, ghosts, and nature spirits. The great Irish poet heard these enchanting, mystical tales from Irish peasants, and the stories' anthropologic significance is matched by their timeless entertainment value.

The Wind Among the Reeds (1899) is a collection of poems and plays by W.B. Yeats. Containing many of the poet's early important works, The Wind Among the Reeds provides a rich sampling of Yeats' poems, illuminating his influence on the Celtic Twilight, a late-nineteenth century movement to revive the myths and traditions of Ancient Ireland, while charting his developing sense of the poet's place in history and a changing world. "The Song of Wandering Aengus" dramatizes aesthetic and romantic longing. The poem follows a man with "a fire...in [his] head" who peels "a hazel wand," hooks it with a berry, and catches himself "a little silver trout." Satisfied, he returns home to light a fire and cook himself a meal of fresh fish when, suddenly, the trout transforms into "a glimmering girl / With apple blossom in her hair." Haunted by her beauty, Aengus wanders the "hollow lands and hilly lands" in search of the girl, leaving his home and forsaking the promise of hard-earned comfort for the hope and hunger of vision . "The Song of the Old Mother," a deceptively simple lyric reminiscent of William Blake's Songs of Innocence and of Experience, is a brief meditation on the life of an elderly domestic worker. Rising at dawn, she ensures that "the seed of the fire flicker and glow," preparing the home for the day ahead while "the young lie long and dream in their bed" with no sense of the nature of work. The Wind Among the Reeds, Yeats' third collection of poems, introduces some of the poet's most enduring characters and personas, including Michael Robartes and Red Hanrahan, who dramatize for poet and reader the moods and minds which move a creative spirit. With a beautifully designed cover and professionally typeset manuscript, this edition of W.B. Yeats's The Wind Among the Reeds is a classic of Irish literature reimagined for modern readers.

Ideas of Good and Evil (1903) is a collection of wide-ranging essays by Irish poet W.B. Yeats. Writing on such subjects as the art of poetry, politics, and the occult, Yeats proves himself to be not only a master of verse and drama, but an immensely talented essayist and thorough scholar. "What is 'Popular Poetry'?" reflects on a changing Irish literary landscape which has, over the course of Yeats' career, established its own place in world literature apart from, and perhaps surpassing, its English counterpart. Juxtaposing "the poetry of the coteries, which presupposes the written tradition" and "the true poetry of the people, which presupposes the unwritten tradition," Yeats argues that the spirit of Irish poetry depends on its unfaltering connection to the itinerant bards and storytellers whose gift for musicality and memory kept language alive for a widely illiterate people. In "Magic," Yeats, a longtime member of the Hermetic Order of the Golden Dawn, discusses his belief in the occult. Musing on the power of symbol to evoke memories, as well as the revelation of his past lives, Yeats provides personal anecdotes and secondhand accounts of magical occurrences and experiences, exposing a world secrets and hidden meaning for believers and the uninitiated alike. "The Philosophy of Shelley's Poetry" is an academic essay in which Yeats argues that Shelley's poems far surpass the radical ideologies of such figures as William Godwin. Ideas of Good and Evil showcases the diverse intellectual and spiritual interests of W.B. Yeats, an icon of Irish literature and one of the twentieth century's leading poetic voices. With a beautifully designed cover and professionally typeset manuscript, this edition of W.B. Yeats's Ideas of Good and Evil is a classic of Irish literature reimagined for modern readers.

"Sword Against the Sea" is an adaptation of William Butler Yeats' six one-act plays and some of his most stirring poems about the Celtic hero Cuchulain. Arranged in the chronological order of Cuchulain's life and drawing exclusively on Yeats' own magnificent poetry, this two-act play presents the hero's failed attempt as a young man to achieve eternal life at the Hawk's Well; his tragic slaying of his own son and the realization that drives him in despair to fight the sea; his wife Emer's noble sacrifice to save his life by renouncing her love; and Cuchulain's death and spiritual transcendence as an aged warrior. Like the original Yeats' Cuchulain plays themselves, this adaptation calls for collaborations among different kinds of artists in the creation of masks, the use of dance and the possibility of including instrumental and sung music. These Cuchulain plays and poems are compressed, simplified, and reshaped for a rich, uplifting evening of theater.

"The Collected Works of W. B. Yeats, Volume II: The Plays" is part of a fourteen-volume series under the general editorship of eminent Yeats scholars Richard J. Finneran and George Mills Harper. This complete edition includes virtually all of the Nobel laureate's published work, in authoritative texts and with extensive explanatory notes.
"The Plays, " edited by David R. Clark and Rosalind E. Clark, is the first-ever complete collection of Yeats's plays that honors the order in which the plays first appeared. It provides the latest and most accurate texts in Yeats's lifetime, as well as extensive editorial notes and emendations.
Though best known as one of the most important poets of the twentieth century, from the beginning of his career William Butler Yeats understood the value of his plays and his poetry to be the same. In 1923, when he accepted the Nobel Prize for Literature, Yeats suggested that "perhaps the English committees would never have sent you my name if I had written no plays...if my lyric poetry had not a quality of speech practiced on the stage." Indeed, Yeats's great achievement in poetry should not be allowed to obscure his impressive and innovative accomplishments as a dramatist.
In "The Plays, " David and Rosalind Clark have restored the plays to the final order in which Yeats planned for them to be published. This volume opens with Yeats's introduction for an unpublished Scribner collection and encompasses all of his dramatic work, from "The Countess Cathleen" to "The Death of Cuchulain.
The Plays" enables readers to see clearly, for the first time, the ways in which Yeats's very different dramatic forms evolved over the course of his life, and to appreciate fully the importance of drama in the oeuvre of this greatest of modern poets.

The nineteenth autumn has come upon me Since I first made my count; I saw, before I had well finished, All suddenly mount And scatter wheeling in great broken rings Upon their clamorous wings.

Gathered by the renowned Irish poet, playwright, and essayist William Butler Yeats, the sixty-five tales and poems in this delightful collection uniquely capture the rich heritage of the Celtic imagination. Filled with legends of village ghosts, fairies, demons, witches, priests, and saints, these stories evoke both tender pathos and lighthearted mirth and embody what Yeats describes as “the very voice of the people, the very pulse of life.”

“The impact of these tales doesn’t stop with Yeats, or Joyce, or Oscar Wilde,” writes Paul Muldoon in his Foreword, “for generations of readers in Ireland and throughout the world have found them flourishing like those persistent fairy thorns.”

"The Collected Works of W. B. Yeats, Volume X: Later Articles and Reviews" is part of a fourteen-volume series under the general editorship of eminent Yeats scholars Richard J. Finneran and George Mills Harper. This first complete edition includes virtually all of the Nobel laureate's published work, in authoritative texts and with extensive explanatory notes.

"Later Articles and Reviews" consists of fifty-four prose pieces published between 1900 and Yeats's death in January 1939 and benefits from the notes and emendations of Yeats scholar Colton Johnson. The pieces collected here are occasional, and they reflect the many interests and engagements of Yeats in his maturity. No longer a reviewer or polemicist, Yeats is an international figure: a senator in the fledgling Irish state, a defining modern poet, a distinguished essayist. And here we have him writing -- with grace, wit, and passion -- on the state of Ireland in the world, on Irish language and Irish literature, on his artistic contemporaries, on the Abbey Theater, on divorce, on censorship, on his evolution as a poet and dramatist, on his own poetry.

"Volume X" also includes texts of ten radio programs Yeats broadcast between 1931 and 1937. This is not only the first collection but also the first printing of Yeats's radio work, which constitutes the largest previously uncollected body of his writings and possibly the most important to remain largely unstudied. Carefully assembled from manuscripts, typescripts, broadcast scripts, and fragmentary recordings, the programs range from a scripted interview on contemporary issues to elaborate stagings of his own and others' poetry. One of the radio programs is presented in an appendix complete with the commissioned musical score that set Yeats's poetry to music, Yeats's own emendations on the BBC broadcast script, and the diacritical notes with which the broadcast reader indicated Yeats's interpretive instructions.

Here, then, is seasoned Yeats, writing and speaking vigorously and with keen personal insight about the modern age and his place in it.

Fairy and Folk Tales of the Irish Peasantry (1888) is a collection of stories edited by W.B. Yeats. Compiled at the height of the Celtic Twilight, a movement to revive the myths and traditions of Ancient Ireland, Fairy and Folk Tales of the Irish Peasantry captures a wide range of stories, songs, poems, and firsthand accounts from artists and storytellers dedicated to the preservation of Irish culture. In "Frank Martin and the Fairies," a sickly man discusses the presence of dozens of fairies inside his weaving shop. When a child in his village falls ill, he claims to have seen the fairies building a small, simple coffin, preparing to convey the poor youth from the world of men to their own, shadowy realm. "Bewitched Butter," a tale from Donegal, recounts a strange event involving two farming families and a prized Kerry cow. When the young Grace Dogherty arrives on the Hanlon's doorstep asking to milk their cow, Mrs. Hanlon initially refuses her. But after several entreaties, the matriarch relents, allowing the girl to take some of the Kerry cow's milk. When Moiley stops producing milk, the Hanlon's fear that Grace has cast an evil eye on the cow, thereby threatening their livelihood. Fairy and Folk Tales of the Irish Peasantry compiles numerous tales of giants, gods, devils, kings and heroes, preserving the legends of Ireland's past, an age threatened with erasure by science, reason, and modern industrialization. With a beautifully designed cover and professionally typeset manuscript, this edition of W.B. Yeats's Fairy and Folk Tales of the Irish Peasantry is a classic of Irish literature reimagined for modern readers.

Poems (1920) is a collection of poems and plays by W.B. Yeats. Containing many of the poet's early important works, Poems illuminates Yeats' influence on the Celtic Twilight, a late-nineteenth century movement to revive the myths and traditions of Ancient Ireland. The collection opens with Yeats' verse drama The Countess Cathleen, which he dedicated to the actress and revolutionary Maud Gonne. Set during a period of famine in Ireland, The Countess Cathleen tells the story of a wealthy landowning Countess who sells her soul to the devil in order to save her starving tenants. The Land of Heart's Desire, Yeats' first professionally performed play, follows a young fairy child who disrupts the lives of two newlyweds and shakes a simple village to its core. The Rose contains some of the writer's most beloved early poems, including "To the Rose Upon the Rood of Time"-a symbolist lyric alluding to the Hermetic Order of the Golden Dawn-and "Fergus and the Druid," a dialogue in verse. In "Who Goes With Fergus," a poem blending ancient legend with modern Irish nationalism, Yeats asks the youth of his country to "brood on hopes and fears no more," to follow Fergus who "rules the shadows of the wood, / And the white breast of the dim sea / And all disheveled wandering stars." Yeats' writing, mysterious and rich with symbolism, demonstrates not just a mastery of the English language, but an abiding faith in the cause and principles of Irish independence. With a beautifully designed cover and professionally typeset manuscript, this edition of W.B. Yeats's Poems is a classic of Irish literature reimagined for modern readers.

The Wild Swans at Coole (1919) is a collection of poems by W.B. Yeats. Written while the poet was at the height of his career, The Wild Swans at Coole presents Yeats' typical concerns-aging, love, and the nature of art-against the backdrop of a decade of war. These poems, written during the First World War and the formative years of the Irish independence movement, reflect the harsh political and social realities of the era while remaining true to the mind of one of Ireland's greatest artists. The title poem, a meditative lyric on art, love, and aging, uses the image of wild swans to reflect the fleeting nature of years and worldly beauty. Having watched the swans for nineteen years, the poet wonders how, after so much time, "Their hearts have not grown old," while "Passion of conquest, wander where they will, / Attend upon them still." Disturbed that the world will not reflect his inner torment, he wonders what will happen when, one day, he awakes "To find they have flown away?" In "An Irish Airman Foresees His Death," Yeats reflects on the First World War from the perspective of a serviceman doomed by his own conflicting allegiances: "I know that I shall meet my fate / Somewhere among the clouds above; / Those that I fight I do not hate / Those that I guard I do not love." Despite this poem's political theme, Yeats includes another poem in the collection that questions the place of poetry in politics altogether. "On Being Asked for a War Poem" suggests that "A poet keep his mouth shut," his words being better suited to "A young girl in the indolence of her youth, / Or an old man upon a winter's night." The Wild Swans at Coole is a moving portrait of the poet's anxieties, of his fear of death and aging, of his faint suspicion that poetry, though beautiful, fails to address the issues of the era. With a beautifully designed cover and professionally typeset manuscript, this edition of W.B. Yeats's The Wild Swans at Coole is a classic of Irish literature reimagined for modern readers.

Ideas of Good and Evil (1903) is a collection of wide-ranging essays by Irish poet W.B. Yeats. Writing on such subjects as the art of poetry, politics, and the occult, Yeats proves himself to be not only a master of verse and drama, but an immensely talented essayist and thorough scholar. "What is 'Popular Poetry'?" reflects on a changing Irish literary landscape which has, over the course of Yeats' career, established its own place in world literature apart from, and perhaps surpassing, its English counterpart. Juxtaposing "the poetry of the coteries, which presupposes the written tradition" and "the true poetry of the people, which presupposes the unwritten tradition," Yeats argues that the spirit of Irish poetry depends on its unfaltering connection to the itinerant bards and storytellers whose gift for musicality and memory kept language alive for a widely illiterate people. In "Magic," Yeats, a longtime member of the Hermetic Order of the Golden Dawn, discusses his belief in the occult. Musing on the power of symbol to evoke memories, as well as the revelation of his past lives, Yeats provides personal anecdotes and secondhand accounts of magical occurrences and experiences, exposing a world secrets and hidden meaning for believers and the uninitiated alike. "The Philosophy of Shelley's Poetry" is an academic essay in which Yeats argues that Shelley's poems far surpass the radical ideologies of such figures as William Godwin. Ideas of Good and Evil showcases the diverse intellectual and spiritual interests of W.B. Yeats, an icon of Irish literature and one of the twentieth century's leading poetic voices. With a beautifully designed cover and professionally typeset manuscript, this edition of W.B. Yeats's Ideas of Good and Evil is a classic of Irish literature reimagined for modern readers.

The Secret Rose (1897) is a collection of poems by W.B. Yeats. Written in response to demands that the poet write "a really national poem or romance," The Secret Rose exhibits Yeats' devotion to personal mythology and occult orders, and is a brilliant display of symbolism by one of Irish literature's premier poets. "To the Secret Rose" opens the collection. The poem, inspired by Yeats' membership in the Rosicrucian Hermetic Order of the Golden Dawn, uses symbolism to evoke religion, myth, and history. The "Far off, most secret, and inviolate Rose" is an image of utopian longing, an ideal moment the poet awaits, envisions, and longs for. "The Crucifixion of the Outcast" is a parable in which a wandering bard is led by Christian brothers to his execution. As his cross is set in the earth, he offers a portion of his last meal to the beggars who have gathered to watch. When he is nailed to the cross, however, he finds that mercy without humility is a seed that cannot grow. In "The Curse of the Fires and of the Shadows," Puritan soldiers storm an abbey and attack a group of friars. Before he dies, the abbot raises the cross upon the altar, and promises divine vengeance. Immediately afterward, the soldiers are told that two messengers have escaped on horseback to warn and gather the people for a counterattack. The Secret Rose explores themes of faith and persecution while illuminating the proximity of life and myth for a poet whose subject is the soul. With a beautifully designed cover and professionally typeset manuscript, this edition of W.B. Yeats's The Secret Rose is a classic of Irish literature reimagined for modern readers.

The Countess Cathleen (1892) is a verse drama by W.B. Yeats. Dedicated to Maud Gonne, an actress and revolutionary whom Yeats unsuccessfully courted for years, The Countess Cathleen underwent several editions before being performed in its final version at Dublin's Abbey Theatre in 1911. Based on an Irish legend, the play, set during a period of intense famine, follows a land-owning Countess who decides to sacrifice her wealth and property in order to save the starving Irish people. As dusk gathers, a family prepares for dinner in their rural home. The fire is lit, and Shemus, the father, has returned home from a day of hunting with nothing to show for it. As they scrounge what they can to make themselves a meal, the Countess Cathleen arrives to ask them for directions. Touched by their suffering, the Countess returns home and begins to wonder what she can do to alleviate their difficult circumstances. Impatient, Shemus yells to the darkening woods to welcome whatever being, angel or devil, that would bring them money or something to eat. When two merchants arrive offering him gold for his services, it appears that the Countess, despite her good intentions, may already be too late. The Countess Cathleen is a drama written in blank verse that explores themes of poverty, faith, and Irish independence. With a beautifully designed cover and professionally typeset manuscript, this edition of W.B. Yeats's The Countess Cathleen is a classic of Irish literature reimagined for modern readers.