This book is based on William Caxton's translation of 15th century French author Raoul Lefevre book Histoire de Jason (he wrote in 1460). The Histoire de Jason is known from 20 manuscripts and 30 different printed editions, and was translated in English in 1477 by William Caxton, and in Dutch in 1485. Lefevre was the chaplain of Philip the Good, the creator of the Order of the Golden Fleece, which was based on the classical Jason story.

This book is based on William Caxton's translation of 15th century French author Raoul Lefevre book Histoire de Jason (he wrote in 1460). The Histoire de Jason is known from 20 manuscripts and 30 different printed editions, and was translated in English in 1477 by William Caxton, and in Dutch in 1485. Lefevre was the chaplain of Philip the Good, the creator of the Order of the Golden Fleece, which was based on the classical Jason story.

The first English translation of Ovid's Metamorphoses was the work of William Caxton, not just England's first printer but also a successful merchant, diplomat, and one of the most prolific translators of the fifteenth century. Extremely popular in the late Middle Ages, the stories in the Metamorphoses featured in works by Chaucer, Gower, and Lydgate. Caxton's translation, which survives only in a single manuscript now in Magdalene College, Cambridge, was made not from the original Latin but from a prose version of the French Ovide moralise, a chivalric adaptation which includes allegorical and historical interpretations of the fables as well as additional classical tales. In the fifteenth century, Burgundian chivalric taste influenced the proliferation of the prose romance, and this genre was, in turn, sought as the height of English literary fashion. The Booke of Ovyde is thus a perfect example of how Caxton both reflected and influenced literary tastes of his day. This critical edition, the first of the entire work, seeks to encourage the study of Caxton's Ovyde, both as an example of the late-medieval mise en prose and as a significant part of Caxton's considerable oeuvre. It also serves as an entry point into the complex textual tradition of medieval Ovidian commentaries.

Despite its title, Caxton's Game and Playe of the Chesse does not, in fact, have much to say about a game or about playing it ... Instead, the work uses the chessboard and its pieces to allegorize a political community whose citizens contribute to the common good. Readers first meet the king, queen, bishops (imagined as judges), knights, and rooks, here depicted as the king's emissaries. They are then introduced to the eight different pawns, who represent trades that range from farmers to messengers ... Paired with each profession is a list of moral codes ... These pairings reinforce the idea of a kingdom organized around professional ties and associations, ties that are in turn regulated by moral law. - from the Introduction