'One no more owes one's beauty to a lover, than one's wit to an echo.' With the Restoration of the monarchy in 1660, the republican ban on organised theatre was lifted - and plays exploded back onto the public stage with newfound relish. The arrival of actresses for the first time encouraged a great sense of release, which expressed itself in the form of sophisticated comedies exploring the sexual behaviour and moralities of society. This volume features three of the most popular Restoration Comedies: The Country Wife by William Wycherley - a supremely bawdy comedy in which the aptly named Horner pretends to be a eunuch in order to seduce women under the noses of their husbands. The Way of the World by William Congreve - a brilliant comedy of manners, complete with dashing suitor, rich heiress and vengeful aunt. The Rover by Aphra Behn - the classic Restoration comedy by one of the earliest and most celebrated female playwrights. There is also a full introduction about the plays, playwrights and the period, and a glossary of unfamiliar words. The Drama Classic Collections bring together the most popular plays from a single author or a particular period. They offer students, actors and theatregoers a series of uncluttered, accessible editions, accompanied by comprehensive introductions.

Hero longing for heiress. Obstacles in the way. Marriage eventually secured. It sounds simple. But the lasting appeal of this, one of the most performed and discussed of all Restoration plays, lies in Congreve's sophisticated grasp of plot, back-story, characterization and language. Set in high-society London, his comic masterpiece features scenes of uproarious comedy, Machiavellian scheming and devastating wit. Its sparring between sexes is enchanting but shadowed by melancholy and the ethical uncertainty latent in the title. If this is the way of the world, are we supposed to cheer, despair, or shrug our shoulders? In this new edition of William Congreve's The Way of the World, David Roberts peels back the layers of the plot to tell the story of the play's stage and critical history from 1700 to the present day, bringing voices from universities and theatres into debate about this enigmatic landmark in English comedy. Supplemented by a plot summary and annotated bibliography, it is ideal for students of Congreve, comedy and early modern drama.

This is the only available edition of a brilliant novel by the leading Restoration dramatist and author of The Way of the World. Masked balls, mistaken identity, and fanciful deceits run riot in this hilarious tale of love and intrigue by the master of the Restoration comedy. Returning to Florence on the occasion of his eighteenth birthday, Aurelian - together with his sworn companion Hippolito - dons his disguise in anticipation of the famous Florentine ball. Once there, the two are soon separated, and each finds himself paired off with a beautiful - and masked - woman. Whilst Aurelian yearns to learn the true identity of his 'love', Hippolito is mistaken for another and brazenly plays along with the conceit. Chaos abounds as masks are dropped, truth revealed, and, somehow, all ends happily.