J.J. Abrams directs this seventh instalment of the epic sci-fi film series in which Harrison Ford, Carrie Fisher and Mark Hamill reprise their roles from the original trilogy. Set 30 years after 'Return of the Jedi' (1983), the film follows Han Solo (Ford), Princess Leia (Fisher) and new characters scavenger Rey (Daisy Ridley), former stormtrooper Finn (John Boyega) and X-wing pilot Poe Dameron (Oscar Isaac) as they face powerful forces from the dark side in the form of First Order commander Kylo Ren (Adam Driver) and his master Supreme Leader Snoke (Andy Serkis). The film was nominated for five Academy Awards including Best Original Score (John Williams), Best Visual Effects and Best Editing.

This revised Student Edition includes an introduction by Daniel Ciba, which looks in particular at the play as a piece of realism or experimentalism and considers the play through the lens of Queer Identity. The introduction includes discussion of very recent revivals and adaptations of the play across the world. The Glass Menagerie, Tennessee Williams' first great popular success and an autobiographical play about his mother and sister, launched the brilliant and controversial career of this ground-breaking American playwright. Set in St Louis during the depression era of the 1930s, it is the poignant drama of a family's gradual disintegration, under pressure both from outside and within. METHUEN DRAMA STUDENT EDITIONS are expertly annotated texts of a wide range of plays from the modern and classic repertoires. A well as the complete text of the play itself, this volume contains: · A chronology of the play and the playwright’s life and work · an introductory discussion of the social, political, cultural and economic context in which the play was originally conceived and created · a succinct overview of the creation processes followed and subsequent performance history of the piece · an analysis of, and commentary on, some of the major themes and specific issues addressed by the text · a bibliography of suggested primary and secondary materials for further study.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

There I Go Again is a celebrity memoir like no other, revealing the life of a man whose acting career has been so rich that millions of Americans know his face even while they might not recognize his name. William Daniels is an enigma-a rare chameleon who has enjoyed massive success both in Hollywood and on Broadway and been embraced by fans of successive generations. Few of his peers inspire the fervor with which buffs celebrate his most iconic roles, among them George Feeny in Boy Meets World, KITT in Knight Rider, Dr. Mark Craig in St. Elsewhere, and John Adams in the play and film 1776. Daniels guides readers through some of Hollywood's most cherished productions, offering recollections of entertainment legends including Lauren Bacall, Warren Beatty, Kirk Douglas, Michael Douglas, Audrey Hepburn, Marilyn Monroe, Mike Nichols, Jason Robards, Barbra Streisand, and many more. Looking back on his seventy-five-plus-year career, Daniels realizes that although he never had the courage to say "no" to being an actor, he backed into stardom. With his wife, actress Bonnie Bartlett, by his side, he came to realize that he wound up exactly where he was supposed to be: on the screen and stage.

In the words of Cornel West, Raymond Williams was 'the last of the great European male revolutionary socialist intellectuals'. A figure of international importance in the fields of cultural criticism and social theory, Williams was also preoccupied throughout his life with the meaning and significance of his Welsh identity. Who Speaks for Wales? was the first collection of Raymond Williams's writings on Welsh culture, literature, history and politics. Published in 2003, it appeared in the early years of Welsh political devolution and offered a historical and theoretical basis for thinking across the divisions of nationalism and socialism in Welsh thought. This edition, appearing in the centenary of Williams's birth, appears at a very different moment in which - after the Brexit referendum of 2016 - Raymond Williams's 'Welsh-European' vision seems to have been soundly rejected and is now a reminder of what might have been. This new edition includes material that was not included in the first edition, with a new afterword in which the editor argues that Williams continues to speak to our moment. Daniel G. Williams's new edition further underlines the ways in which Raymond Williams's engagement with Welsh issues makes a significant contribution to contemporary international debates on nationalism, class and ethnicity. Who Speaks for Wales? remains essential reading for everyone interested in questions of nationhood and identity in Britain and beyond.

The life and songs of singer-songwriter Momus during his time at Creation records and beyond. Momus - the stage name of musician Nicholas Currie - is one of the most prolific and talented indie songwriters of the last forty years. His work is controversial, influential and highly regarded. From aspiring indie pop star of the 1980s to Japanese chart success in the 1990s through many experimental works to the present day, he has been a constant in the search for intelligent, thinking person's pop. Jarvis Cocker asked him to produce his band Pulp, the NME memorably awarded his album "Hippopotamomus" 0/10, Creation Records dropped him when he proved too dangerous for them, and his more controversial work led to astounding legal tussles. His personal life has involved scandal and heartbreak and he lost an eye following an infection, resulting in his distinctive eye-patch. His songs including "The Hairstyle of the Devil", "The Guitar Lesson" and "I Want You but I Don't Need You" are acclaimed and have been covered by artists including Amanda Palmer and Steven Wilson.

What works in math and why has never been the issue; the research is all out there. Where teachers struggle is the "how"-something the research rarely manages to tackle. That's the big service What Successful Math Teachers Do provides. It's a powerful portal to what the best research looks like in practice, strategy by strategy-aligned in this new edition to both the Common Core and the NCTM Standards. How exactly does What Successful Math Teachers Do work? It couldn't be easier to navigate. The book's eleven chapters organize clusters of strategies around a single aspect of a typical instructional program. For each of the 75 strategies, the authors present: A brief description of that strategy A summary of supporting research The NCTM and Common Core Standards it meets--and how Classroom applications, with examples Precautions and possible pitfalls Primary sources for further reading and research

Brain Research in Addiction, Volume 235, the latest volume in this groundbreaking series on addiction, presents the neurobiological, pathological, cognitive and evolutionary aspects of addiction, with new chapters covering the Neurobiology of drug intake escalation, the Role of the orexinergic system in reward, Mental time travel and addictive behaviors, An evolutionary perspective on addiction- Addiction is the price we pay for innovation and adaptability, and how Cocaine exposure affects object-place recognition memory in non-human primates. Chapters in this serial are presented by leading researchers from North America, South America, Europe, Africa, Asia and Australia, who present addiction research from the bottom up, including how addiction evolved, basic research on animal models, and the psychiatric, psychological and cognitive characteristics of addictive behaviors in humans.

Scientism: The New Orthodoxy is a comprehensive philosophical overview of the question of scientism, discussing the role and place of science in the humanities, religion, and the social sciences. Clarifying and defining the key terms in play in discussions of scientism, this collection identifies the dimensions that differentiate science from scientism. Leading scholars appraise the means available to science, covering the impact of the neurosciences and the new challenges it presents for the law and the self. Illustrating the effect of scientism on the social sciences, and the humanities, Scientism: the New Orthodoxy addresses what science is and what it is not. This provocative collection is an important contribution to the social sciences and the humanities in the 21st century. Contributors include: Peter Hacker, Bastiaan van Fraassen, Daniel N. Robinson, Kenneth Schaffner, Roger Scruton, James K.A. Smith, Richard Swinburne, Lawrence Principe and Richard N. Williams.