Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Every manager knows a business is a system, yet very few have studied systems thinking or system dynamics. This is a critical oversight, one which Simple_Complexity remedies. Simple_Complexity reveals the fundamental system archetype at work in your enterprise and prescribes new and exciting ways to re-invigorate your management thinking. Picking up where the greats in management thought leave off, Simple_Complexity provides a systems context that powerfully enriches traditional management thought and practice.

Death is inevitable, and yet the vast majority of the developed world seems to want to ignore this fact and avoid the sad inevitability. However, death is an inevitability, and trying to avoid talking about it is a mistake. Estimated Time of Departure takes readers on a journey of one man and his family having these discussions and how powerfully loving and revealing they were. In this funny, moving, poignant memoir, William Donaldson tells the story of how he talked with his parents over an extended period about their end-of-life thoughts and philosophy. He shares the sad, funny, maddening, sweet, and rewarding sides of this journey and makes a compelling and impassioned plea to readers to not miss this opportunity. They were not without sadness and challenges, but by virtue of talking and exploring the topic, the family came closer together and the inevitable passing became, while still sad, a cathartic, deeply rewarding event. Estimated Time of Departure was written to give readers the courage to have these discussions and shows that hope, love, and reverence can be seen by having them.

Every manager knows a business is a system, yet very few have studied systems thinking or system dynamics. This is a critical oversight, one which Simple_Complexity remedies. Simple_Complexity reveals the fundamental system archetype at work in your enterprise and prescribes new and exciting ways to re-invigorate your management thinking. Picking up where the greats in management thought leave off, Simple_Complexity provides a systems context that powerfully enriches traditional management thought and practice.

Pipers takes the reader inside the world of the performer community of Scottish piping, introducing the instrument itself and the various different repertories. It also discusses piping techniques as well as information on some of the great piping dynasties and individual pipers. Dr Willie Donaldson shows how 'traditional music', often assumed to be the anonymous product of a dim and distant past, is the creation of gifted individuals operating in a sophisticated and vigorously ongoing enterprise. Since pipers have often been skilled also on the fiddle, keyboards and small-pipes, or as singers or dancers, their story offers fascinating insights into the whole traditional music and song repertoire of Scotland. Pipers is a well-informed and highly readable account by a prize-winning author who is a piper and composer of pipe music as well as an internationally recognised historian of Scottish tradition.

John William Donaldson (1811 61), though somewhat unorthodox in his methods, was an important, if controversial, figure in the development of comparative philology. In this 1844 publication, he attempts to supply young English scholars of Latin with an introductory guide to Latin philology by outlining the origins of the Roman people and, through this, explaining the foundational structures of the Latin language and how they gave rise to Classical Latin. Epigraphic evidence, drawn from the Twelve Tables in particular, is examined as part of the enquiry into Old Latin, and other Italic languages such as Umbrian, Oscan and Etruscan are considered as part of the development of a more standardised Latin language. Although many of the conclusions Donaldson draws are based on limited evidence, the book remains an interesting specimen of early comparative philology. His earlier work on Greek, The New Cratylus (1839), is also reissued in this series."

The philologist and biblical critic John William Donaldson (1811 61) published this pioneering work in 1839. It is an attempt to apply the principles of comparative philology to ancient Greek, elucidating the grammar and syntax of the language by comparing it with actual or conjectural cognate languages. As well as producing a great deal of original research on the subject, Donaldson was the first British philologist to bring the work of continental scholars to the attention of English readers. In the book's first section, he gives a history of philology, surveys its present state and expounds a philosophy of language. Here he sets Greek in the context of other Indo-European languages, and outlines a theory of the Greek alphabet and its origins. In the second section, he examines pronouns, numerals, prepositions and particles before considering the noun in the third section, and finally the various tenses and moods of the verb in the fourth section.

General Books publication date: 2009 Original publication date: 1856 Notes: This is a black and white OCR reprint of the original. It has no illustrations and there may be typos or missing text. When you buy the General Books edition of this book you get free trial access to Million-Books.com where you can select from more than a million books for free. Excerpt: Quadrivium itself, naturally led to the substitution of examinations, -- in which the relative merit of mathematical students was more accurately tested, -- for the school disputations, in which the logic of the Trivium played a prominent part; and the influence of Newton, Cotes, and Smith, not unassisted by the more general scholars, Barrow and Bentley, paved the way for the establishment of the mathematical tripos in the middle of the 18th century. The literary tendencies of Trinity College, and the great scholars produced by that institution, began about the same time to assert the claims of classical learning to similar encouragement in the examinations. First, Chancellor's Medals were instituted for the two best classical scholars in the first mathematical tripos list. Then, Bishop Monk, the immediate successor of Porson, after improving the classical examinations of Trinity College and of the University at large, contrived, with great difficulty, to effect in 1824 the establishment of a classical tripos open to all Bachelors whose names had appeared in the mathematical tripos. And, at last, the students of classical literature are about to be allowed to compete for places in a tripos of their own, without the previous necessity of appearing as class-men in mathematics. By these examinations a broad foundation has been laid for the re-establishment of the school of arts at Cambridge; and the Trivium and the Quadrivium, appearing in a modern dress as learning and science, literature and philosophy, grammar and geometry, philology and physiology, may now be regarded as receiving, or about to receiv...

Sometimes accused of privileging controversy over scholarly restraint, the philologist John William Donaldson (1811 1861) was a precocious talent. Only twenty-five when this book was first published in 1836, he was already a fellow of Trinity College, Cambridge, and would live to see his book appear in numerous editions. Revisiting the subject of a successful book published a decade earlier by P. W. Buckham (died 1829), a fellow of St. John's College, Donaldson's colourful new approach proved popular with readers. The appeal of his writing endures, and few can resist his invitation to 'strip our thoughts of their modern garb' and escape into a world of dramatic comedy and tragedy. From the historical account of Thespis, the forefather of Western acting, to an engaging analysis of Euripides and Sophocles, this introduction retains all of the appeal that made it a standard text on the Victorian student's bookshelf.

The Highland bagpipe has long been a central strand of Scottish identity, but what happened to the Highland bagpipe in the two centuries following Culloden? How was its music transmitted and received? This study presents contemporary evidence and uses a range of methods to recreate the changing world of the pipers as they influenced and were influenced by the transformation in Scottish society. This book is intended for pipers exploring the achievements and musical concerns of their predecessors; for the general reader interested in a music whose history is akin to that of Scotland's poetry and song; and for all students of the process of tradition.Combining newspaper and manuscript evidence from the pipers themselves with a wide range of historical sources, the author harnesses the insights of the practical player to those of the historian and provides a fresh account of the players and their musical traditions, which have previously been the subject of much myth-making. This is the first history of the musical culture of the worldwide piping community.