Christian theatre has rich roots, from ancient Hebrew dramas to medieval plays, but where does it fit in today's media-saturated society?
"Performing the Sacred "is a fascinating dialogue between a theologian and theatre artist, offering the first full-scale exploration of theatre and theology. The authors illuminate the importance of live performance in a virtual world, of preserving the ancient art form of storytelling by becoming the story. Theologically, theatre reflects Christianity's central doctrines--incarnation, community, and presence--enhancing the human creative experience and simultaneously engaging viewers on multiple levels.
This Engaging Culture series title will be a key volume for those interested in theatre as well as drama practitioners, worship leaders, and culture makers.

Outreach Magazine's 2012 Resource of the Year Award Winner 2012 Book of the Year Award, Foreword Magazine The entire material world can be divided between the Natural Environment and the Built Environment. Over the past forty years, the Natural Environment has received more attention of the two, but that is beginning to change. With a renewed interest in "place" within various academic disciplines and the practical issues of rising fuel costs and scarcity of land, the Built Environment has emerged as a coherent and engaging subject for academic and popular consideration. While there is a growing body of work on the Built Environment, very little approaches it from a distinctly Christian perspective. This major new work represents a comprehensive and grounded approach. Employing tools from the field of theology and culture, it demonstrates how looking at the Built Environment through a theological lens provides a unique perspective on questions of beauty, justice, and human flourishing.

Three media experts guide the Christian moviegoer into a theological conversation with movies in this up-to-date, readable introduction to Christian theology and film. Building on the success of Robert Johnston's Reel Spirituality, the leading textbook in the field for the past 17 years, Deep Focus helps film lovers not only watch movies critically and theologically but also see beneath the surface of their moving images. The book discusses a wide variety of classic and contemporary films and is illustrated with film stills from favorite movies.

From the iPod to the car radio, from movie soundtracks to Muzak at the shopping mall, from singing in the shower to the concert arena, music is an unavoidable part of our lives. Not only is music ubiquitous, it is powerful: creating moods, evoking memories and images, uniting people, and providing an outlet of expression for even the most tone deaf among us. Besides its prominent position in culture, music has obviously had a key role in the worship of God's people.

This well-rounded study examines the connections between music and theology by engaging Scripture, musical history, and contemporary culture and exploring how God's truth sounds and how it might "re-sound" in the realm of music. "Resounding Truth" will help readers develop discernment and wisdom, both for thinking about music in the church and Christian life and for engaging with one of culture's most influential touchstones.

"A profound, rigorous, and original work. Very few new books in theology or religious studies show this level of freshness and imagination. I hope it will be a landmark essay in this crucial field of reflection on theology and the creative arts." --Rowan Williams, Archbishop of Canterbury

"Jeremy Begbie is musician/theologian par excellence. Whatever music you enjoy and wherever you are on the journey of faith and understanding, he will delight, surprise, challenge, and inspire you. A wonderful book by a wonderful writer, thinker, and musician." --N. T. Wright, Bishop of Durham

"Jeremy Begbie has published a number of fine books in which he, as both a Christian theologian and a practicing musician, reflects on music; but this is his finest. It is theologically acute, deeply informed by both thehistory of music and the history of reflections on music, and throughout displays Begbie's wide-ranging engagement with music of many kinds from both the past and the present. A rich contribution!" --Nicholas Wolterstorff, Yale University and University of Virginia

"Jeremy Begbie's thinking emerges out of a fusion of the best musical thinking about theology and the best theological thinking about music. The resulting text is charged with energy and insight--and not just for musicians and theologians. This vital work is poised to energize and strengthen the entire Christian community." --John D. Witvliet, Calvin Institute of Christian Worship

"This book resounds with the thoughtful, dynamic, and always engaging voice of Jeremy Begbie. Marked by a breathtaking range, driven by a creative vision, and packed with judicious insights, it will no doubt shape conversations about theology and the arts for years to come." --Roger Lundin, Wheaton College

2018 Clifford G. Christians Ethics Research Award This informed theology of communication and media analyzes how we consume new media and technologies and discusses the impact on our social and religious lives. Combining expertise in religion online, theology, and technology, the authors synthesize scholarly work on religion and the internet for a nonspecialist audience. They show that both media studies and theology offer important resources for helping Christians engage in a thoughtful and faith-based critical evaluation of the effect of new media technologies on society, our lives, and the church.

Hip-hop culture is experiencing a sea change today that has implications for evangelism, worship, and spiritual practices. Yet Christians have often failed to interpret this culture with sensitivity. Sociologist, preacher, pop-culture expert, and DJ Ralph Watkins understands that while there is room for a critique of mainstream hip-hop and culture, by listening more intently to the music's story listeners can hear a prophet crying out, sharing the pain of a generation that feels as though it hasn't been heard. His accessible, balanced engagement reveals what is inherently good and redeeming in hip-hop and rap music and uses that culture as a lens to open up the power of the Bible for ministry to a generation.

Is contemporary art a friend or foe of Christianity? In "God in the Gallery" art historian, critic, and curator Daniel Siedell constructs a framework for interpreting modern art from a Christian worldview. He contends that art is not antithetical or hostile to Christianity but is in resonant dialogue with it. Siedell also examines the function of art criticism and the role of visual art in Christian worship and experience.

"Dan Siedell is an exceptionally thoughtful and articulate observer of the very difficult intersection of religious belief and contemporary art. The book is full of unexpected and promising confluences. Here a reader will find the principal secular theorists of modernism, but this book is also 'nourished by Nicene Christianity' and informed by a wonderful range of authors, from Florensky, Levinas, and Wyschogrod to Seerveld, Wolterstorff, Walford, and Dyrness. This is a tremendous book, a genuine effort at dialogue in an arena marked by the near-complete absence of open exchange."--James Elkins, E. C. Chadbourne Chair in the Department of Art History, Theory, and Criticism, School of the Art Institute of Chicago

""God in the Gallery" is a seminal work of interpretation, a guide for skeptics and faithful alike, in which Siedell offers a most profound, encouraging survey of contemporary art. An Emmaus Road encounter for those traveling on the path of contemporary art, Siedell's careful and loving attention paid to known and unknown artists will surely open our eyes. A must read for all of us laboring in the art world and in the arts academia."--Makoto Fujimura, artist; founder/creative director, International Arts Movement

"Daniel Siedell's passionate appreciationfor common grace is apparent on every page of "God in the Gallery," This is a book that should be widely read not only for its penetrating account of the contemporary art world but also for its larger understanding of Christ and culture."--John Wilson, editor, "Books & Culture"

The title, Violent Grace, suggests a paradox. This pairing has become an unexpected gateway into the astonishingly varied and prolific artistic career of Edward Knippers. Violence conjures images of aggression while grace has long been associated with beauty, poise, or an unmerited gift, perhaps even a kind of salvation. Within the ambiguity of this fertile paradox, the art of Edward Knippers-which can initially shock and disturb-opens up into something rich and rewarding. Our lives are reflected in the lives of his biblical characters; we understand their message in our own flesh and blood. Edward Knippers grapples with the perennial human questions embedded in the Bible-a strenuous effort never satisfied until it has extracted a blessing. This is the image of violent grace. Drawn into the wrestling match, we come away wounded-and blessed-by a passionate, unreasonable, overwhelming beauty.

In this book, Craig Detweiler examines forty-five films from the twenty-first century that resonate theologically--from "The Lord of the Rings "trilogy to "Little Miss Sunshine"--offering groundbreaking insight into their scriptural connections and theological applications.
Detweiler writes with the eye of a filmmaker, leads Hollywood and religion initiatives at Fuller Seminary, and even came to faith through cinema. In this book, he unpacks the "theology of everyday life," exploring the Spirit of God in creation, redemption, and "general revelation" through sometimes unlikely filmmakers. It's the first authoritative book that dissects up-to-date movies selected by the popular Internet Movie Database.
This book is recommended for teachers, students, pastors, film fans, and those interested in the intersection of Christianity and culture.