Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Belief in the symbolic and lucky properties of numbers is deep-rooted in Chinese culture, particularly the number 5, as seen in the Five Elements, the Five Colors, the Five Tastes and the Five Cardinal Virtues. These beliefs pre-date Buddhism, Taoism and Confucianism, and in this illustrated book which combines travel, history, myth and mysticism, Geil uses the symbolism of the number 5 to unravel the early history of one of China's most famous sites -- Tai Shan, the sacred mountain of China -- allowing us to understand why it is so important to the Chinese.

The Gospel Coaltion Award of Distinction-Arts and Culture ECPA Top Shelf Award Winner For practitioners and fans, jazz expresses the deepest meanings of life. Its rich history and its distinctive elements like improvisation and syncopation unite to create an unrepeatable and inexpressible aesthetic experience. But for others, jazz is an enigma. Might jazz be better appreciated and understood in relation to the Christian faith? In this volume, theologian and jazz pianist William Edgar argues that the music of jazz cannot be properly understood apart from the Christian gospel, which like jazz moves from deep lament to inextinguishable joy. By tracing the development of jazz, placing it within the context of the African American experience, and exploring the work of jazz musicians like Miles Davis, Duke Ellington, John Coltrane, Ella Fitzgerald, and Louis Armstrong, Edgar argues that jazz deeply resonates with the hope that is ultimately found in the good news of Jesus Christ. Grab a table. The show is about to begin.

Considers the relationship between Christianity and culture

The definitive history of one of Porsche's most beloved and competitive racing champions. Forty Six tells the unlikely underdog story of the car that scored Porsche's first racing victories and helped establish their commercial success: the 356/2 063. Beginning at the company's post-World War II nadir, Bill Wagenblatt illuminates how Porsche rose from the ashes to overcome multiple trials and near-disasters to compete with this vehicle at Le Mans, the Liege-Rome-Liege Rally, and Montlhéry, where they set new racing records in the 1950s. Wagenblatt follows the tale into the twenty-first century, making clear how the 356/2 063 helped set Porsche Motorsport on its way to becoming the juggernaut that we know today. Including a wealth of archival photos and documents that have never been before published, along with a unique look at the car's US history, Forty Six is the definitive history of one of Porsche's most beloved and competitive racing champions.

This Open Access book presents the current state of the art knowledge on social and affective neuroscience based on empirical findings. This volume is divided into several sections first guiding the reader through important theoretical topics within affective neuroscience, social neuroscience and moral emotions, and clinical neuroscience. Each chapter addresses everyday social interactions and various aspects of social interactions from a different angle taking the reader on a diverse journey. The last section of the book is of methodological nature. Basic information is presented for the reader to learn about common methodologies used in neuroscience alongside advanced input to deepen the understanding and usability of these methods in social and affective neuroscience for more experienced readers.

This Open Access book presents the current state of the art knowledge on social and affective neuroscience based on empirical findings. This volume is divided into several sections first guiding the reader through important theoretical topics within affective neuroscience, social neuroscience and moral emotions, and clinical neuroscience. Each chapter addresses everyday social interactions and various aspects of social interactions from a different angle taking the reader on a diverse journey. The last section of the book is of methodological nature. Basic information is presented for the reader to learn about common methodologies used in neuroscience alongside advanced input to deepen the understanding and usability of these methods in social and affective neuroscience for more experienced readers.

This introduction to Reformed apologetics explores foundational principles and offers practical guidance for talking with unbelievers.

This resource provides biblical truths concerning suffering and challenges readers to promote justice and emulate God's grace to those who are suffering. Part of the Theology in Community series.

It can be difficult to ask questions, far less answer them. Perhaps you've felt that sometimes the questions you really want to ask just can't be answered. They're too difficult; too embarrassing; and perhaps you shouldn't be asking them anyway. William Edgar takes a selection of twenty-four questions just like that - questions that are asked by young adults just like you - and gives a biblical, common sense, unpatronising answer to each. Edgar tackles issues such as 'Where is God?' 'Can we trust the Bible?' 'What about love and sex?' 'Does God love gay people?' 'When will the World end?' 'Are there vampires?' 'Can I have real friends?'