At once criminal and savior, clown and creator, antagonist and mediator, the character of trickster has made frequent appearances in works by writers the world over. As Margaret Atwood observed, trickster gods ""stand where the door swings open on its hinges and the horizon expands; they operate where things are joined together and, thus, can also fall apart."" A shaping force in American literature, trickster has appeared in such characters as Huckleberry Finn, Rinehart, Sula, and Nanapush. Usually a figure both culturally specific and transcendent, trickster leads the way to the unconscious, the concealed, and the seemingly unattainable. Trickster Lives offers thirteen new and challenging interpretations of trickster in American writing, including essays on works by African American, Native American, Pacific Rim, and Latino writers, as well as an examination of trickster politics. This innovative collection of work conveys the trickster's unmistakable imprint on the modern world.

A type of folklore, myth is central to all cultures. Myths convey serious truths learned over generations and provide practical advice for living within a society. And while many myths go back to antiquity, they are also an important part of popular culture. Because they are so fundamental to civilization, myths are studied in a range of disciplines and at all levels. This reference is a comprehensive but convenient introduction to the role of myth in world cultures. Written by a leading authority, this handbook is of use to high school students, undergraduates, and general readers. It defines and classifies types of myth and provides numerous examples, many of which illustrate the significance of myth to contemporary society. In addition, it surveys the history of the study of myth and overviews critical approaches. It examines the relation of myths to larger contexts, such as politics, religion, and popular culture. The volume closes with a bibliography of print and electronic resources and a glossary.

Creation myths, quests, the eternal battle between good and evil, these are some of the classic tales that feed the ravenous beast of modern culture. For many the classical traditions of the Greeks and the Romans occupy the imagination but the ancient world was a lively and fertile source of stories, reaching much further back than the pantheon of Zeus and his fellow gods. For the early civilisations, from the ancient Chinese to African tribal societies, stories were told to explain the origins of fierce weather, of unexplained disasters, of floods and earthquakes. Many traditions developed independently but still echoed similar themes in the natural human desire to understand the world around us. This new book brings to life the myths and legends of eight intriguing traditions: Native American, Chinese, Celtic, Scottish, Greek, Viking, Indian and African. With a cast of characters as broad and wide as the ancient river Styx the book is packed with the great themes of life: love, revenge, eternal conflict, the obsession with power and the everlasting the battle between the wily and the strong. This powerful new book is a dazzling collection of the most gripping tales, vividly retold.

Mythical Trickster Figures is the first substantial collection of essays about the trickster figure since Paul Radin's influential 1955 publication of The Trickster. Contributions by leading scholars treat a wide range of manifestations of this mischievous character, ranging from the Coyote of the American Southwest to such African figures as Eshu-Elegba and Ananse, the Japanese Susa-no-o, the Greek Hermes, Christian adaptations of Saint Peter, and examples found in contemporary American fiction and drama. Original essays by authors known for their work on trickster figures provide resources for comprehending the nature of the phenomenon and challenge some previous interpretations. The contributors include T.O. Beidelman, Anne Doueihi, Robert S. Ellwood, Laura Makarius, Robert D. Pelton, Mac Linscott Ricketts, Thomas J. Steele, S.J., Christopher Vecsey, as well as the editors. Several contributors deconstruct earlier comparativist works in favor of culture-specific analysis and provide for a grasp of the transcultural qualities of the trickster myths and figures that appear in the local mythologies of different societies. The many humorous trickster stories included are fascinating in themselves, and Hynes and Doty highlight the wide range of features of the trickster - the figure whose comic appearance often signifies that the most serious cultural values are being both challenged and enforced. Mythical Trickster Figures moves away from earlier studies that considered the figure merely "primitive" or located in the basement of the human psyche suggesting instead that the spirit of metaplay is crucial to human and social maturation.

This new edition of William Doty's critically acclaimed study provides a comprehensive guidebook to the many schools of interpretation in this burgeoning field. William Doty's popular text has been hailed as the most comprehensive work of its kind. Extensively rewritten and completely restructured, the new edition provides further depth and perspective and is even more accessible to students of myth. It includes expanded coverage of postmodern and poststructuralist perspectives, the Gernet Center, mythic iconography, neo-Jungian approaches, and cultural studies, and it summarizes what is new in the study of Greek myth, iconography, French classical scholarship, and ritual studies. It also features a comprehensive index of names and topics, a glossary, an up-to-date annotated bibliography, and a guide to myth on the Internet. Presenting all major myth theorists from antiquity to the present, Mythography is an encyclopedic work that offers a cross-disciplinary approach to the study of myth. By reflecting the dramatic increase in interest in myth among both scholars and general readers since publication of the first edition, it remains a key study of modern approaches to myth and an essential guide to the wealth of mythographic research available today.

The Matrix films, along with the video games, anime and toys inspired by them, are rich with philosophical, religious and social references that cry out for interpretation. Here these ideas are examined in the context of the history of thought and cinema. The variety of applications in this study is remarkable, engaging thinkers ranging from conservative Christians to postmodernist critics. Feminist issues meet cyberpunk, cosmological perspectives meet mythological and literary analysis. Violence in society, American values, politics, heroic models - all are called into question as several esteemed scholars decode the entire world of the Matrix franchise.

Few media franchises can match The Matrix for enthusiasm of reception and subsequent proliferation. Who in 1999 could have imagined that the momentum of a single film would sustain two more major theatrical releases in a single year, a collection of nine anime cartoons, a best-selling computer game, and more websites than can be counted? Jacking In To The Matrix Trilogy will be the first academic study to take an in-depth look at all of these products, a coherent overview of the franchise as a whole. The Matrix films are rich with mythological and religious references, as well as drawing upon futuristic fiction. Such richness demands a variety of decoding interpreting skills, and the array of talent in this volume will lay bare many of the strand that have given the Matrix creations such a sense of magic. The book gathers original articles that comment on the cultural and religious implications of The Matrix trilogy, its place within the cyberworlds of contemporary literature and philosophy, and its portrayal of gender and race. The volume also makes conjectures about the ethical and social consequences of taking either the red of the blue pill. Jacking In To The Matrix Trilogy wil