No modern U.S. president inherited a stronger, safer international position than Bill Clinton. In 1992, the Cold War was over, and the nation was at peace and focused on domestic issues. Despite this temporary tranquility, Clinton would soon be faced with a barrage of crises, including flare-ups of unrest in the Middle East, ethnic conflict in Yugoslavia, uneasy relations with Japan and China, persistent trouble in the Persian Gulf, the dissolution of the USSR, and disastrous situations in Somalia and Haiti.

In this comprehensive and balanced examination of Clinton's foreign policy--the first such book to cover all the global focal points of his administration to date--William G. Hyland brilliantly shows the effects of combining this confusion with Clinton's unique personality characteristics. His first term was marked, in the author's analysis, by murky policy, unrealistic goals, and the mishandling of several crises. By the end of that term he learned some hard lessons, was able to alter his pattern of response, and reversed himself on some major aspects of foreign policy--all to benefit, in the author's view, the country and the world as a whole.

"This is an excellent and authoritative book -- one that will no doubt become the standard biography of Richard Rodgers". -- Allen Forte, Yale University

Richard Rodgers, a musical genius whose Broadway career spanned six successful decades, composed more than a thousand songs for the American stage. Although he reaped wealth, success, and recognition that included two shared Pulitzer Prizes, Rodgers found happiness elusive. In this first comprehensive biography of Rodgers, William G. Hyland tells the full story of the complex man and his incomparable music.

Hyland's portrait of Rodgers (1902-79) begins with his childhood in an affluent Jewish family living in the Harlem neighborhood of Manhattan. During college years at Columbia University and early work on the amateur circuit and Broadway, Rodgers entered into a historic collaboration with the lyricist Lorenz Hart. The team produced a dozen popular shows and such enduring songs as "The Lady Is a Tramp". Rodgers' next partnership, with Oscar Hammerstein II, led to the creation of the musical play, a new and distinctively American art form. Beginning with Oklahoma in 1943, this pair dominated Broadway for almost twenty years with a string of hits that remain beloved favorites: Carousel, South Pacific, The King and I, and The Sound of Music. When Hammerstein died in 1960, Rodgers began a new phase in his career, writing the lyrics to his own music, then joining lyricists Stephen Sondheim, Sheldon Harnick, and Martin Charnin. Despite periods of depression, excessive drinking, hypochondria, and devastating illness at different points in his life, Rodgers' outpouring of music seemed little affected, and he continued to compose untilhis death at age seventy-seven. An icon of the musical theater, Rodgers left a legacy of timeless songs that audiences return to hear over and again.

Hyland reveals both the man and his creations, revealing how Gershwin became the first composer to apply popular music to classical forms, how his work reflected the turmoil of America in the Jazz Age, and how, despite his fame, he never achieved the happiness and contentment a genius of his stature deserved. This is a fascinating new biography that no Gershwin fan—and no music fan—should be without. George Gershwin pioneered the crossover from Broadway musicals to concert audiences, culminating in what is arguably America's greatest opera, Porgy and Bess. In William G. Hyland's new biography, Gershwin's personality and music are reexamined. Hyland illustrates how the composer's craftsmanship was criticized and his music was relegated to the status of lowbrow for decades, until the relatively recent appreciation of his achievements. Yet for all of his artistic brilliance, Gershwin was vulnerable and discontented in his personal life. Hyland reveals both the man and his creations, revealing how Gershwin became the first composer to apply popular music to classical forms, how his work reflected the turmoil of America in the Jazz Age, and how, despite his fame, he never achieved the happiness and contentment a genius of his stature deserved. This is a fascinating new biography that no Gershwin fan—and no music fan—should be without.

The magisterial “collaboration” over half a lifetime between historian Dumas Malone and his subject, Thomas Jefferson, is the basis for William G. Hyland Jr.’s compelling volume Long Journey with Mr. Jefferson. Malone, the courtly and genteel historian from Mississippi, spent thirty-eight years researching and writing the definitive biography of the man who “invented the United States of America.” Meticulously researched, Long Journey with Mr. Jefferson is a comprehensive, fascinating biography that will be welcomed by scholars and general readers alike.

The belief that Thomas Jefferson had an affair and fathered a child (or children) with slave Sally Hemings---and that such an allegation was "proven" by DNA testing--has become so pervasive in American popular culture that it is not only widely accepted but taught to students as historical "fact." But as William G. Hyland Jr. demonstrates, this "fact" is nothing more than the accumulation of salacious rumors and irresponsible scholarship over the years, much of it inspired by political grudges, academic opportunism, and the trend of historical revisionism that seeks to drag the reputation of the Founding Fathers through the mud. In this startling and revelatory argument, Hyland shows not only that the evidence against Jefferson is lacking, but that in fact he is entirely innocent of the charge of having sexual relations with Hemings.

Historians have the "wrong" Jefferson. Hyland, an experienced trial lawyer, presents the most reliable historical evidence while dissecting the unreliable, and in doing so he cuts through centuries of unsubstantiated charges. The author reminds us that the DNA tests identified Eston Hemings, Sally's youngest child, as being merely the descendant of a "Jefferson male." Randolph Jefferson, the president's wayward, younger brother with a reputation for socializing among the Monticello slaves, emerges as the most likely of several possible candidates. Meanwhile, the author traces the evolution of this rumor about Thomas Jefferson back to the allegation made by one James Callendar, a "drunken ruffian" who carried a grudge after unsuccessfully lobbying the president for a postmaster appointment---and who then openly bragged of ruining Jefferson's reputation. Hyland also delves into Hemings family oral histories that go against the popular rumor, as well as the ways in which the Jefferson rumors were advanced by less-than-historical dramas and by flawed scholarly research often shaped by political agendas.

Reflecting both a layperson's curiosity and a lawyer's precision, Hyland definitively puts to rest the allegation of the thirty-eight-year liaison between Jefferson and Hemings. In doing so, he reclaims the nation's third president from the arena of Hollywood-style myth and melodrama and gives his readers a unique opportunity to serve as jurors on this enduringly fascinating episode in American history.

Hyland reveals both the man and his creations, revealing how Gershwin became the first composer to apply popular music to classical forms, how his work reflected the turmoil of America in the Jazz Age, and how, despite his fame, he never achieved the happiness and contentment a genius of his stature deserved. This is a fascinating new biography that no Gershwin fan--and no music fan--should be without.

George Gershwin pioneered the crossover from Broadway musicals to concert audiences, culminating in what is arguably America's greatest opera, "Porgy and Bess." In William G. Hyland's new biography, Gershwin's personality and music are reexamined. Hyland illustrates how the composer's craftsmanship was criticized and his music was relegated to the status of lowbrow for decades, until the relatively recent appreciation of his achievements.

Yet for all of his artistic brilliance, Gershwin was vulnerable and discontented in his personal life. Hyland reveals both the man and his creations, revealing how Gershwin became the first composer to apply popular music to classical forms, how his work reflected the turmoil of America in the Jazz Age, and how, despite his fame, he never achieved the happiness and contentment a genius of his stature deserved. This is a fascinating new biography that no Gershwin fan--and no music fan--should be without.