Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

In The American Military Tradition historians John M. Carroll and Colin F. Baxter gather an esteemed group of military historians to explore the pivotal issues and themes in American warfare from the Colonial era to the present conflict in Iraq. From the reliance on militia and the Minutemen of the American Revolution to the all-volunteer specialized troops of today, these twelve essays analyze the continuities and changes in the conduct of war over the past three centuries. In this completely revised second edition, new essays explore Napoleonic warfare, the American Civil War, the Plains Wars in the West, the War against Japan, the nuclear arms race, and the War on Terror. The book, while not avoiding the nature of battle, goes beyond tactics and strategy to include the enormous social and political impact of America's wars.

In The American Military Tradition historians John M. Carroll and Colin F. Baxter gather an esteemed group of military historians to explore the pivotal issues and themes in American warfare from the Colonial era to the present conflict in Iraq. From the reliance on militia and the Minutemen of the American Revolution to the all-volunteer specialized troops of today, these twelve essays analyze the continuities and changes in the conduct of war over the past three centuries. In this completely revised second edition, new essays explore Napoleonic warfare, the American Civil War, the Plains Wars in the West, the War against Japan, the nuclear arms race, and the War on Terror. The book, while not avoiding the nature of battle, goes beyond tactics and strategy to include the enormous social and political impact of America's wars.

Bad Karma: Thinking Twice About the Social Consequences of Reincarnation Theory is a cautionary study set in the context of the history of ideas. The thesis of the book is that rising popularity of reincarnation theory in American culture poses a significant danger- especially in light of the dramatic transitions brought about by the globalization of corporate values in the 21st century. America faces an immediate future in which displacement and social stratification will be a prominent feature of the social life. Viewed through the prism of reincarnation theory, desperate poverty may come to be seen not as an outrage to justice, but as an expression of justice- justice on a "deeper" level. Those born into wretched circumstances will be seen as having made choices as to their birth; brutal and deprived lives will be seen as people "working out their karma." The book opens with a philosophical analysis of the doctrines of both reincarnation and karma. The history of the doctrines in India will be reviewed, and various emergences of reincarnation doctrine in the West will be presented. Special attention brought to why none of these emergences took root in Western culture. Finally, the development of Buddhism in America is assessed, with special attention given to whether an American version of Buddhism necessarily entails a belief in reincarnation.

Swashbuckling tales of valiant gauchos roaming Argentina and Uruguay were nineteenth-century Latin American bestsellers. But when the stories jumped from the page to the circus stage and beyond, their cultural, economic, and political influence revolutionized popular culture and daily life. In this expansive and engaging narrative William Acree guides readers through the deep history of popular entertainment before turning to circus culture and rural dramas that celebrated the countryside on stage. More than just riveting social experiences, these dramas were among the region's most dominant attractions on the eve of the twentieth century. Staging Frontiers further explores the profound impacts this phenomenon had on the ways people interacted and on the broader culture that influenced the region. This new, modern popular culture revolved around entertainment and related Products, yet it was also central to making sense of social class, ethnic identity, and race as demographic and economic transformations were reshaping everyday experiences in this rapidly urbanizing region.

In the South, one can find any number of bronze monuments to the Confederacy featuring heroic images of Robert E. Lee, Stonewall Jackson, J. E. B. Stuart, and many lesser commanders. But while the tarnish on such statues has done nothing to color the reputation of those great leaders, there remains one Confederate commander whose tarnished image has nothing to do with bronze monuments. Nowhere in the South does a memorial stand to Lee's intimate friend and second-in-command James Longstreet.

In "Lee's Tarnished Lieutenant," William Garrett Piston examines the life of James Longstreet and explains how a man so revered during the course of the war could fall from grace so swiftly and completely. Unlike other generals in gray whose deeds are familiar to southerners and northerners alike, Longstreet has the image not of a hero but of an incompetent who lost the Battle of Gettysburg and, by extension, the war itself. Piston's reappraisal of the general's military record establishes Longstreet as an energetic corps commander with an unsurpassed ability to direct troops in combat, as a trustworthy subordinate willing to place the war effort above personal ambition. He made mistakes, but Piston shows that he did not commit the grave errors at Gettysburg and elsewhere of which he was so often accused after the war.

In discussing Longstreet's postwar fate, Piston analyzes the literature and public events of the time to show how the southern people, in reaction to defeat, evolved an image of themselves which bore little resemblance to reality. As a product of the Georgia backwoods, Longstreet failed to meet the popular cavalier image embodied by Lee, Stuart, and other Confederate heroes. When he joined the Republican party during Reconstruction, Longstreet forfeited his wartime reputation and quickly became a convenient target for those anxious to explain how a "superior people" could have lost the war. His new role as the villain of the Lost Cause was solidified by his own postwar writings. Embittered by years of social ostracism resulting from his Republican affiliation, resentful of the orchestrated deification of Lee and Stonewall Jackson, Longstreet exaggerated his own accomplishments and displayed a vanity that further alienated an already offended southern populace.

Beneath the layers of invective and vilification remains a general whose military record has been badly maligned. "Lee's Tarnished Lieutenant" explains how this reputation developed--how James Longstreet became, in the years after Appomattox, the scapegoat for the South's defeat, a Judas for the new religion of the Lost Cause.

Swashbuckling tales of valiant gauchos roaming Argentina and Uruguay were nineteenth-century Latin American bestsellers. But when the stories jumped from the page to the circus stage and beyond, their cultural, economic, and political influence revolutionized popular culture and daily life. In this expansive and engaging narrative William Acree guides readers through the deep history of popular entertainment before turning to circus culture and rural dramas that celebrated the countryside on stage. More than just riveting social experiences, these dramas were among the region's most dominant attractions on the eve of the twentieth century. Staging Frontiers further explores the profound impacts this phenomenon had on the ways people interacted and on the broader culture that influenced the region. This new, modern popular culture revolved around entertainment and related Products, yet it was also central to making sense of social class, ethnic identity, and race as demographic and economic transformations were reshaping everyday experiences in this rapidly urbanizing region.