Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Classical topographer Sir William Gell (1777-1836) first came to public attention with his Topography of Troy (1804). Based on his travels around Bunarbashi, near to where Schliemann would subsequently excavate, the work became a standard treatise. Byron even wrote: 'Of Dardan tours let dilettanti tell, / I leave topography to classic Gell.' A noted conversationalist and intellectual intermediary, Gell became a Fellow of the Royal Society and, indeed, a Member of the Society of Dilettanti. He also served, in 1803, on a diplomatic mission to the Ionian Islands; his subsequent journey, with the archaeologist Edward Dodwell, through the Peloponnese - then known as the Morea - became the subject of several later books, including Narrative of a Journey in the Morea (1823; also reissued in this series) and this 1817 publication. Comprising a survey of routes through the area, and their natural and archaeological landmarks, it sheds light on both contemporary Greece and the practicalities of early topographical study.

The antiquary Sir William Gell (1777 1836) was most famous for his two books on the archaeological discoveries at Pompeii (also reissued in this series) but his interest in the topography of classical sites resulted in several other publications, including this two-volume work, first published in 1834. The work was intended to accompany a map (available to download at http: //www.cambridge.org/9781108042109) of the territory of Ancient Rome, for which the field research and surveying activities were carried out in 1822. It provides alphabetical entries (from Abbatone to Zagarolo) on all the sites in Rome and its environs, with their modern names and populations, and their significance in ancient history and literature. Volume 2 also contains essays on the history and languages of Ancient Italy, and supplements to various entries, where new discoveries had been made during the course of the work's preparation.

The antiquary Sir William Gell (1777 1836) was most famous for his two books on the archaeological discoveries at Pompeii (also reissued in this series) but his interest in the topography of classical sites resulted in several other publications, including this two-volume work, first published in 1834. The work was intended to accompany a map (available to download at http: //www.cambridge.org/9781108042109) of the territory of ancient Rome, for which the field research and surveying activities were carried out in 1822. It provides alphabetical entries (from Abbatone to Zagarolo) on all the sites in Rome and its environs, with their modern names and populations, and their significance in ancient history and literature. Volume 2 also contains essays on the history and languages of ancient Italy, and supplements to various entries, where new discoveries had been made during the course of the work's preparation.

The antiquary Sir William Gell (1777-1836) was most famous for his two books on the archaeological discoveries at Pompeii (also reissued in this series) but his interest in the topography of classical sites is also reflected in this work, first published in 1823. Gell describes his experiences of many visits to the Peloponnese over a period of twenty years, during which the Greek movement for independence from the Ottoman Empire was gathering momentum and widespread support in Europe. Written partly in response to a request to 'give us anything but your dull maps and measures', the book does not discuss archaeological sites in detail but rather records impressions of the lives of the Greek and Turkish inhabitants in the period immediately before the outbreak of war. Gell's own conclusions about the prospects for 'Grecian liberty' are gloomy: he holds it to be 'quite unattainable at the present day'.

Sir William Gell (1777-1836) was a British archaeologist well known for his drawings of sites and objects of classical interest. Gell published this new, two-volume edition of his Pompeiana in 1832, in an effort to describe the latest archaeological discoveries in the Roman city destroyed by an eruption of Mount Vesuvius in 79 CE. Concerned 'that time will incalculably diminish the freshness of those objects ... stripped of their external coats by the rains of winter or the burning suns of summer', he made it his task to describe what he had seen both through description and through his own numerous illustrations. In this first volume, Gell focuses on sites including the forum, baths, and the temple of Fortune. Pompeiana reveals both the history of the excavations, the individual finds, and the processes of field archaeology itself during a more romantic age.

Sir William Gell (1777-1836) was a British archaeologist well known for his drawings of sites and objects of classical interest. Gell published this new, two-volume edition of his Pompeiana in 1832, in an effort to describe the latest archaeological discoveries in the Roman city destroyed by an eruption of Mount Vesuvius in 79 CE. Concerned 'that time will incalculably diminish the freshness of those objects ... stripped of their external coats by the rains of winter or the burning suns of summer', he made it his task to describe what he had seen both through description and through his own numerous illustrations. In this second volume, Gell focuses on two Pompeiian homes and provides a commentary on the illustrative plates interspersed throughout the book. Pompeiana reveals both the history of the excavations, the individual finds, and the processes of field archaeology itself during a more romantic age.