Here is a true story of international intrigue, romances, corruption, graft, and political assassinations, the like of which has never been written before. It is the story of how different groups or atheistic- materialistic men have played in an international chess tournament to decide which group would win ultimate control of the wealth, natural resources, and man- power of the entire world. It is explained how the game has reached the final stage. The International Communists, and the International Capitalists, (both of whom have totalitarian ambitions) have temporarily joined hands to defeat Christian-democracy. The solution is to end the game the International Conspirators have been playing right now before one or another totalitarian-minded group imposes their ideas on the rest of mankind. The story is sensational and shocking, but it is educational because it is the TRUTH. The author offers practical solutions to problems so many people consider insoluble.

The first edition of William A. Guy's "Principles of Forensic Medicine" was published at the start of Victoria's reign; the final edition, from which these selections derive, was published towards the end, just a few years after the Whitechapel horrors had pushed the emerging science to the forefront of the public's consciousness. With this guide in hand, a detective could tell whether the victim had suffocated, drowned, been shot, stabbed, or struck by lightning, spontaneously combusted, frozen to death or expired due to starvation - or, as the guide warns, was not dead at all, but simply in a state of 'suspended animation'. Suggestions include examining the face of the deceased for an 'expression of angry resistance', a clear indication of murder, and studying the demeanour of the nearest and dearest in cases of suspected 'secret poisoning'. With original woodcuts, case studies and notes on identifying the corpse and walking the crime scene, "Victorian CSI" will fascinate lovers of crime fiction and of true crime alike.

Among the more frequently quoted epidemiological facts in current public health discussions are: (a) the elderly today represent about 10% of the population of the industrialized world; (b) the third world nations are moving in the same direction; (c) the trend toward a growing proportion of the aged in the world population will continue over the next few decades; (d) people over 80 now represent the fa. stest growing sector in North America; (e) in the elderly, general morbidity - and particularly morbidity of the central nervous syste- is many times that in the younger popUlation; (f) 5% of those over 65 years of age and 20% of those over 80 suffer from some degree of dementia. A global tidal wave of patients suf fering from Alzheimer's disease (or senile dementia) is threat ening to engulf us by the year 2000. This disease, which is, at our present state of knowledge, ir reversible, and other age-related dementias are perhaps the most sinister forms of any disability. They deprive their vic tims not only of their physical capacities but also of their autonomy and their ability to think and to make decisions for themselves. The future cost of psychogeriatric diseases in terms of suffering for individuals, stress for families, demand for manpower, and budgetary requirements for governments could become astronomical."

Self-taught Georgia artist Eddie Owens Martin (1908-86), known as St. EOM, created a visionary art site called Pasaquan in the mid-1950s in Marion County, Georgia. Covering seven acres, this evocative and fanciful site has captured the imaginations of thousands of visitors. Pasaquan includes six buildings connected by concrete walls, all of which are adorned with the artist's vibrant, psychedelic folk art of bold, transfixing patterns, spiritual and tribal imagery, and exuberant depictions of nature. According to St. EOM, his art arose from a vision he experienced in his mid-twenties, while suffering from a high fever. The first of many visionary experiences, it featured a godlike being who offered to be Martin's spiritual guide. Subsequent visions inspired him to begin making art and, eventually, to create a spiritual compound dedicated to a peaceful future for humankind. St. EOM enlarged his house to twice its original size by adding a long rear section covered inside and out with his rainbow-hued murals, mandalas, and relief sculptures. On the grounds he built a series of structures including a circular dance platform, some small temples, several totems, and a two-story pagoda, all in his wildly ornamental style. He also created more than two thousand freestanding pieces, including paintings, sculptures, and drawings. In the thirty years since St. EOM's death, the Pasaquan Preservation Society worked to preserve the compound, which had fallen into neglect. In 2014 the Kohler Foundation and Columbus State University partnered with the society to restore the visionary art site for future generations. It is now listed on the National Register of Historic Places.

In the face of frequent and sometimes loose contemporary usage of the term "born again" (which is the King James Version Bible rendering of a phrase from John 3:3), the authors attempt to examine what the New Testament reveals about the process of being "born from above" (which is a preferable Bible translation of the Johannine phrase).