This book (hardcover) is part of the TREDITION CLASSICS. It contains classical literature works from over two thousand years. Most of these titles have been out of print and off the bookstore shelves for decades. The book series is intended to preserve the cultural legacy and to promote the timeless works of classical literature. Readers of a TREDITION CLASSICS book support the mission to save many of the amazing works of world literature from oblivion. With this series, tredition intends to make thousands of international literature classics available in printed format again - worldwide.

Vipassand-bhavand, "the development of insight," embodies the essence of the teaching of the Buddha. As taught by S. N. Goenka, this path to self-awareness is extraordinary in its simplicity, its lack of dogma and, above all, its results. The Vipassana technique can be successfully applied by anyone.

Based on the lectures and writings of S. N. Goenka--and prepared under his direct guidance--The Art of Living shows how this technique can be used to solve problems, develop unused potential, and lead a peaceful, productive life. It includes stories by S. N. Goenka, as well as answers to students' questions, that convey a vivid sense of his teaching.

S. N. Goenka's Vipassana courses have attracted thousands of people of every background. Unique among teachers of meditation, Goenka is a retired industrialist and former leader of the Indian Community in Burma. Although a layman, his teaching has won the approval of senior Buddhist monks in Burma, India, and Sri Lanka, a number of whom have taken courses under his guidance. Despite his magnetism, he has no wish to be a "guru" --instead he teaches self-responsibility. This is the first systematic study of his teachings to appear in English.

This early work on The Queen cook Book is both expensive and hard to find in it's first edition, this is a fascinating read and is thoroughtly recommended for inclusion on any cooks book shelf. This comprehensive book contains many receipes which are still useful and practical today. Many of the earliest books, particularly those dating back to the 1900's and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

Iconography is undergoing a revival in twenty-first-century American Catholicism. William Hart McNichols, who paints in his studio in New Mexico, is one of the most popular iconographers of this renaissance, and this book comprises a selection of his icons and sacred images. The book presents images of holy women and holy men as well as images of Mary and Jesus. Philosopher and theologian John D. Dadosky introduces each piece and demonstrates how McNichols’s paintings communicate sacred stories as well as mark significant moments in the artist’s personal development.

A child learns that he must let go of hurt feelings and not let them grow big.

This book covers all relevant techniques of diagnosis as well as interpretations of clinical signs in Clinical Neuro-Ophthalmology. All information is highly structured, highlighting 'definition', 'note' and 'pearl', so that it can also be used by the physician during the patient encounter. The included flow chart posters remind the physician of the most important information. This unique and practical guide offers invaluable and practical advice for physicians treating patients with neuro-ophthalmic problems.

This scarce antiquarian book is a selection from Kessinger PublishingA AcentsAcentsa A-Acentsa Acentss Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of intere

MY LIFE EAST AND WEST BY WILLIAM S. HART WITH ILLUSTRATIONS BOSTON AND NEW YORK, HOUGHTON MIFFLIN COMPANY Comfctfiige 1929 COPYRIGHT, 1939, BY WILLIAM S. HART ALL RIGHTS RESERVED, INCLUDING THE RIGHT TO RB3 RO3 tTCX THIS BOOK OK FARTS THEREOF IN ANY FORM WILLIAM S. HART From the painting by Charles M. Russell Seepage 176 CONTENTS I. WHITE GOLD 3 II. THE UNBROKEN WEST 14 III. A BOY RIDER 31 IV THE BACKBONE OF THE Sioux COUNTRY 47 V. Two FUGITIVES AND A CIRCUS 68 VI. THE EAST 73 VIL ATHLETICS AND ROUGH CORNERS 83 VIIL THE YOUNG ACTOR 103 IX. A STARRING SUCCESS WITHOUT CAPITAL 131 X. JULIA ARTHUR AND BEN HUR 144 XI. OuT, OUT, BRIEF CANDLE 154 XIL CHILDHOOD DAYS REBORN 166 XIII. THE GREAT OPPORTUNITY PICTURES 198 XIV. THE BIG SALARY AND THE BREAK WITH TOM INCE 226 XV. WAR WORK 245 XVL THE FORMING OF UNITED ARTISTS 274 XVIL WILL ROGERS 3 O1 XVIII. N THE BEAT OF THE LIVING SUN 318 XIX. TUMBLBWEEDS 33 XX. A LONG, LONG TRAIL 347 INDEX 353 ILLUSTRATIONS WILLIAM S. HART Colored Frontispiece From the painting by Charles M, Russell THE AUTHOR AT THE AGE OF THREE 4 SCENE IN TUMBLEWEEDS HAND TALK 14 Sioux INDIANS ABOUT TO HOLD A WAR DANCE 48 From an old photograph by D. F. Barry A TYPICAL SCENE OF THE WEST or MY BOYHOOD 66 THE MANHATTAN ATHLETIC CLUB HAD TAKEN ME IN 88 THE MAN IN THE IRON MASK 132 IT WAS A FAR CRY FROM THE WESTERN PRAIRIES TO ROMEO 144 ORIGINAL CAST OF BEN HUR 148 A RANGE RIDER OF THE YELLOWSTONE 172 From the bronze statue of William S, Hart by C, C. Cristadoro un veiled at Billings Montana, July 4, 1927 TO-DAY ON THE HORSESHOE RANCH 198 THE GREATEST ALL-ROUND HORSE THAT EVER LIVED 210 DOUG MOVED TOO FAST FOR THE RAYS OF THE SUN TO HIT HIM 214 MY COSTUME WAS HALF A PINT OF BOLEARMENIA AND Two FEATHERS 222 MY WELCOME TO THE LASKY STUDIO WILLIAM S. HART, MARY PICKFORD, JESSE LASKY, CECIL DE MILLE 242 MAKING A MOTION PICTURE FOR THE LIBERTY LOAN BILL, DOUG, MARY, JULIAN ELTINGE, AND MARSHALL NEILAN 246 THE LADIES PET THAT BECAME A BLACK DEMON 258 THE GATHERING ON WALL STREET 264 vii ILLUSTRATIONS ANNA Q. NILLSON AND WILLIAM S. HART IN THE TOLL GATE a88 BILL HART AND BAT MASTERSON ON THE ROOF OF THB TELEGRAPH BUILDING 308 A GOOD SCENE IN WILD BILL HICKOKL 318 WILLIAM S. HART 336 From a painting by James Montgomery Flagg SCENE IN TUMBLEWEEDS JUST BEFORE THE FIRING OF THE SIGNAL GUN 342 AT THE CUSTER BATTLE-FlELD, JUNE 25, 1 926 348 I SEE MYSELF A LAD MY LIFE EAST AND WEST MY LIFE EAST AND WEST CHAPTER I WHITE GOLD A black night on the Western prairie a fear-crazed, unbroken colt lunging along a dimly marked trail a ten-year-old boy, his only garment a nightgown riding bareback, one hand tangled in the mane of a flying animal y the other clutching the rope of a hacka more a frightened boy dragged from sleep and sent on a wild mid night ride seeking help to prevent a murder. A black night pierced dimly and intermittently through a misty fog by street gas-lamps a heavily loaded ice-wagon its scale irons clanking dismally against its sides, lumbering over rough cobbled pavements a man and a dozing boy of fourteen the first and second hands on the drivers seat. The man jerks his lines and clucks to his team. An hour s journey brings dawn and the man will be at the back of the wagon weighing ice and the boy climbing New York tenement stairways, with ice upon his back. I WAS bom at Newburgh, New York. My first recollec tion is of Oswego, Illinois, My father was a miller, and we lived near the flour mill on the Fox Riven There were only two houses. It was springtime. The ice had broken up and was cumbrously and slowly grinding its way down-river. The out-of-banks torrent was still raging, however, and here and there a large slab of ice would be picked up by the very force of the current and dashed hurtling through the air, 3

Curator's Statement Light in All Darkness: Images and Icons by William Hart McNichols is an exhibition brimming with inspiring icons, figures and people from diverse backgrounds. You will see icons of Kateri Tekakwitha "The Lily of the Mohawks," St. Rose of Lima, Patroness of the Americas, and even Princess Diana. The real "light in all darkness" of this exhibition is Father Bill himself. It has been an honor to work with him on the exhibition and catalog, sometimes daily, making a careful selection of the images and icons you will see in this exhibit. We were very thoughtful in selecting the images to bring hope and light to those in a time of darkness. The timeliness of this exhibit has made it even more impactful. Shanna Shelby, program administrator, McNichols Civic Center Building, Denver Arts & Venues