'A few minutes, it seemed, and I had risen above the great mountains – floating, alone, afar in the redness. At a tremendous distance below, the arena showed, dimly; with the mighty House looking no larger than a tiny spot of green. The Swine-thing was no longer visible.' In the damp and neglected heart of a ruin in the wilds of the west of Ireland, a manuscript is discovered entitled The House on the Borderland. Penned by an enigmatic Recluse, the contents spin an account of an uncanny and isolated existence, which unfolds into a hallucinatory and mind-wracking journey into cosmic revelations and encounters with beasts and beings without name. For the Recluse seems to have discovered another land and in it another House; a jade-green double of his own in a realm in which the bounds of reality are untethered. First published in 1908, this masterpiece of Horror and the uncanny was a direct influence on the imagination of H P Lovecraft and was described by Terry Pratchett as ‘the Big Bang in my private universe as a science fiction and fantasy reader and, later, writer’.

Available for the first time in trade paperback, the first of five volumes collecting the complete fiction of William Hope Hodgson, an influential early twentieth-century author of science fiction, horror, and the fantastic. William Hope Hodgson was, like his contemporaries Algernon Blackwood and Arthur Machen, one of the most important, prolific, and influential fantasists of the early twentieth century. His dark and unsettling short stories and novels were shaped in large part by personal experience (a professional merchant mariner for much of his life, many of Hodgson's tales are set at sea), and his work evokes a disturbing sense of the amorphous and horrific unknown. While his nautical adventure fiction was very popular during his lifetime, the supernatural and cosmic horror he is most remembered for only became well known after his death, mainly due to the efforts of writers like H. P. Lovecraft and Clark Ashton Smith, who often praised his work and cited it as an influence on their own. By the later half of the twentieth century, it was only his weird fiction that remained in print, and his vast catalog of non-supernatural stories was extremely hard to find. Night Shade Books's five-volume series presents all of Hodgson's unique and timeless fiction. Each volume contains one of Hodgson's novels, along with a selection of thematically-linked short fiction, including a number of works reprinted for the first time since their original publication. The first of the five-volume set, The Boats of the "Glen Carrig" and Other Nautical Adventures, collects all of Hodgson's series nautical fiction, including the Sargasso Sea Story cycle. The Complete Fiction of William Hope Hodgson is published by Night Shade Books in the following volumes: The Boats of the "Glen Carrig" and Other Nautical Adventures The House on the Borderland and Other Mysterious Places The Ghost Pirates and Other Revenants of the Sea The Night Land and Other Romances The Dream of X and Other Fantastic Visions

The Valley of Lost Children by William Hope Hodgson This book contains twelve works of mystery and horror by William Hope Hodgson, a prolific early 20th century author who produced mysteries, horror, and science fiction. Hodgson is probably best known for HOUSE ON THE BORDERLAND. H. P. Lovecraft lists this and other works by Hodgson among his greatest influences.

Six tales of Carnacki the Ghost Finder, tales of the outre, the unexpected, and the unexplained from a reknowned master of the macabre, William Hope Hodgeson. (This jacketless hardcover edition is intended for the library trade.)

This is an account of their adventures in the strange places of the Earth, after the floundering of the good ship Glen Carrig through striking upon a hidden rock in the unknown seas to the Southward. It is as told by John Winterstraw, Gent., to his son James Winterstraw, in the year 1757, who committed very properly and legibly to manuscript. This is a Wildside Fantasy Classic

William Hope Hodgson's "cosmic horror" classic continues the Haunted Library of Horror Classics series. In a ruined house at the edge of an abyss lies the diary of a madman… Two friends on a fishing trip make an unsettling discovery when the river they've been following abruptly ends and reappears some 100 feet below the edge of an abyss. If that wasn't unnerving enough, the river runs along the remains of an oddly shaped house, half-swallowed by the pit. Within the ruins, they discover the moldering journal of an unidentified man—the Recluse—who had lived in the house years ago. Its pages reveal the man's apparent descent into madness—why else would he chronicle haunted visions, trips to other dimensions, and attacks by swine-like creatures that have followed him home? After a horrific vision in which he witnesses the end of the earth and time itself, the Recluse awakens in his study to find nothing has changed—except that his dog has dissolved into a pile of dust. And then the "swine things" return... Introduced by modern horror master Ramsey Campbell as "an enduring classic of cosmic terror," The House on the Borderland has inspired dozens of other classic horror novels and indelibly changed the genre. Influencing writers from H.P. Lovecraft to Terry Pratchett, this 1908 masterpiece shucks the conventions of Gothic horror and presents an eerie mix of sci-fi, fantasy, and the supernatural.

The House on the Borderland by William Hope Hodgson. "What were they, those Beast- gods, and the others? At frst, they had appeared to me, just sculptured Monsters, placed indiscriminately among the inaccessible peaks and precipices of the surrounding mountains. Now, as I scrutinised them with greater intentness, my mind began to reach out to fresh conclusions. There was something about them, an indescribable sort of silent vitality, that suggested, to my broadening consciousness, a state of life-in-death--a something that was by no means life, as we understand it; but rather an inhuman form of existence, that well might be likened to a deathless trance--a condition in which it was possible to imagine their continuing, eternally. 'Immortal!' the word rose in my thoughts unbidden; and, straightway, I grew to wondering whether this might be the immortality of the gods."

The House on the Borderland Have you ever wondered what a place would be like where you were outside of time and space, neither dead nor alive? Where you could observe the mechanisms of the universe and see the death of our planet and sun? Where you could commune with souls of the dead in the black, silent sea of sleep? A manuscript is found: filled with small, precise writing and smelling of pit-water, it tells the story of an old recluse and his strange home - and it's even stranger, jade-green double, seen by the recluse on an otherworldly plain where gigantic gods and monsters roam. Soon his more earthly home is no less terrible than his bizarre vision, as swine-like creatures boil from a cavern beneath the ground and besiege it. But a still greater horror will face the recluse - more inexorable, merciless and awful than any creature that can be fought or killed.

From the Manuscript discovered in 1877 by Messrs. Tonnison and Berreggnog, in the Ruins that lie to the South of the Village of Kraighten, in the West of Ireland -- a place known in certain arcane circles to be the Borderland between Earth and Faerie. A classic novel of horror by the acclaimed master of the macabre, William Hope Hodgson. (This jacketless hardcover edition is intended for the library trade.)

A house seemingly disconnected in time and space becomes the setting for brutal conflict between the hapless homeowner and a collection of grotesque semi-human creatures in this landmark of fantasy and horror. The House on the Borderland is the account of a man, known only as the recluse, who moves into a remote and shunned house and unwittingly finds himself suspended between worlds, traveling through time, and fighting for his life against a siege of misshapen monstrosities. The author's sweeping imagination evokes a wide variety of fantastical effects, from eerie intimations of the weird to vivid manifestations of supernatural horror, from fabulous glimpses of otherworldly landscapes to direct combat with non-human assailants of murderous intent. First published in 1908, the novel quickly acquired a reputation as a rare and visionary example of cosmic horror that would influence and draw praise from H.P. Lovecraft, Clark Ashton Smith, Olaf Stapleton and others. As gripping and surreal as a fever dream, The House on the Borderland remains one of the most transporting destinations in literature. With an eye-catching new cover, and professionally typeset manuscript, this edition of The House on the Borderland is both modern and readable.

"The House on the Borderland (1908) -- perhaps the greatest of all Mr. Hodgson's works -- tells of a lonely and evilly regarded house in Ireland which forms a focus for hideous otherworld forces and sustains a siege by blasphemous hybrid anomalies from a hidden abyss below. The wanderings of the Narrator's spirit through limitless light-years of cosmic space and Kalpas of eternity, and its witnessing of the solar system's final destruction, constitute something almost unique in standard literature. And everywhere there is manifest the author's power to suggest vague, ambushed horrors in natural scenery." -- H.P. Lovecraft

"The Ghost Pirates . . . is a powerful account of a doomed and haunted ship on its last voyage, and of the terrible sea-devils (of quasi-human aspect, and perhaps the spirits of bygone buccaneers) that besiege it and finally drag it down to an unknown fate. With its command of maritime knowledge, and its clever selection of hints and incidents suggestive of latent horrors in nature, this book at times reaches enviable peaks of power." -- H.P. Lovecraft

The Night Land (1912) is a terrifying tale of romance and fantasy in which William Hope Hodgson imagines humanity at the end of the world. Noted for its creative exploration of concepts such as telepathy, futuristic technologies, and reincarnation, Hodgson's novel is an indisputable classic of literary science fiction. When a widower dreams of Earth in a far-off future, what he sees is nearly unrecognizable. The sun has been extinguished, and all human life has been forced to gather within the Last Redoubt, a metal pyramid looming miles above the darkened planet. Outside, monstrous forces gather, waiting for the mysterious energy source powering humanity's last refuge to die out. When the narrator unexpectedly connects with a young woman telepathically, he makes the horrifying choice to leave the safety of the pyramid in order to search for her at the rumored Lesser Redoubt, long thought lost to the dark. The Night Land journeys to the outer reaches of space and time to see how far humanity will go to keep love, and itself, alive. Complex and kaleidoscopic, William Hope Hodgson's The Night Land is a classic story of romance and loss projected into a harsh, unpredictable future. It is often considered a seminal work in the Dying Earth or apocalyptic subgenre of science fiction and fantasy. For its strange blend of futuristic imagery and archaic narration, the book was initially deemed difficult to read. However, as time has passed, and with the help of positive reviews by such figures as H.P. Lovecraft, The Night Land is now appreciated for the depths of its vision and the experimental nature of its form. For modern readers, who face the daily reality of a deadly pandemic and a future threatened by global climate disaster, Hodgson's work can only prove timely. For fans of classic science fiction, horror, and fantasy, The Night Land is a guaranteed hit. With a beautifully designed cover and professionally typeset manuscript, this new edition of William Hope Hodgson's The Night Land is a classic work of science fiction reimagined for modern readers.