Offering fresh insight into the early life of Harold Adams Innis (1894-1952), this volume makes available a number of previously unpublished writings from the renowned Canadian economic historian and media scholar. Part I, Innis's autobiographical memoir, chronicles his farm-based family background, early education, military service during World War I, and the beginnings of what would become a distinguished academic career. Part II features a selection of correspondence during his military service, revealing both the pain and perceptions derived from that experience, and other war-related writings. It also includes "The Returned Soldier," a detailed piece of research and a compassionate plea to recognize how the aftermath of the Great War would affect those who served as well as the individuals and institutions on the home front. Years before the term "post-traumatic stress disorder" was coined, Innis was acutely aware of the condition and suggested ways in which it might be treated. Other war-related items included are Innis's first published article (dealing with the economics of the solider) and a draft speech composed in the fall of 1918. All original materials have been extensively annotated to provide context for the contemporary reader and researcher.

For decades, media historians have heard of Harold Innis's unpublished manuscript exploring the history of communications-but very few have had an opportunity to see it. In this volume, editors and Innis scholars William J. Buxton, Michael R. Cheney, and Paul Heyer make widely accessible, for the first time, three core chapters from the legendary Innis manuscript. Here, Innis (1894-1952) examines the development of paper and printing from antiquity in Asia through to 16th century Europe. He demonstrates how the paper/printing nexus intersected with a broad range of other phenomena, including administrative structures, geopolitics, militarism, public opinion, aesthetics, cultural diffusion, religion, education, reception, production processes, technology, labor relations, and commerce, as well as the lives of visionary figures. Buxton, Cheney, and Heyer knit the chapters into a cohesive narrative and help readers navigate Innis's observations by summarizing the heavily detailed factual material that peppered the unpublished manuscript. They provide further context for Innis's arguments by adding annotations, references, and pertinent citations to his other writings. The end result is both a testament to Innis's status as a canonical figure in the study of communication and a surprisingly relevant contribution to how we might think about the current sea change in all aspects of social, cultural, political, and economic life stemming from the global shift to digital communication.

Patronizing the Public: American Philanthropy's Transformation of Culture, Communication, and the Humanities is the first detailed and comprehensive examination of how American philanthropic foundations have shaped numerous fields, including dance, drama, education, film, film-music, folklore, journalism, local history, museums, radio, television, as well as the performing arts and the humanities in general. Drawing on an impressive range of archival and secondary sources, the chapters in the volume give particular attention to the period from the late 1920s to the late 1970s, a crucial time for the development of philanthropic practice. To this end, it examines how patterns and directions of funding have been based on complex negotiations involving philanthropic family members, elite networks, foundation trustees and officers, cultural workers, academics, state officials, corporate interests, and the general public. By addressing both the contours of philanthropic power as well as the processes through which that power has been enacted, it is hoped that this collection will reinforce and amplify the critical study of philanthropy's history.

Patronizing the Public: American Philanthropy's Transformation of Culture, Communication, and the Humanities is the first detailed and comprehensive examination of how American philanthropic foundations have shaped numerous fields, including dance, drama, education, film, film-music, folklore, journalism, local history, museums, radio, television, as well as the performing arts and the humanities in general. Drawing on an impressive range of archival and secondary sources, the chapters in the volume give particular attention to the period from the late 1920s to the late 1970s, a crucial time for the development of philanthropic practice. To this end, it examines how patterns and directions of funding have been based on complex negotiations involving philanthropic family members, elite networks, foundation trustees and officers, cultural workers, academics, state officials, corporate interests, and the general public. By addressing both the contours of philanthropic power as well as the processes through which that power has been enacted, it is hoped that this collection will reinforce and amplify the critical study of philanthropy's history.

Originally published in 1950, Harold A. Innis's Empire and Communications is considered to be one of the classic works in media studies, yet its origins have received little attention. Ambitious in its scope, the book spans five millennia, tracing a path of development around the globe from 2900 BCE to the twentieth century and revealing the cyclical interplay between communications and power structures across space and time. In this new edition, William J. Buxton pays close attention to handwritten glosses that Innis added to a copy of the original edition and the revisions undertaken by his widow, Mary Q. Innis. A new introduction provides a detailed account of how the book emerged from lectures that Innis delivered at Oxford University in 1948, as well as how it related to other presentations Innis made in Britain during the same period. It explores how Innis sought to enrich his analysis by incorporating material related to phenomena such as war, education, religion, culture, geography, and finance. An insightful foreword by Marshall McLuhan is included, as well as bibliographical references and a revised index. By providing a narrative based on extensive notes from Innis, this edition makes Empire and Communications more accessible and contributes to the broad efforts to shape Innis's legacy.

Harold Innis is widely understood as the proponent of the "Laurentian school" of historiography, which mapped Canadian development along an East-West axis. Harold Innis and the North turns the axis North-South by examining Innis's intense and abiding interest in the North, and providing new perspectives on this seminal figure in Canadian political economy and communication studies. This collection reveals that Innis's advocacy of the North was closely bound up with his vision of northern Canada as the site of a second industrial revolution based on mining, hydro-electric power, pulp and paper, and enabled by new forms of transportation. Long preoccupied with Canada's coming of age as a balanced and integrated industrial nation-state, Innis grappled with the same issues about the North in the Canadian nation that we are dealing with today. Chapters explore the breadth of Innis's northern activities, including his early studies of the fur trade, his biography of eighteenth-century explorer and cartographer Peter Pond, his review essays on the North for the Canadian Historical Review, his leadership of the Rockefeller-sponsored Arctic Survey, and his trip to the Soviet Union. Harold Innis and the North crafts a new narrative about the nature and scope of Innis's intellectual project and provides a unique appreciation of his multi-faceted professional identity. Contributors include Sergei Arkhipov (North-Ossetian State University and NGO Vladikavkaz Institute of Economics) Jeffrey Brison (Queens), George Colpitts (Calgary), Matthew Evenden (UBC), Barry Gough (Churchill College, Cambridge and Kings College, London), Paul Heyer (Wilfrid Laurier), Jim Mochoruk (North Dakota), Liza Piper (Alberta), Shirley Roburn (Concordia), Peter van Wyck (Concordia), Jeff Webb (Memorial).