From the noted Hollywood biographer and author of The Contender comes this celebration of the great American love story—the romance between Lauren Bacall and Humphrey Bogart—capturing its complexity, contradictions, and challenges as never before. In Bogie & Bacall, William Mann offers a deep and comprehensive look at Lauren Bacall, Humphrey Bogart, and the unlikely love they shared. Mann details their early years—Bogart’s effete upbringing in New York City; Bacall’s rise as a model and actress. He paints a vivid portrait of their courtship and twelve-year marriage: the fights, the reconciliations, the children, the affairs, Bogie’s illness and Bacall’s steadfastness until his death. He offers a sympathetic yet clear-eyed portrait of Bacall’s life after Bogie, exploring her relationships with Frank Sinatra and Jason Robards, who would become her second husband, and the identity crisis she faced. Surpassing previous biographies, Mann digs deep into the celebrities’ personal lives and considers their relationship from surprising angles. Bacall was just nineteen when she started dating the thrice-married forty-five-year-old Bogart. How might that age gap have influenced their relationship? In addition to what she gained, what might Bacall have lost by marrying a Hollywood superstar more than twice her age? How did Bogart, a man of average looks, become one of the greatest movie stars of all time? Throughout, Mann explains the unparalleled successes of their individual careers as well as the extraordinary love between them and the legend that has endured. Filled with entertaining details and thoughtful insights based on newly available records and correspondence, and illustrated with 30-40 photographs, Bogie & Bacall offers a fresh look at this famous couple, their remarkable relationship, and their legacy.

New York Times Bestseller Edgar Award winner for Best Fact Crime The Day of the Locust meets The Devil in the White City and Midnight in the Garden of Good and Evil in this juicy, untold Hollywood story: an addictive true tale of ambition, scandal, intrigue, murder, and the creation of the modern film industry. By 1920, the movies had suddenly become America's new favorite pastime, and one of the nation's largest industries. Never before had a medium possessed such power to influence. Yet Hollywood's glittering ascendency was threatened by a string of headline-grabbing tragedies-including the murder of William Desmond Taylor, the popular president of the Motion Picture Directors Association, a legendary crime that has remained unsolved until now. In a fiendishly involving narrative, bestselling Hollywood chronicler William J. Mann draws on a rich host of sources, including recently released FBI files, to unpack the story of the enigmatic Taylor and the diverse cast that surrounded him-including three beautiful, ambitious actresses; a grasping stage mother; a devoted valet; and a gang of two-bit thugs, any of whom might have fired the fatal bullet. And overseeing this entire landscape of intrigue was Adolph Zukor, the brilliant and ruthless founder of Paramount, locked in a struggle for control of the industry and desperate to conceal the truth about the crime. Along the way, Mann brings to life Los Angeles in the Roaring Twenties: a sparkling yet schizophrenic town filled with party girls, drug dealers, religious zealots, newly-minted legends and starlets already past their prime-a dangerous place where the powerful could still run afoul of the desperate. A true story recreated with the suspense of a novel, Tinseltown is the work of a storyteller at the peak of his powers-and the solution to a crime that has stumped detectives and historians for nearly a century.

This classic novel by bestselling author William J. Mann features a gay man trying to come to terms with sex, friendship, aging, and falling—and staying—in love This stunning slice of gay life at the turn of the millennium introduces thirtysomething Jeff O’Brien. After six years, his lover, Lloyd, has just announced that the passion between them has died. Terrified of ending up alone, Jeff turns his eye toward other men. But the anonymous, impersonal encounters leave him feeling sordid and used. In search of love during this “last summer in which I am to be young,� he finds romance with a beautiful houseboy named Eduardo. At twenty-two, Eduardo is the same age Jeff was when he began a relationship with the older David Javitz, a leading activist now gravely ill with AIDS. But David became more than a lover to Jeff, who wasn’t yet out of the closet. He was his mentor and cherished friend.   Narrated by Jeff, who’s caught between the baby boomers and generation X, the novel shuttles between summers in Provincetown and winters in Boston. The Men from the Boys is about the illusive nature of love and desire—“the magic that happens across a dance floor,� leaving you “forever young.� 

Entertainment Weekly's BIG FALL BOOKS PREVIEW Selection Best Book of 2019 -- Publisher's Weekly Based on new and revelatory material from Brando's own private archives, an award-winning film biographer presents a deeply-textured, ambitious, and definitive portrait of the greatest movie actor of the twentieth century, the elusive Marlon Brando, bringing his extraordinarily complex life into view as never before. The most influential movie actor of his era, Marlon Brando changed the way other actors perceived their craft. His approach was natural, honest, and deeply personal, resulting in performances-most notably in A Streetcar Named Desire and On the Waterfront-that are without parallel. Brando was heralded as the American Hamlet-the Yank who surpassed British stage royalty Laurence Olivier, John Gielgud, and Ralph Richardson as the standard of greatness in the mid-twentieth century. Brando's impact on American culture matches his professional significance; he both challenged and codified our ideas of masculinity and sexuality. Brando was also one of the first stars to use his fame as a platform to address social, political, and moral issues, courageously calling out America's deeply rooted racism. William Mann's brilliant biography of the Hollywood legend illuminates this culture icon for a new age. Mann astutely argues that Brando was not only a great actor but also a cultural soothsayer, a Cassandra warning us about the challenges to come. Brando's admonitions against the monetization of nearly every aspect of the culture were prescient. His public protests against racial segregation and discrimination at the height of the Civil Rights movement-getting himself arrested at least once-were criticized as being needlessly provocative. Yet those actions of fifty years ago have become a model many actors follow today. Psychologically astute and masterfully researched, based on new and revelatory material, The Contender explores the star and the man in full, including the childhood traumas that reverberated through his professional and personal life. It is a dazzling biography of our nation's greatest actor that is sure to become an instant classic. The Contender includes sixteen pages of photographs.

In the 60s, Elizabeth Taylor's affair with the married Richard Burton knocked John Glenn's orbit of the moon off front pages nationwide. Yet, despite all the gossip, the larger-than-life personality and influence of this very human woman has never been captured. William Mann, praised by Gore Vidal, Patricia Bosworth, and Gerald Clarke for "Kate," uses untapped sources and conversations to show how she ignited the sexual revolution with her on- and off-screen passions, helped kick down the studio system by taking control of her own career, and practically invented the big business of celebrity star-making. With unputdownable storytelling he tells the full truth without losing Taylor's magic, daring, or wit.

Readers will feel they are sitting next to Taylor as she rises at MGM, survives a marriage engineered for publicity, feuds with Hedda Hopper and Mr. Mayer, wins Oscars, endures tragedy, juggles Eddie Fisher, Richard Burton and her country's conservative values. But it is the private Elizabeth that will surprise --a woman of heart and loyalty, who defends underdogs, a savvy professional whose anger at the studio's treatment of her led to a lifelong battle against that very system. All the Elizabeth's are here, finally reconciled and seen against the exciting years of her greatest spirit, beauty, and influence. Swathed in mink, staring us down with her lavender eyes, disposing of husbands but keeping the diamonds, here is Elizabeth Taylor as she was meant to be, leading her epic life on her own terms, playing the game of supreme stardom at which she remains, to this day, unmatched.

A gay man who fled his hometown in a cloud of scandal and guilt returns home to his estranged family—and the boy he left behind The first call is from Wally Day’s estranged mother, begging him to come home. The second is from Sebastian Garafolo, a Brown’s Mill cop Wally last spoke to when he confessed to having underage sex in the old apple orchard. Today, Garafolo is calling about something else entirely: Wally’s cousin Kyle is missing.   Twenty years ago, Wally fled his hometown in shame. He returns to a place that has barely changed, where he knows who walks the streets by day and who comes out at night. Now, as circumstances force him to confront the events that drove him to leave who he was far behind, Wally must also face dark truths about his family . . . about a shattering night and a crime that still haunts him and shaped the man he has become. If he has any hope of embracing the future, he must first make peace with his past.   All American Boy is a stunning novel about forbidden love, forgiveness, and hard-won redemption. 

The award-winning author presents a provocative, thoroughly modern revisionist biographical history of one of America's greatest and most influential families-the Roosevelts-exposing heretofore unknown family secrets and detailing complex family rivalries with his signature cinematic flair. Drawing on previously hidden historical documents and interviews with the long-silent "illegitimate" branch of the family, William J. Mann paints an elegant, meticulously researched, and groundbreaking group portrait of this legendary family. Mann argues that the Roosevelts' rise to power and prestige was actually driven by a series of intense personal contest that at times devolved into blood sport. His compelling and eye-opening masterwork is the story of a family at war with itself, of social Darwinism at its most ruthless-in which the strong devoured the weak and repudiated the inconvenient. Mann focuses on Eleanor Roosevelt, who, he argues, experienced this brutality firsthand, witnessing her Uncle Theodore cruelly destroy her father, Elliott-his brother and bitter rival-for political expediency. Mann presents a fascinating alternate picture of Eleanor, contending that this "worshipful niece" in fact bore a grudge against TR for the rest of her life, and dares to tell the truth about her intimate relationships without obfuscations, explanations, or labels. Mann also brings into focus Eleanor's cousins, TR's children, whose stories propelled the family rivalry but have never before been fully chronicled, as well as her illegitimate half-brother, Elliott Roosevelt Mann, who inherited his family's ambition and skill without their name and privilege. Growing up in poverty just miles from his wealthy relatives, Elliott Mann embodied the American Dream, rising to middle-class prosperity and enjoying one of the very few happy, long-term marriages in the Roosevelt saga. For the first time, The Wars of the Roosevelts also includes the stories of Elliott's daughter and grandchildren, and never-before-seen photographs from their archives. Deeply psychological and finely rendered, illustrated with sixteen pages of black-and-white photographs, The Wars of the Roosevelts illuminates not only the enviable strengths but also the profound shame of this remarkable and influential family.

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

William Mann charts the journey by which Kathy Hepburn of Hartford, Connecticut, became the star who dazzled audiences for decades in the company of such luminaries as Cary Grant, Jimmy Stewart, and, most memorably, Spencer Tracy, with whom she made nine movies and conducted a long off-screen romance. Hepburn won her fourth Oscar aged 74 and across seventy years in the public eye, she was a cut above the usual screen queen. Now William Mann looks beyond the legend to consider apart the life and the persona of Katharine Hepburn, from her movies, her loves, her bisexuality and her extraordinary life in the golden age of film-making.

Jeff O’Brien and his friends return in this sequel to The Men from the Boys, William J. Mann’s critically acclaimed debut novel about gay love and friendship. Where the Boys Are opens in Manhattan on New Year’s Eve, 1999. With the world on the cusp of the new millennium, Jeff O’Brien and his ex-lover Lloyd Griffith are grieving the loss of their friend and mentor David Javitz to AIDS. Desperate to forget, Jeff has become a fixture on the dance floor, surrounding himself with ever-younger boy toys like Henry Weiner. Henry, who was an insurance-company geek until Jeff transformed him into a hottie with washboard abs, is secretly in love with Jeff, who’s got a thing for the mysterious and exotic Anthony Sabe. Lloyd, once the love of Jeff’s life, has left his job to run a B&B with widow Eva Horner.   Alternately narrated by Jeff, Lloyd, and Henry, Where the Boys Are is a high-octane trek through the gay party-circuit scene from Provincetown to San Francisco, Montreal to Palm Springs. With equal parts humor and pathos, it addresses universal issues of commitment, family, friendship, and the never-ending search for love that everyone can relate to, whether gay or straight, male or female.