World War II veteran Hank Dunfield is about to turn one hundred years old. The staff at Ponderosa Pine Lodge have recruited Sarah, a young nursing student, to keep Hank safe, comfortable, and in the building while they plan a grand centenarian celebration. There’s one problem: Hank doesn’t want to live that long.Seemingly opposites, Hank and Sarah kindle a deep friendship. Sarah fears the future with multiple sclerosis will be even more isolated, difficult, and painful than the isolated, difficult, and painful present. Hank, a tail gunner during the Second World War, opens his heart to share the deep knowledge of fear, luck, and flying into battle he learned over his. combat missions. Sarah and Hank find strength in each other as they face their deepest fears. Based on interviews with veterans in Alberta seniors’ homes and the skilled nurses who care for them, Flight Risk is the story of finding exactly who you need when you least expect it. An empathetic exploration of grief, friendship, and hope, this play asks what we lose when we ignore the knowledge of our elderly, challenges the way that we think about aging and death, and inspires a brighter, more compassionate future.

Canadians often characterize their military history as a march toward nationhood, but in the first eighty years of Confederation they were fighting for the British Empire. War forced Canadians to re-examine their relationship to Britain and to one another. As French Canadians, Indigenous peoples, and those with roots in continental Europe and beyond mobilized for war, their participation challenged the imagined homogeneity of Canada as a British nation. Fighting with the Empire examines the paradox of a national contribution to an imperial war effort, finding middle ground between affirming the emergence of a nation through warfare and equating Canadian nationalism with British imperialism.

World War II veteran Hank Dunfield is about to turn one hundred years old. The staff at Ponderosa Pine Lodge have recruited Sarah, a young nursing student, to keep Hank safe, comfortable, and in the building while they plan a grand centenarian celebration. There's one problem: Hank doesn't want to live that long.Seemingly opposites, Hank and Sarah kindle a deep friendship. Sarah fears the future with multiple sclerosis will be even more isolated, difficult, and painful than the isolated, difficult, and painful present. Hank, a tail gunner during the Second World War, opens his heart to share the deep knowledge of fear, luck, and flying into battle he learned over his. combat missions. Sarah and Hank find strength in each other as they face their deepest fears. Based on interviews with veterans in Alberta seniors' homes and the skilled nurses who care for them, Flight Risk is the story of finding exactly who you need when you least expect it. An empathetic exploration of grief, friendship, and hope, this play asks what we lose when we ignore the knowledge of our elderly, challenges the way that we think about aging and death, and inspires a brighter, more compassionate future.

Canadians often characterize their military history as a march toward nationhood, but in the first eighty years of Confederation they were fighting for the British Empire. War forced Canadians to re-examine their relationship to Britain and to one another. As French Canadians, Indigenous peoples, and those with roots in continental Europe and beyond mobilized for war, their participation challenged the imagined homogeneity of Canada as a British nation. Fighting with the Empire examines the paradox of a national contribution to an imperial war effort, finding middle ground between affirming the emergence of a nation through warfare and equating Canadian nationalism with British imperialism.