More than fifty prominent thinkers on the development and lasting legacy of black nationalism in America Since its dramatic growth under Marcus Garvey and the Universal Negro Improvement Association during the 1920s, black nationalism has played a central role in American political and intellectual life. In Modern Black Nationalism, William L. Van Deburg has collected the most influential speeches, pamphlets, and articles that trace the development of black nationalism in the 20th century. Beginning with Marcus Garvey, the acknowledged father of the 20th-century movement, William L. Van Deburg here provides a showcase of the work of more than fifty prominent thinkers including Louis Farrakhan, Elijah Muhammad, Maulana Karenga, the founder of Kwanzaa, Amiri Baraka and Molefi Asante. Rare pamphlets distributed by organizations such as the Black Panther Party, articles from underground magazines, and memos from governmental officials offer a fresh look at the roots and the manifestations of this movement.

Martin Luther King Jr. Malcolm X. Muhammad Ali. When you think of African American history, you think of its heroes - individuals endowed with courage and strength who are celebrated for their bold exploits and nobility of purpose. But what of black villains? Villains, just as much as heroes, have helped define the black experience. Ranging from black slaveholders and frontier outlaws to serial killers and gangsta rappers, Hoodlums examines the pivotal role of black villains in American society and popular culture. Here, William L. Van Deburg offers the most extensive treatment to date of the black badman and the challenges that this figure has posed for race relations in America. He first explores the evolution of this problematic racial stereotype in the literature of the early Republic and then probes antebellum slave laws, minstrel shows, and the works of proslavery polemicists to consider how whites conceptualized blacks as members of an inferior and dangerous race. Turning to key works by blacks themselves, from the writings of Frederick Douglass and W. E. B. Du Bois to classic blaxploitation films like Black Caesar and The Mack, Van Deburg demonstrates how African Americans have combated such negative stereotypes and reconceptualized the idea of the badman through stories of social bandits-controversial individuals vilified by whites for their proclivity toward evil, but revered in the black community as necessarily insurgent and revolutionary.

In the wake of the Kennedy era, a new kind of ethnic hero emerged within African-American popular culture. Uniquely suited to the times, burgeoning pop icons projected the values and beliefs of the Civil Rights and Black Power movements, and reflected both the possibility and the actuality of a rapidly changing American landscape.
In "Black Camelot," William Van Deburg examines the dynamic rise of these new black champions, the social and historical contexts in which they flourished, and their powerful impact on the African-American community.
"Van Deburg manages the enviable feat of writing with flair within a standardized academic framework, covering politics, social issues and entertainment with equal aplomb."--Jonathan Pearl, "Jazz Times"
"[A] fascinating, thorough account of how African-American icons of the 1960s and '70s have changed the course of American history. . . . An in-depth, even-tempered analysis. . . . Van Deburg's witty, lively and always grounded style entertains while it instructs."--"Publishers Weekly"

Martin Luther King Jr. Malcolm X. Muhammad Ali. When you think of African American history, you think of its heroes--individuals endowed with courage and strength who are celebrated for their bold exploits and nobility of purpose. But what of black "villains"? Villains, just as much as heroes, have helped define the black experience.
Ranging from black slaveholders and frontier outlaws to serial killers and gangsta rappers, "Hoodlums" examines the pivotal role of black villains in American society and popular culture. Here, William L. Van Deburg offers the most extensive treatment to date of the black badman and the challenges that this figure has posed for race relations in America. He first explores the evolution of this problematic racial stereotype in the literature of the early Republic--documents in which the enslavement of African Americans was justified through exegetical claims. Van Deburg then probes antebellum slave laws, minstrel shows, and the works of proslavery polemicists to consider how whites conceptualized blacks as members of an inferior and dangerous race. Turning to key works by blacks themselves, from the writings of Frederick Douglass and W. E. B. Du Bois to classic blaxploitation films like "Black Caesar" and "The Mack," Van Deburg demonstrates how African Americans have combated such negative stereotypes and reconceptualized the idea of the badman through stories of social bandits--controversial individuals vilified by whites for their proclivity toward evil, but revered in the black community as necessarily insurgent and revolutionary.
Ultimately, Van Deburg brings his story up-to-date with discussions of prison and hip-hop culture, urban rioting, gangwarfare, and black-on-black crime. What results is a work of remarkable virtuosity--a nuanced history that calls for both whites and blacks to rethink received wisdom on the nature and prevalence of black villainy.

With a gift for storytelling and an ear for street talk, William Van Deburg has written the most comprehensive account available of the rise and fall of the Black Power movement - and of its dramatic transformation of both African-American and the larger American culture. New Day in Babylon chronicles a decade of deep change, from the armed struggles of the Black Panther Party and the separatism of the Nation of Islam to the cultural nationalism of artists and writers creating a new black aesthetic. If its tactical gains were sometimes short-lived, the Black Power movement did succeed in making a revolution - one in culture and consciousness that has changed the context of race in America. Drawing on a remarkable range of cultural expressions, from the voice of Malcolm X to the music of James Brown, from urban folklore, the visual arts, and religion to the language of soul, Van Deburg extracts the enduring cultural and psychological themes that ran through the ideologies of Black Power politics. For Van Deburg, Black Power was, underneath it all, a revolt rooted in culture - both high and low - as artists, writers, performers, politicians, and ordinary people alike begin to assert a distinctive African-American worldview and way of being. His book is a finely textured rendering of the years when the rhetoric of the gun gave way to an explosion of cultural forms that, in celebrating the uniqueness of African-American life, carried forward the militant philosophy of resistance, pride, and self-esteem. Like activists in the sixties and seventies, African-Americans today mobilize a rich variety of cultural resources in the struggle for group identity and racial justice. Whether in the filmsof Spike Lee or other new black directors, in rap music, or in experiments in Afrocentric education, African-Americans continue to reshape the contours of American values, ideals, and attitudes. This is the real legacy of the Black Power movement. And it has never been demonstrated more eloquently than in this book.

In this ambitious work, William L. Van Deburg offers the first inter-disciplinary survey of American popular culture and its historical attitudes toward slavery and race. Spanning more than three centuries, from the colonial era to the present, Van Deburg's overview analyzes the works of American historians, dramatists, novelists, poets, lyricists, and filmmakers, and exposes, through those artists' often disquieting perceptions, the cultural underpinnings of our current racial attitudes and divisions. Anyone interested in American history, Afro-American studies, slavery, mass culture, or literature will find this work to be essential reading, both as far-ranging cultural history and as an important study of how we came to be a nation still enslaved by popular stereotypes,