Hailed as a masterpiece of American travel writing, Blue Highways is an unforgettable journey along our nation's backroads. William Least Heat-Moon set out with little more than the need to put home behind him and a sense of curiosity about those little towns that get on the map -- if they get on at all -- only because some cartographer has a blank space to fill: Remote, Oregon; Simplicity, Virginia; New Freedom, Pennsylvania; New Hope, Tennessee; Why, Arizona; Whynot, Mississippi. His adventures, his discoveries, and his recollections of the extraordinary people he encountered along the way amount to a revelation of the true American experience.

Three months on the New York Times bestseller list, PrairyErth is now in paperback. Robert Penn Warren pronounced Heat-Moon's Blue Highways "a masterpiece." Now Heat-Moon has pulled to the side of the road and set off on foot to take readers on an exploration of time and space, landscape and history in the Flint Hills of central Kansas.

As word of the discovery of gold in northern California spreads, an English physician, Nathaniel Trennant, accepts an offer to serve as doctor on a ship carrying immigrants to America. Alongside some two hundred emigres from northern Europe is a contingent of wealthy British people who call themselves not immigrants, but colonists. With this imported cultural divide, Nathaniel begins a long journey into what he terms the American experiment, one already under the stress of social injustices and economic inequities. Trennant arrives in Baltimore and stumbles onto its slave market, where he witnesses the horrors of human bondage. One night in a boardinghouse he discovers under his bed a runaway slave. Disturbed and angered by the selling of human lives, he offers to help the young man escape, a criminal action that will put the slave and physician into flight from both the law and opportunistic slave hunters. Travelling by foot, horse, stage, canal boat, and steamer, the two men gradually form a bond as they explore the backcountry and forge a deep friendship as they encounter the land and a host of memorable characters who reveal the nature of the American experiment.

Winner, Distinguished Literary Achievement, Missouri Humanities Council, 2015 The story behind the writing of the best-selling Blue Highways is as fascinating as the epic trip itself. More than thirty years after his 14,000-mile, 38-state journey, William Least Heat-Moon reflects on the four years he spent capturing the lessons of the road trip on paper--the stops and starts in his composition process, the numerous drafts and painstaking revisions, the depressing string of rejections by publishers, the strains on his personal relationships, and many other aspects of the toil that went into writing his first book. Along the way, he traces the hard lessons learned and offers guidance to aspiring and experienced writers alike. Far from being a technical manual, Writing Blue Highways: The Story of How a Book Happened is an adventure story of its own, a journey of “exploration into the myriad routes of heart and mind that led to the making of a book from the first sorry and now vanished paragraph to the last words that came not from a graphite pencil but from a letterpress in Tennessee.”Readers will not find a collection of abstract formulations and rules for writing; rather, this book gracefully incorporates examples from Heat-Moon’s own experience. As he explains, “This story might be termed an inadvertent autobiography written not by the traveler who took Ghost Dancing in 1978 over the byroads of America but by a man only listening to him. That blue-roadman hasn’t been seen in more than a third of a century, and over the last many weeks as I sketched in these pages, I’ve regretted his inevitable departure.” Filtered as the struggles of the “blue-roadman” are through the awareness of someone more than thirty years older with a half dozen subsequent books to his credit, the story of how his first book “happened” is all the more resonant for readers who may not themselves be writers but who are interested in the tricky balance of intuitive creation and self-discipline required for any artistic endeavour.

In 1827 six Osage people - four men and two women - traveled to Europe escorted by three Americans. Their visit was big news in France, where three short publications about the travelers appeared almost immediately. Virtually lost since the 1830s, all three accounts are gathered, translated, and annotated here for the first time in English. Among the earliest writings devoted to Osage history and culture, these works provide unique insights into Osage life and especially into European perceptions of American Indians. William Least Heat-Moon's introduction poignantly tells of people leaving one alien nation, the United States, to visit an even more alien culture an ocean away. In France the Osages found themselves lionized as ""noble savages."" They went to the theater, rode in a hot-air balloon, and even had an audience with the king of France. Many Europeans ogled them as if they were exhibits in a freak show. As the entourage moved through Belgium, Holland, Germany, Switzerland, and Italy, interest in the Osages declined. Soon they were reduced to begging in the suburbs of Paris, without the means to return home. Translated by Heat-Moon and James K. Wallace, the three featured texts are surprisingly accurate as basic descriptions of Osage history, geography, and lifeways. The French authors, influenced by racist and sexist expectations, misinterpreted some of the behaviors they describe. But they also dismiss rumors of cannibalism among the Osages and observe that ""the behavior of some whites . . . was not conducive to giving the Indians a favorable opinion of white morality."" An Osage Journey to Europe, 1827-1839 offers scholars and general readers both a compelling story and a singular glimpse into nineteenth-century cultural exchange.

About a quarter century ago, a largely unknown wanderer named William Least Heat-Moon wrote a book called Blue Highways. It was a travel book like no other, a book that revealed its author to be a chronicler of rare linguitic genius and empathy, a listener who knew that the small places can offer the biggest surprises. Heat-Moon, wrote one reader, was a travel writer as Faulkner was a country historian.Road to Quoz is Heat-Moon's long-awaited return to America's back roads. It is a lyrical, funny, and magisterially told chronicle of American passage, a journey into the heart of a nation almost desperate for meaning beyond consumerism and self-absorption, a book that invites readers to "discover America anew." (Christian Science Monitor).

HERE, THERE, ELSEWHERE draws together for the first time William Least Heat-Moon's greatest short-form travel writing. From Japan, England, Italy, and Mexico to Long Island, Oregon, Arizona, and more, HERE, THERE, ELSEWHERE is a sharply observed, funny, and touching series of uncommon adventures narrated by America's keenest writer of place, people, and sublime connection. For decades, William Least Heat-Moon's readers have been clamoring for him to gather his shorter pieces; now, that wait is over. A perfect treasury of prose and wry provocation for readers old and new, HERE, THERE, ELSEWHERE is further confirmation of Least Heat-Moon's status as an American master.