Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Sir William Martin Conway (1856-1937), well known as an alpinist (his The Alps from End to End is also reissued in this series), was by profession an art historian. Supported by Henry Bradshaw of the University of Cambridge, he pursued his interest in the woodcuts and early printed books of the Low Countries, publishing this work in 1884. The study considers both prints and books, noting instances of the reuse of the same blocks in different works by different printers. The first part surveys the craftsmen (many of whom are anonymous) by town, and the second is a comprehensive catalogue of the cuts, with short descriptions, ordered according to their makers. The final part is a catalogue of the books in which the cuts appeared. Particular attention is paid to the work of Gheraert Leeu, the most prolific Dutch printer of his time, who worked in Gouda and subsequently in Antwerp.

During a life of many and varied interests, the art historian and mountaineer William Martin Conway (1856 1927) served as a professor of art at Liverpool and Cambridge, a member of parliament, director-general of the Imperial War Museum, and president of the Alpine Club. He climbed extensively in Europe and the Himalayas, mapped part of the Karakoram range (for which he was knighted), and named several mountains. In 1894 he walked the length of the Alps accompanied by two Gurkha soldiers. The celebrated expedition took the party sixty-five days to complete. Conway and his companions climbed twenty-one peaks, including Mont Blanc, the Jungfrau and Grossglockner, and traversed thirty-nine mountain passes. Published a year later, this is the illustrated second edition of Conway's popular personal account of the expedition, in which he documents the party's progress on a daily basis.