Michael Braungart and William McDonough propose a plan for our planet in this stunning new edition of their radical ecological manifesto. This book proposes a new vision for modern industry. Instead of our current wasteful and polluting methods of manufacturing, we could be taking nature as a model for making things. With the right redesign, objects that have come to the end of their useful lives should provide the basis for something new. In designing and producing products we need to stop worrying about being 'less bad' and start finding ways of actually being good. PATTERNS OF LIFE: SPECIAL EDITIONS OF GROUNDBREAKING SCIENCE BOOKS

A manifesto for a radically different philosophy and practice of manufacture and environmentalism
"Reduce, reuse, recycle" urge environmentalists; in other words, do more with less in order to minimize damage. As William McDonough and Michael Braungart argue in their provocative, visionary book, however, this approach perpetuates a one-way, "cradle to grave" manufacturing model that dates to the Industrial Revolution and casts off as much as 90 percent of the materials it uses as waste, much of it toxic. Why not challenge the notion that human industry must inevitably damage the natural world, they ask.
In fact, why not take nature itself as our model? A tree produces thousands of blossoms in order to create another tree, yet we do not consider its abundance wasteful but safe, beautiful, and highly effective; hence, "waste equals food" is the first principle the book sets forth. Products might be designed so that, after their useful life, they provide nourishment for something new-either as "biological nutrients" that safely re-enter the environment or as "technical nutrients" that circulate within closed-loop industrial cycles, without being "downcycled" into low-grade uses (as most "recyclables" now are).
Elaborating their principles from experience (re)designing everything from carpeting to corporate campuses, the authors make an exciting and viable case for change.

From the authors of Cradle to Cradle, we learn what's next: The Upcycle The Upcycle is the eagerly awaited follow-up to Cradle to Cradle, one of the most consequential ecological manifestoes of our time. Now, drawing on the green living lessons gained from 10 years of putting the Cradle to Cradle concept into practice with businesses, governments, and ordinary people, William McDonough and Michael Braungart envision the next step in the solution to our ecological crisis: We don't just use or reuse and recycle resources with greater effectiveness, we actually improve the natural world as we live, create, and build. For McDonough and Braungart, the questions of resource scarcity and sustainability are questions of design. They are practical-minded visionaries: They envision beneficial designs of products, buildings, and business practices--and they show us these ideas being put to use around the world as everyday objects like chairs, cars, and factories are being reimagined not just to sustain life on the planet but to grow it. It is an eye-opening, inspiring tour of our green future as it unfolds in front of us. The Upcycle is as ambitious as such classics as Rachel Carson's Silent Spring--but its mission is very different. McDonough and Braungart want to turn on its head our very understanding of the human role on earth: Instead of protecting the planet from human impact, why not redesign our activity to improve the environment? We can have a beneficial, sustainable footprint. Abundance for all. The goal is within our reach.

A manifesto for a radically different philosophy and practice of manufacture and environmentalism

"Reduce, reuse, recycle" urge environmentalists; in other words, do more with less in order to minimize damage. As William McDonough and Michael Braungart argue in their provocative, visionary book, however, this approach perpetuates a one-way, "cradle to grave" manufacturing model that dates to the Industrial Revolution and casts off as much as 90 percent of the materials it uses as waste, much of it toxic. Why not challenge the notion that human industry must inevitably damage the natural world, they ask.

In fact, why not take nature itself as our model? A tree produces thousands of blossoms in order to create another tree, yet we do not consider its abundance wasteful but safe, beautiful, and highly effective; hence, "waste equals food" is the first principle the book sets forth. Products might be designed so that, after their useful life, they provide nourishment for something new-either as "biological nutrients" that safely re-enter the environment or as "technical nutrients" that circulate within closed-loop industrial cycles, without being "downcycled" into low-grade uses (as most "recyclables" now are).

Elaborating their principles from experience (re)designing everything from carpeting to corporate campuses, the authors make an exciting and viable case for change.

"Words and Gestures in the Liturgy" is a call to attentiveness. What do the various movements in the liturgy mean? How do words affect and effect liturgical actions? Antonio Donghi explains that these gestures emerge from the experience of prayer; they are a response to the invitation to relationship with God. Donghi writes that the habit of drama tends to have us celebrate passively the great mysteries of salvation." This text (a revised and expanded edition of "Actions and Words: Symbolic Language and the Liturgy, " 1997) pulls readers out of that passivity and into an active and knowledgeable participation in the worship of God.

"Antonio Donghi is a priest of the Diocese of Bergamo in Northern Italy and a teacher of liturgy and sacramental theology. Besides being a frequent contributor to various periodicals focusing on liturgical spirituality, he has published six other books with Liberia Editrice Vaticana."

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Wisdom Has Built Her House brings together for the first time the collected studies of Silvia Schroer on the biblical figure of Sophia, divine Wisdom. Schroer presents a differentiated image of Wisdom as female, creator, teacher, prophet, beloved, and more. In Wisdom Has Built Her House Schroer portrays Wisdom as a cosmic ordering principle, as universal architect, and as mediator of all scientific knowledge. Schroer also inquires about the contexts of these writings: about feminine wisdom and women's roles after the Babylonian exile, about the goddess traditions behind the idea of Sophia, and about their significance within a monotheistic symbol system. Schroer then follows the tradition of God imaged as Wisdom to the time of the Jesus- movement and the first Christian communities. Teachers, students, and those looking for a well-reasoned study of personified Wisdom - and reasons for reinvisioning our own images of God - will find this in Wisdom Has Built Her House. Chapters are Wisdom on the Path of Righteousness (Proverbs 8:20)," "Divine Wisdom and Postexilic Monotheism," "Wise Women and Counselors in Israel: Models for Personified Hokma," "'And When the Next War Began . . .' The Wise Woman of Abel of Beth-maacah (2 Samuel 20:14-22)," "Abigail: A Wise Woman Works for Peace," "The One Lord and Male Dominance in the Book of Jesus Sirach: The Image of Woman and the Image of Wisdom in a Misogynist Document," "Personified Sophia in the Book of Wisdom," "Jesus Sophia," and "The Spirit, Wisdom, and the Dove."