Historically affirming certain post-WWII constructive theologians and social theorists, After Christendom unpacks theological anomalies negatively denying the science underlying global warming, wedge issues supporting systemic racism, and certain erroneous decisions made by mainline churches and the evangelical movement. Anomalies occur when something taken for granted no longer fits current situations. The so-called mainline church and the evangelical movement have not addressed or reconstructed their theological anomalies. Caught inside cultural accommodation, the more liberal mainline church often does not recognize its historical tie to a pre-modern God, a transactional definition of the crucifixion, and Jesus’ consignment to the cross. A companion argument suggests that the evangelical movement’s inability to respond to the pre-modern depiction of God as an omnipotent, theocratic King helped provide sufficient votes for Trump’s successful presidential run. Both groups inability to face such theological anomalies rests within a belief in conservative originalism, an unwillingness to move beyond European Christendom’s earliest theological constructions. After Christendom will be of particular interest to seminary, divinity school, university, and college libraries, as well as seminary students and professors, members of college and university departments of religion, history, and political science, and ministers and church leaders.

Every day millions of children in developing countries face adversities of many kinds, yet there is a shortage of sound evidence concerning their plight and an urgent need to identify the most appropriate and effective policy responses from among the multiple approaches that exist. This collection of journal papers aims to engage with researchers and debates in the field so as to understand better some of the numerous risks confronted by children in developing countries. It highlights the complexity of protecting children in various forms of adversity, challenges conventional wisdom about what protects children, demonstrates why it is essential to consult with children to protect them successfully, and suggests that successful protection must be based on strong empirical understanding of the situation and the perspectives of children and communities involved. The contributors are all experienced researchers and practitioners who have worked for many years with children in developing countries. The book offers suggestions for reform of current child protection policies, based on empirical findings around a range of child protection concerns, including children's work, independent migration, family separation, early marriage, and military occupation. Together, the contributions provide a body of knowledge important to humanitarian and development policy and practice. This book was published as a special issue of Development in Practice.

The Old Roman Catholic Ritual is a reconfiguring of Archbishop Mathew's text from 1909. It has been updated but still maintains the dignified language of its original publishing. This book will be useful for those clergy who want a traditional ritual in English in traditional language.

Bioluminescent algae, symbiotic aquariums, self-healing concrete, clavicle wind instruments and structures made from living trees - biology applied outside the lab has never been so intriguing, or so beautiful. Bio Design examines the thrilling advances in the field, showcasing some seventy projects (concepts, prototypes and completed designs) that cover a range of fields - from architecture and industrial design to fashion and medicine. The revised and expanded edition features twelve new projects (replacing ten existing projects): Hy-Fi (by David Benjamin); One Central Park, Sydney (Jean Nouvel); Guard from Above (Sjoerd Hoogendoorn); Cell-laden Hydrogels for Biocatalysis (Alshakim Nelson); Zoa (Modern Meadow); Amino Labs (Julie Legault); Algae and Mycelium Projects (Eric Klarenbeek); Interwoven and Harvest (Diane Scherer); Concrete Honey (John Becker); Bistro In Vitro (Koert van Mensvoort); Circumventive Organs (Agi Haines); Quantworm Mine (Liv Bargman and Nina Cutler). It also includes a new 'how-to' section at the end (Tips for Collaboration/FAQs/Further Resources), as well as a fully revised introduction.

First published in 1987. Milton and Free Will is an incisive, ambitious and comprehensive analysis and defence of the concept of free will, using Milton as an example and exemplar. Written with passion, and out of a lifelong engagement with the poetry of Milton and the philosophical and theological problems it encompasses, the book will illuminate both Milton studies and philosophical debate. The author engages with all the major currents of the free will debate, starting with Aristotle and Aquinas and considering arguments advanced by Hume and Kant as well as those of a number of modern philosophers including Polanyi, Kenny, Parfit, Plantinga, Swinburne, Dennett and Davidson. He pays particular attention to the Marxist formalism of Bakhtin, the Catholic phenomenology of Pope John Paul II and the evolutionism of Monod and Sober. He concludes with a rebuttal of the deconstructionism of Barthes, Derrida and Foucault. He claims that all the major difficulties faced by defenders of free will can be overcome if a notion of willing implicit in the work of Milton is properly understood. Freedom as Milton represented and understood it, he suggests, is a condition of mind arising out of inter-personal awareness and not a property or consequence of practical reasoning. He finds supporting evidence for this view in the writings of Newman and in Henry James’s The Portrait of a Lady, which he reads as a narrative structurally reversing Milton’s representation of the fall of Eve in Paradise Lost. The author systematically analyses and reanalyses key passages in his texts in the light of the many arguments for and against free will, seeking thereby to affirm the validity in principle, and the personal and political importance in practice, of the Christian humanist tradition of which he sees Milton, Newman and the Pope as important (if sometimes misleading) spokesmen.

Every day millions of children in developing countries face adversities of many kinds, yet there is a shortage of sound evidence concerning their plight and an urgent need to identify the most appropriate and effective policy responses from among the multiple approaches that exist. This collection of journal papers aims to engage with researchers and debates in the field so as to understand better some of the numerous risks confronted by children in developing countries. It highlights the complexity of protecting children in various forms of adversity, challenges conventional wisdom about what protects children, demonstrates why it is essential to consult with children to protect them successfully, and suggests that successful protection must be based on strong empirical understanding of the situation and the perspectives of children and communities involved. The contributors are all experienced researchers and practitioners who have worked for many years with children in developing countries. The book offers suggestions for reform of current child protection policies, based on empirical findings around a range of child protection concerns, including children's work, independent migration, family separation, early marriage, and military occupation. Together, the contributions provide a body of knowledge important to humanitarian and development policy and practice. This book was published as a special issue of Development in Practice.

First published in 1987. Milton and Free Will is an incisive, ambitious and comprehensive analysis and defence of the concept of free will, using Milton as an example and exemplar. Written with passion, and out of a lifelong engagement with the poetry of Milton and the philosophical and theological problems it encompasses, the book will illuminate both Milton studies and philosophical debate. The author engages with all the major currents of the free will debate, starting with Aristotle and Aquinas and considering arguments advanced by Hume and Kant as well as those of a number of modern philosophers including Polanyi, Kenny, Parfit, Plantinga, Swinburne, Dennett and Davidson. He pays particular attention to the Marxist formalism of Bakhtin, the Catholic phenomenology of Pope John Paul II and the evolutionism of Monod and Sober. He concludes with a rebuttal of the deconstructionism of Barthes, Derrida and Foucault. He claims that all the major difficulties faced by defenders of free will can be overcome if a notion of willing implicit in the work of Milton is properly understood. Freedom as Milton represented and understood it, he suggests, is a condition of mind arising out of inter-personal awareness and not a property or consequence of practical reasoning. He finds supporting evidence for this view in the writings of Newman and in Henry James's The Portrait of a Lady, which he reads as a narrative structurally reversing Milton's representation of the fall of Eve in Paradise Lost. The author systematically analyses and reanalyses key passages in his texts in the light of the many arguments for and against free will, seeking thereby to affirm the validity in principle, and the personal and political importance in practice, of the Christian humanist tradition of which he sees Milton, Newman and the Pope as important (if sometimes misleading) spokesmen.

In our age of fast-paced biotechnological progress and humans' increasing impact on the environment the autonomy of 'nature' has come into question. We can now engineer living things, blur the biological distinctions between humans and animals, and influence parts of our world that we cannot see - such as DNA and genes. These discoveries and far-reaching developments have created fertile ground for artistic expression. This book reveals the ways in which the work of bio artists offers new meanings for our lives in the wake of scientific discovery, as well as new frameworks for describing them. Four thematic chapters cover the key areas in which biotechnology has had an impact on today's world, including ecology, biomedicine, designer genomes and evolutionary theory, profiling the work of 60 artists, collectives and organizations from countries including France, Germany, the US, the Netherlands, Mexico and Japan. Interviews with eight bio artists and technologists, including Arne Hendriks, Mark Dion, Boo Chapple, Heather Dewey-Hagborg and Raphael Kim, provide a deeper insight into the ideas and methods of this new breed of creative practitioner.

This book deals with important aspects of nineteenth-century culture, literary, philosophical and scientific, which remain live issues today. It examines in detail the writings of Dickens, Charlotte and Emily Bronte, James Hamilton, Eliot Mill, Arnold, Pater and Newman and makes substantial reference to Hawthorne, Dickinson, Spencer, Carlyle and Hardy, all in the context of the dominant intellectual movements of the nineteenth and twentieth centuries. The thought of Hamilton, Newman, Mill and Spencer is contrasted with that of twentieth-century figures like the philosophers Frege, Husserl, Wittenstein, Merleau-Ponty, the neo-Darwinists Monod and Dawkins and critics like Eagleton and Miller. William Myers argues for a traditional view, deriving largely from Newman, of the unity and autonomy of individual human beings. He suggests that science and literature depend on persons being actively and responsively present to each other, that freedom is always interpersonal, and that in great literature we can discover the workings of this deep mutuality and its enemies.

This book deals with important aspects of nineteenth-century culture, literary, philosophical and scientific, which remain live issues today. It examines in detail the writings of Dickens, Charlotte and Emily Bronte, James Hamilton, Eliot Mill, Arnold, Pater and Newman and makes substantial reference to Hawthorne, Dickinson, Spencer, Carlyle and Hardy, all in the context of the dominant intellectual movements of the nineteenth and twentieth centuries. The thought of Hamilton, Newman, Mill and Spencer is contrasted with that of twentieth-century figures like the philosophers Frege, Husserl, Wittenstein, Merleau-Ponty, the neo-Darwinists Monod and Dawkins and critics like Eagleton and Miller. William Myers argues for a traditional view, deriving largely from Newman, of the unity and autonomy of individual human beings. He suggests that science and literature depend on persons being actively and responsively present to each other, that freedom is always interpersonal, and that in great literature we can discover the workings of this deep mutuality and its enemies.

The first and only monograph on the extraordinary work of multidisciplinary and experiential Dutch artist duo DRIFT DRIFT was established in Amsterdam in 2007 by Lonneke Gordijn and Ralph Nauta. In their installations and interactive sculptures, environmental issues, human nature, and technology intersect in an intriguing way. Over the course of more than a decade, DRIFT's immersive, encompassing, and often site-specific projects have been exhibited all over the world, offering a meditative and poetic experience and addressing themes such as the relationship between the individual and the collective and the impact of technology in our society. This is the first book to explore their extraordinary world in depth.