The Paradox of Paradise focuses on the trajectory of urban coastal tourism in Spain from the late Franco years to the present through the lens of Spanish cultural production. “Sun‑and‑fun” destinations like Torremolinos (located in the Costa del Sol) and Benidorm (located in the Costa Blanca) established a model for urban renewal that literally built the coasts to accommodate and expand foreign tourism as the driving force of the so‑called Spanish Economic Miracle. In addition to inserting the coasts into the scope of Iberian urban studies (typically dominated by studies of Madrid and Barcelona) this project breaks new ground by bringing to the fore unexplored cultural artifacts vital to the narrative of development along the coasts in Spain: in particular the ubiquitous tourist postcard, which advances not only the post‑Franco economic miracle, but does so by highlighting the transformation of the actual Spanish landscape along its coasts. The Paradox of Paradise features more than twenty‑five striking images of coastal Spain in the throes of its own coming of age. William Nichols has unlocked a strange, self‑conscious archive that tells us as much about our own age of advertising as it does about the hotels and resorts and people on display.

Jackson Mathias More had a dream-a grand, vivid dream. Codenamed the Apocalypse, Mathias, along with four of his friends, dubbed the Four Horseman, gathered an army, went to war with a government he despised and brought about the Restoration in his country. These five spent years contriving the ingenuity, the strategy, the will . . . the guts to go through with the plan, and when all the pieces were in place, they began their incredible journey. Defying odds, facing sorrow-filled trials and tribulations, warring with a mighty enemy, and basking in the glory of victories, Mathias finds a strength of body and soul that can only be provided by God. Through his prayers and sufferings, Mathias brings the restoration of his faith to the people of his nation, separating the righteous from the wicked as he initiates a war to purge the enemy from the country. The war Jackson Mathias More foresaw in a dream came-he waged it.

In Christian Antisemitism: A History of Hate, Professor William Nicholls, a former minister in the Anglican Church and the founder of the Department of Religious Studies at the University of British Columbia, presents his stunning research, stating that Christian teaching is primarily responsible for antisemitism. As Nicholls states, these conclusions "can now be fully justified by the most up-to-date scholarship, Christian as well as Jewish". Nicholls writes, "Many Jewish writers have said, quite simply that the Nazis chose the Jews as the target of their hate because two thousand years of Christian teaching had accustomed the world to do so. Few Christian historians and theologians have been sufficiently open to the painful truth to accept this explanation without considerable qualification. Nevertheless, it is correct". Christian Antisemitism traces, over two millennia, the growing domination of Western culture by the Christian "myth" (as Nicholls calls it) about the Jews, and shows how it still exerts a major influence even on the secularized "post-Christian world". Nicholls shows, through scrupulous research and documentation, that the myth of the Jews as Christ-killers has powered anti-Judaism and antisemitism throughout the centuries. Nicholls clearly illustrates that this myth is present in the New Testament and that "it has not yet died under the impact of modern critical history". Also included in this remarkable volume is Nicholls' research regarding the Jewishness of Jesus. He writes, "Historical scholarship now permits us to affirm with confidence that Jesus of Nazareth was a faithful and observant Jew who lived by the Torah and taught nothing against his own people andtheir faith...the Romans, not the Jews, were the Christ-killers". In Part I, "Before the Myth", Nicholls explores the life of Jesus and his teachings as found in the New Testament. Was Jesus the founder of Christianity? Did he offer teachings against his people? Did he believe himself to be the Messiah? In Part II, "The Growth of the Myth", Nicholls looks at the impact made by Paul and documents the slow but steady relegation of the Jews to a position of hatred and victimization and their role as scapegoat. Also included in this section of the book is a close look at the development of the notion of the Jew as a player in Christian theology. In Part III, "The Myth Secularized", Nicholls observes the "secularization" of antisemitism, from the age of Napoleon to the present. His conclusion is a pessimistic one, noting that "the Holocaust has not brought an end to anti-semitism. It still pervades European and North American culture". Christian Antisemitism: A History of Hate is an extraordinary document of historical research. It is also a moving statement by a former Christian theologian who has come face-to-face with the most painful aspects of the religious tradition in which he was raised.

An international celebration of the work of Florence W. Kaslow! Family Therapy Around the World: A Festschrift for Florence W. Kaslow celebrates the life and work of the distinguished family therapist with an international collection of essays that reflects the dynamic state of clinical practice, research, and theory. Professionals and practitioners from 15 countries honor Dr. Kaslow's pioneering contributions to family therapy and family psychology by offering practical solutions to the real, everyday problems that affect today's world. The essays are varied and extensive, incorporating cultural and social factors to explore new territory in family therapy through cutting-edge research, clinical cases, and theoretical developments. Family Therapy Around the World recognizes the profound influence of Dr. Kaslow, who was instrumental in the adoption of the Journal of Family Psychotherapy as the official journal of the International Family Therapy Association (IFTA). The spirit of her work flows through the book's essays, which represent the latest thinking and practice developments from clinicians, theoreticians, and researchers around the world. The book paints a clear portrait of the current state of family therapy across the globe, including contributions from Japan; the United Kingdom; Israel; India; Argentina; Russia; Sweden; Iceland; Yugoslavia; Italy; Australia; Norway; Chile; and the United States. Topics examined in Family Therapy Around the World include: salutogenic family therapy (Sweden) working with abusing families (United Kingdom) family life in an atmosphere of chronic stress and social transformation (Yugoslavia) adult children dealing with parental divorce (Italy) exploring culture in practice (United Kingdom and India) fathers who make a difference (Argentina) sex avoidance among young couples (Israel) working toward triadic communication with problematic families (Japan) and much more! For decades, Dr. Florence Kaslow has been an active practitioner, editor, author, teacher, and researcher. Family Therapy Around the World: A Festschrift for Florence W. Kaslow represents a small sampling of the effect her work has had on the family therapy community across the globe.

The Paradox of Paradise focuses on the trajectory of urban coastal tourism in Spain from the late Franco years to the present through the lens of Spanish cultural production. “Sun‑and‑fun” destinations like Torremolinos (located in the Costa del Sol) and Benidorm (located in the Costa Blanca) established a model for urban renewal that literally built the coasts to accommodate and expand foreign tourism as the driving force of the so‑called Spanish Economic Miracle. In addition to inserting the coasts into the scope of Iberian urban studies (typically dominated by studies of Madrid and Barcelona) this project breaks new ground by bringing to the fore unexplored cultural artifacts vital to the narrative of development along the coasts in Spain: in particular the ubiquitous tourist postcard, which advances not only the post‑Franco economic miracle, but does so by highlighting the transformation of the actual Spanish landscape along its coasts. The Paradox of Paradise features more than twenty‑five striking images of coastal Spain in the throes of its own coming of age. William Nichols has unlocked a strange, self‑conscious archive that tells us as much about our own age of advertising as it does about the hotels and resorts and people on display.