Occupant-Centric Simulation-Aided Building Design promotes occupants as a focal point for the design process. This resource for established and emerging building designers and researchers provides theoretical and practical means to restore occupants and their needs to the heart of the design process. Helmed by leaders of the International Energy Agency Annex 79, this edited volume features contributions from a multi-disciplinary, globally recognized team of scholars and practitioners. Chapters on the indoor environment and human factors introduce the principles of occupant-centric design while chapters on selecting and applying models provide a thorough grounding in simulation-aided building design practice. A final chapter assembling detailed case studies puts the lessons of the preceding chapters into real world context. In fulfilment of the International Energy Agency's mission of disseminating research on secure and sustainable energy to all, Occupant-Centric Simulation-Aided Building Design is available as an Open Access Gold title. With a balance of fundamentals and design process guidelines, Occupant-Centric Simulation-Aided Building Design reorients the building design community towards buildings that recognize and serve diverse occupant needs, while aiming for superior environmental performance, based on the latest science and methods.

This book is the first to comprehensively cover research methods for building occupant behavior. As this is of growing importance for building design and for building performance optimization, the book aims to provide a sound scientific basis for experimental studies in this field. It introduces the reader to fundamental questions about the topic and unfolds the different fields related to occupant actions and comfort. This is followed by more general questions about developing an appropriate research method and experimental design. A comprehensive overview of sensors for monitoring environmental and also behavioral and action-related quantities helps to set up an experiment. In this context, different experimental environments and data collection methods (in-situ, laboratories, surveys) are introduced and discussed in terms of their suitability for the respective research question. Furthermore, data management and reporting is addressed. The book concludes with fundamental challenges in conducting occupant studies, with chapters on ground truth, ethics and privacy.

This volume will be the first monograph on the work of Chicago-based artist William J. O'Brien (born 1975), produced to accompany his first large-scale, solo exhibition opening at the Museum of Contemporary Art Chicago in January 2014. The show demonstrates the broad range of O'Brien's work--from sculpture and ceramics to drawing, textiles and painting--and his guiding interest in physicality and the handmade. The catalogue expands the dominant narratives around his practice, which generally focus on his ceramics, to more accurately reflect his diverse, prolific practice as a whole. Exhibition curator Naomi Beckwith and contributing author and curator Trevor Smith contextualize the artist's work in light of recent modes in contemporary art history--l'informe, the handmade and semiotic play. Critic Jason Foumberg contributes a creative text inspired by the artist's working process. Together, the contributing essays make a strong contextual case for O'Brien's work that counters canonical themes of media-specificity and traditional art materials, producing a catalogue as expansive as the breadth of O'Brien's practice itself.

Ringforts were an important part of the rural settlement landscape of early medieval Ireland (AD 400-1100). While most of those circular enclosures were farmsteads, a small number had special significance as centres of political power and elite residence, also associated with specialized crafts. One such 'royal site' was Garranes in the mid-Cork region of south-west Ireland. In 1937, archaeological excavation of a large trivallate ringfort provided evidence of high-status residence during the fifth and sixth centuries AD. The site had workshops for the production of bronze ornaments, with glass and enamel working as well as indications of farming. Pottery and glass vessels imported from the Mediterranean world and Atlantic France were also discovered. That trade with the Late Roman world is significant to understanding the introduction of Christianity and literacy in southern Ireland at that time. This monograph presents the results of an interdisciplinary project conducted 2011-18, where archaeological survey and excavation, supported by various specialist studies, examined this historic landscape. Garranes is a special place where archaeology, history and legend combine to uncover a minor royal site of the early medieval period. The central ringfort has been identified as Rath Raithleann, the seat of the petty kingdom of Ui Echach Muman, recalled in bardic poetry of the later medieval period. Those poems attribute its foundation to Corc, a King of Munster in the fifth century AD, and link the site closely to Cian, son-in-law of Brian Boruma, and one of the heroes of Clontarf (AD 1014). This study provides new evidence to connect the location of Rath Raithleann to high-status occupation at Garranes during the fifth and sixth centuries, and explores its legendary associations in later periods.