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This long-promised sequel to Ophuls's influential and controversial
classic Ecology and the Politics of Scarcity is an equally
provocative critique of the liberal philosophy of government.
Ophuls contends that the modern political paradigm-that is, the
body of political concepts and beliefs bequeathed to us by the
Enlightenment-is no longer intellectually tenable or practically
viable. Our attempt to live individualistically, hedonistically,
and rationally has failed utterly, causing a comprehensive crisis
that is at once political, military, economic, ecological, ethical,
psychological, and spiritual. Liberal politics has abandoned
virtue, rejected community, and flouted nature, thereby becoming
the author of its own demise. By exposing the intrinsically
contradictory and self-destructive character of Hobbesian political
systems, Ophuls subverts our conventional wisdom at every turn.
Indeed, his impassioned text reads more like a Greek tragedy than a
conventional political argument. He critiques feminism,
multiculturalism, the welfare state, and a host of other "liberal"
shibboleths-but Ophuls is not yet another neoconservative. The aim
of his thesis is far more radical and progressive, offering a
political vision that entirely transcends the categories of liberal
thought. His is a Thoreauvian vision of a "politics of
consciousness" rooted in ecology as the moral and intellectual
basis for governance in the twenty-first century. Ophuls holds that
a polity based on a renewed erotic connection with nature offers a
genuine solution to this crisis of contemporary civilization and
that only within such a polity will it be possible to fulfill the
worthy liberal goal of individual self-development. Ophuls's work
will interest and challenge a wide spectrum of readers, though it
will not necessarily be well liked or easily accepted. No one will
put down this book with his or her settled convictions about
American culture intact, nor will readers ever again take modern
civilization and its survival for granted.
This long-promised sequel to Ophuls' influential and controversial
classic "Ecology and the Politics of Scarcity" is an equally
provocative critique of the liberal philosophy of government.
Ophuls contends that the modern political paradigm--that is, the
body of political concepts and beliefs bequeathed to us by the
Enlightenment--is no longer intellectually tenable or practically
viable. Our attempt to live individualistically, hedonistically,
and rationally has failed utterly, causing a comprehensive crisis
that is at once political, military, economic, ecological, ethical,
psychological, and spiritual. Liberal politics has abandoned
virtue, rejected community, and flouted nature, thereby becoming
the author of its own demise.By exposing the intrinsically
contradictory and self-destructive character of Hobbesian political
systems, Ophuls subverts our conventional wisdom at every turn.
Indeed, his impassioned text reads more like a Greek tragedy than
like a conventional political argument. He critiques feminism,
multiculturalism, the welfare state, and a host of other "liberal"
shibboleths--but Ophuls is not another reactionary neoconservative.
The aim of his thesis is far more radical and progressive, offering
a political vision that entirely transcends the categories of
liberal thought. His is a Thoreauvian vision of a "politics of
consciousness" rooted in ecology as the moral and intellectual
basis for governance in the twenty-first century. Ophuls holds that
a polity based on a renewed erotic connection with nature offers a
genuine solution to this crisis of contemporary civilization and
only within such a polity will it be possible to fulfill the worthy
liberal goal of individualself-development.Ophuls' work will
interest and challenge a wide spectrum of readers, though it will
not necessarily be well liked or easily accepted. No one will put
down this book with his or her settled convictions about Western
culture intact, nor will readers ever again take modern
civilization and its survival for granted.
A provocative essay that imagines a truly ecological future based
on political transformation rather than the superficialities of
"sustainability." In this provocative call for a new ecological
politics, William Ophuls starts from a radical premise:
"sustainability" is impossible. We are on an industrial Titanic,
fueled by rapidly depleting stocks of fossil hydrocarbons. Making
the deck chairs from recyclable materials and feeding the boilers
with biofuels is futile. In the end, the ship is doomed by the laws
of thermodynamics and by the implacable biological and geological
limits that are already beginning to pinch. Ophuls warns us that we
are headed for a postindustrial future that, however
technologically sophisticated, will resemble the preindustrial past
in many important respects. With Plato's Revenge, Ophuls, author of
Ecology and the Politics of Scarcity, envisions political and
social transformations that will lead to a new natural-law politics
based on the realities of ecology, physics, and psychology. In a
discussion that ranges widely-from ecology to quantum physics to
Jungian psychology to Eastern religion to Western political
philosophy-Ophuls argues for an essentially Platonic politics of
consciousness dedicated to inner cultivation rather than outward
expansion and the pursuit of perpetual growth. We would then
achieve a way of life that is materially and institutionally simple
but culturally and spiritually rich, one in which humanity
flourishes in harmony with nature.
William Ophuls proposes a different way of thinking about
governance. Inspired by architecture, he articulates a pattern
language of politics-a set of thirty-five design criteria for
constructing sane and humane polity. Since ancient times, human
beings have asked a fundamental question: What is a good society,
and how should it be governed? Plato's response was philosophical.
In *The Republic*, he searched for an abstract notion of justice to
guide political thought and action. Aristotle's response was
empirical. In *The Politics*, he tried to discover which
constitutions were more conducive to justice in practice. Following
Aristotle, the modern era embraced constitutionalism as the royal
road to political nirvana. Thus the American founders, who were
also inspired by the mechanical worldview, framed a constitutional
machine intended to foster individual liberty and the pursuit of
happiness. But the mechanical worldview is no longer intellectually
tenable, and constitutional governance is no longer practically
viable. Far from fostering a society in which men and women
flourish according to their own lights, modern polities grow
steadily more dysfunctional and oppressive. Ophuls argues that a
pattern language best accords with the dawning ecological worldview
and the emerging scientific understanding of systems and chaos. He
contends that the proper way to shape the political future is not
with rigid legal machinery, as is our wont, but instead with
flexible design criteria resembling the architectural patterns used
for constructing human settlements and dwellings.
*Immoderate Greatness* explains how a civilization's very magnitude
conspires against it to cause downfall. Civilizations are
hard-wired for self-destruction. They travel an arc from initial
success to terminal decay and ultimate collapse due to intrinsic,
inescapable biophysical limits combined with an inexorable trend
toward moral decay and practical failure. Because our own
civilization is global, its collapse will also be global, as well
as uniquely devastating owing to the immensity of its population,
complexity, and consumption. To avoid the common fate of all past
civilizations will require a radical change in our ethos-to wit,
the deliberate renunciation of greatness-lest we precipitate a dark
age in which the arts and adornments of civilization are partially
or completely lost.
This is an EXACT reproduction of a book published before 1923. This
IS NOT an OCR'd book with strange characters, introduced
typographical errors, and jumbled words. This book may have
occasional imperfections such as missing or blurred pages, poor
pictures, errant marks, etc. that were either part of the original
artifact, or were introduced by the scanning process. We believe
this work is culturally important, and despite the imperfections,
have elected to bring it back into print as part of our continuing
commitment to the preservation of printed works worldwide. We
appreciate your understanding of the imperfections in the
preservation process, and hope you enjoy this valuable book.
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