Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

In 1899, William Osborne Dapping was a Harvard-bound nineteen-year-old when he began writing down exploits from his rough childhood in the immigrant slums of New York City. Now published for the first time, The Muckers: A Narrative of the Crapshooters Club recovers a long-lost fictionalized account of Dapping's life in a gang of rowdy boys. Simultaneously a polished work of social reform literature and a rejoinder to the era's alarming exposes of the "dangerous classes," The Muckers stands as an important reform era primary document. The thinly disguised autobiographical narrative is told in the slangy, profane voice of the gang's leader, Spike, who describes life through the eyes of the young boys who thronged the city's streets, hawking newspapers, playing baseball, shooting craps, pilfering beer, and tormenting any and all adult authorities. These muckers are dirty and insubordinate, and prefer to steal rather than to work, but they also possess a high-spirited zest for life and mischief, a wily intelligence, and a sturdy code of honor that help them exploit the good intentions of social reformers and survive in a darkly violent and hypocritical world. Historian Woody Register's introduction explores the book's documentary value as a social history of 1890s tenement life; as a literary work that challenged the conventions of writing about children and the poor; and as a window through which to observe the remarkable story of the author's transformation from slum mucker to Harvard man. Destined to become a classic of Progressive Era literature, The Muckers reads with the lively cadence of a novel, told in the voice of an unforgettable narrator of wit, grit, and heart.

In 1899, William Osborne Dapping was a Harvard-bound nineteen-year-old when he began writing down exploits from his rough childhood in the immigrant slums of New York City. Now published for the first time, The Muckers: A Narrative of the Crapshooters

Tygo Winter, the son of a locksmith, is trapped alone in Amsterdam in the winter of 1945. Known as the ‘Ferret’, he is forced to work for the SS on pain of death, breaking into houses to look for plunder while being hunted by the Dutch resistance as a collaborator. But then a chance meeting with a teenage girl, who might know the whereabouts of a fabulous diamond, may just be the key he desperately needs to save his life and hers. That is, until he is given one shot to end the war itself.

This live-action, big-budget family blockbuster brings Gerry Anderson's cult classic 1960s puppet sci-fi TV series to the big screen. Directed by Jonathan Frakes, the film follows the intergalactic adventures of the Tracy family, headed by former astronaut Jeff Tracy (Bill Paxton), who lives with his five sons on the top-secret Tracy Island, which also houses the headquarters of the top-secret International Rescue organisation. When villainous criminal 'The Hood' (Ben Kingsley) orchestrates an elaborate plan to remove Jeff and his four eldest sons temporarily from home, so that he can invade the island and attempt to steal some of the organisation's most valuable equipment, it is left to Jeff's youngest son Alan (Brady Corbet) to save the day...