Memoir of a provocative Parisian art dealer at the heart of the 20th-century art world, available in English for the first time. Berthe Weill, a formidable Parisian dealer, was born into a Jewish family of very modest means. One of the first female gallerists in the business, she first opened the Galerie B. Weill in the heart of Paris's art gallery district in 1901, holding innumerable exhibitions over nearly forty years. Written out of art history for decades, Weill has only recently regained the recognition she deserves. Under five feet tall and bespectacled, Weill was beloved by the artists she supported, and she rejected the exploitative business practices common among art dealers. Despite being a self-proclaimed "terrible businesswoman," Weill kept her gallery open for four decades, defying the rising tide of antisemitism before Germany's occupation of France. By the time of her death in 1951, Weill had promoted more than three hundred artists-including Henri Matisse, Pablo Picasso, Amedeo Modigliani, Diego Rivera, and Suzanne Valadon-many of whom were women and nearly all young and unknown when she first exhibited them. Pow! Right in the Eye! makes Weill's provocative 1933 memoir finally available to English readers, offering rare insights into the Parisian avant-garde and a lively inside account of the development of the modern art market.

The Long Way is Bernard Moitessier's own incredible story of his participation in the first Golden Globe Race, a solo, non-stop circumnavigation rounding the three great Capes of Good Hope, Leeuwin, and the Horn.

For seven months, the veteran seafarer battled storms, doldrums, gear-failures, knock-downs, as well as overwhelming fatigue and loneliness. Then, nearing the finish, Moitessier pulled out of the race and sailed on for another three months before ending his 37,455-mile journey in Tahiti.

Not once had he touched land.

'[A] page-turner of a novel . . . I couldn't put the book down' - New York Times 'A multi-viewpoint panorama of thwarted aspirations, spiced with breathy sex scenes and nostalgic detail.' - Mail on Sunday August 1992. Fourteen-year-old Anthony and his cousin decide to steal a canoe to fight their all-consuming boredom on a lazy summer afternoon. Their simple act of defiance will lead to Anthony's first love and his first real summer - that one summer that comes to define everything that follows. Over four sultry summers in the 1990s, Anthony and his friends grow up in a France trapped between nostalgia and decline, decency and rage, desperate to escape their small town, the scarred countryside and grey council estates, in search of a more hopeful future. Nicolas Mathieu's eloquent novel gives a pitch-perfect depiction of teenage angst. Winner of the Prix Goncourt, it won praise for its portrayal of people living on the margins and shines a light on the struggles of French society today. 'Deeply felt . . . An exceptional portrait of youth' - Irish Times

'[A] page-turner of a novel . . . I couldn't put the book down' - New York Times 'A multi-viewpoint panorama of thwarted aspirations, spiced with breathy sex scenes and nostalgic detail.' - Mail on Sunday August 1992. Fourteen-year-old Anthony and his cousin decide to steal a canoe to fight their all-consuming boredom on a lazy summer afternoon. Their simple act of defiance will lead to Anthony's first love and his first real summer - that one summer that comes to define everything that follows. Over four sultry summers in the 1990s, Anthony and his friends grow up in a France trapped between nostalgia and decline, decency and rage, desperate to escape their small town, the scarred countryside and grey council estates, in search of a more hopeful future. Nicolas Mathieu's eloquent novel gives a pitch-perfect depiction of teenage angst. Winner of the Prix Goncourt, it won praise for its portrayal of people living on the margins and shines a light on the struggles of French society today. 'Deeply felt . . . An exceptional portrait of youth' - Irish Times

When you know the "story your banker will never tell you," it's more than likely that you would never be anxious about managing your wealth again. In fact, by applying simple principles, anyone with savings can take back the reins of their own finances, and make banks work for their money instead of allowing their money to work for the banks. Seasoned private bankers Alexandre Arnback and Trevor Pavitt have put forth a groundbreaking perspective on personal finance that will forever change the way you view your portfolio. Heal your investments: A story your banker will never tell you debunks the common understanding of making money through the financial markets, and offers a clear and measured plan for anyone to enjoy their wealth with complete peace of mind-and free themselves up to enjoy time with family, hobbies, and other pursuits. Clarifying both the misconceptions and offering a game plan of sound investing in layman's language, this revelatory financial tool illuminates the way financial markets work and shows the investor which tools to use to reclaim control over any portfolio, and to obtain the performance they deserve. It both demystifies the financial world through simple stories, and provides a summary of forty years of academic studies on financial markets. Both easy-to-read and based on solid academic evidence, this unprecedented resource is an eye-opening guide to personal savings and financial markets that brims with the crucial insight for any investor to know about it before investing in anything. By overcoming the common anxiety with sound, actionable knowledge, it will empower anyone to apply simple principles to achieve financial peace of mind. Brilliantly simple and sure to set anyone on the path to stress-free financial management, this book will forever change the way you invest.

From cave paintings to the latest Siberian finds, woolly mammoths have fascinated people across Europe, Asia, and North America for centuries. Remains of these enormous prehistoric animals were among the first fossils to be recognized as such, and they have played a crucial role in the birth and development of paleontology. In this lively, wide-ranging look at the fate of the mammoth, Claudine Cohen reanimates this large mammal with heavy curved tusks and shaggy brown hair through its history in science, myth, and popular culture.
Cohen uses the mammoth and the theories that naturalists constructed around it to illuminate wider issues in the history of science, showing how changing views about a single object reveal the development of scientific methods, practices, and ideas. How are fossils discovered, reconstructed, displayed, and interpreted? What stories are told about them, by whom, and how do these stories reflect the cultures and societies in which they are told?
To find out, Cohen takes us on a grand tour of the study of mammoth remains, from England, Germany, and France to Russia and America, and from the depths of Africa to the frozen frontiers of Alaska and Siberia, where intact mammoth corpses have been discovered in the permafrost. Along the way, she shows how paleontologists draw on myth and history, as well as on scientific evidence, to explore the deep history of the earth and of life. Cohen takes her history from the sixteenth century right up to the present, when researchers are using molecular biology to retrieve mammoth DNA, calling up dreams of cloning the mammoth and one day seeing herds of woolly mammoths roaming the frozen steppes.