Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Relying on a wealth of new data, this book argues that long-standing puzzles of Negative Inversion (NI) syntax are not puzzles at all when viewed through the lenses of Gricean pragmatics and Labovian sociolinguistics. Focusing on sentences such as "Can't nobody lift that rock" in African American, Anglo, and Chicano Englishes in Texas, the book provides tidy solutions to problems such as: the NI's relationship to its non-inverted counterpart, its relationship to existential "there" sentences, to modal existential sentences, to the definiteness effects surrounding its NP subject, the emphatic meaning with which it seems to be associated, and more. The book argues that such issues, which have been explored in the syntax and semantics literature since the late 1960s, are handled more fruitfully via Gricean reasoning, demographics of use, and a simple semantics. As such, the book argues that NI can be freed from the "syntactico-semantic straitjacket" into which it has often been forced. It also demonstrates ways in which pragmatic and sociolinguistic thought can be brought together to inform larger linguistic analyses.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This Is A New Release Of The Original 1679 Edition.

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++<sourceLibrary>British Library<ESTCID>T138534<Notes><imprintFull>London: printed for J. Rivington; R. Baldwin; L. Hawes, W. Clarke, and R. Collins; W. Johnston; S. Crowder and 4 others in London], 1767. <collation> 12],132, 28]p., plates; 4