This manga recreation of Shakespeare's text transfers the action from Ancient Rome to a future Iraq, once again facing dictatorship after its prolonged struggles to establish a democracy. Part of the successful Manga Shakespeare series, a fusion of classic Shakespeare with manga visuals.

This series of unabridged Shakespeare titles is based on the premise that students can reach a clear understanding of their work only through a close and careful reading of the text. The commentary facing each page of the text has been designed to suggest a critical interpretation of the play.

This edition contains the full text of The Tempest with clear and supportive notes. A detailed introduction and a guide to each act and scene give you everything you need to study the play for CSEC (R) English B. Understand the language of the play with clear notes on each page. Learn about Shakespeare's world and the context of the play in the lively introduction. Get to grips with characters, themes and dramatic techniques with a guide to each scene. Trace the development of themes across the play with succinct summaries and links to the key scenes. Prepare for your final examinations with practice exam questions and annotated sample responses to show you how to improve your work.

(Applause Books). There has been a great change in the last twenty years to actor auditions, which now require the demonstration of enormous flexibility. The actor is often expected to show more range than ever before, and often several shorter audition speeches are asked for instead of one or two longer ones. To stay at the top of his or her game, the Shakespearean actor needs more knowledge of what makes the play tick, especially since the early plays demand a different style from the later ones. Each genre (comedy, history, tragedy) has different requirements. No current monologue book deals directly with the bulk of these concerns. One More unto the Speech, Dear Friends now fills that gap. This three volume set will help actors discover the extra details of humanity that the original folio texts automatically offer. Of Shakespeare's 37 plays, only Pericles is not included. In the trilogy of books there are over 900 separate audition possibilities. This represents about 600 more monologues than are available in any other series. There are four parts to each speech: * A background giving context and approximate timing; * A modern text version; * The original folio version; * Commentary to explain the differences between the two texts including full discussion of the devices peculiar to that speech's genre, the age and gender of the character, and more.

If there has ever been a groundbreaking edition that likewise returns the reader to the original Shakespeare text it will be THE APPLAUSE FOLIO TEXTS. If there has ever been an accessible version of the Folio it is this edition. The Folio is EtheE source of all other editions. The Folio text forces us to re-examine the assumptions and prejudices which have encumbered over four hundred years of scholarship and performance. Notes refer the reader to subsequent editorial interventions and offer the reader a multiplicity of interpretations. Notes also advise the reader on variations between Folios and Quartos. Prepared and annotated by Neil Freeman Head Graduate Directing Program University of British Columbia.

If there ever has been a groundbreaking edition that likewise returns the reader to the original Shakespeare text, it will be the Applause Folio Texts. If there has ever been an accessible version of the Folio, it is this edition, set for the first time in modern fonts. The Folio is the source of all other editions. The Folio text forces us to re-examine the assumptions and prejudices which have encumbered over four hundred years of scholarship and performance. Notes refer the reader to subsequent editorial interventions, and offer the reader a multiplicity of interpretations. Notes also advise the reader on variations between Folios and Quartos. The heavy mascara of four centuries of Shakespearean glossing has by now glossed over the original countenance of Shakespeare's work. Never has there been a Folio available in modern reading fonts. While other complete Folio editions continue to trade simply on the facsimile appearance of the Elizabethan "look," none of them is easily and practically utilized in general Shakespeare studies or performances.

This series of unabridged Shakespeare titles is based on the premise that students can reach a clear understanding of their work only through a close and careful reading of the text. The commentary facing each page of the text has been designed to suggest a critical interpretation of the play.

If there ever has been a groundbreaking edition that likewise returns the reader to the original Shakespeare text, it will be the Applause Folio Texts. If there has ever been an accessible version of the Folio, it is this edition, set for the first time in modern fonts. The Folio is the source of all other editions. The Folio text forces us to re-examine the assumptions and prejudices which have encumbered over four hundred years of scholarship and performance. Notes refer the reader to subsequent editorial interventions, and offer the reader a multiplicity of interpretations. Notes also advise the reader on variations between Folios and Quartos. The heavy mascara of four centuries of Shakespearean glossing has by now glossed over the original countenance of Shakespeare's work. Never has there been a Folio available in modern reading fonts. While other complete Folio editions continue to trade simply on the facsimile appearance of the Elizabethan "look," none of them is easily and practically utilized in general Shakespeare studies or performances.

In one of Shakespeare's most famous tragedies, the three daughters of the king of Britain are put to the test of declaring their love for their father, King Lear. The test leads to the expulsion of the favorite daughter, Cordelia; the undermining of the king; and ultimately the unraveling of Lear's sanity. In true Shakespeare fashion, greed, war, lust, and misplaced good intensions intersect to form an inevitable climax of poison and swordplay, making King Lear arguably the greatest tragedy of all time. George Bernard Shaw wrote, "No man will ever write a better tragedy than Lear" (Shaw on Shakespeare, Applause Books). If there ever has been a groundbreaking edition that likewise returns the reader to the original Shakespeare text, it will be the Applause Folio Texts. If there has ever been an accessible version of the Folio, it is this edition, set for the first time in modern fonts. The Folio is the source of all other editions. The Folio text forces us to re-examine the assumptions and prejudices which have encumbered over four hundred years of scholarship and performance. Notes refer the reader to subsequent editorial interventions, and offer the reader a multiplicity of interpretations. Notes also advise the reader on variations between Folios and Quartos. The heavy mascara of four centuries of Shakespearean glossing has by now glossed over the original countenance of Shakespeare's work. Never has there been a Folio available in modern reading fonts. While other complete Folio editions continue to trade simply on the facsimile appearance of the Elizabethan "look " none of them is easily and practically utilized in general Shakespeare studies or performances.

Develops understanding of Shakespeare's plays and their language with extensive notes and activities. Encourages students to read and enjoy Shakespeare's plays with photographs and actors' interpretations. Contains supportive exam-style questions and coursework suggestions at the end of each act. Provides in-depth textual notes and additional study skills for AS and A2

If there ever has been a groundbreaking edition that likewise returns the reader to the original Shakespeare text, it will be the Applause Folio Texts. If there has ever been an accessible version of the Folio, it is this edition, set for the first time in modern fonts. The Folio is the source of all other editions. The Folio text forces us to re-examine the assumptions and prejudices which have encumbered over four hundred years of scholarship and performance. Notes refer the reader to subsequent editorial interventions, and offer the reader a multiplicity of interpretations. Notes also advise the reader on variations between Folios and Quartos. The heavy mascara of four centuries of Shakespearean glossing has by now glossed over the original countenance of Shakespeare's work. Never has there been a Folio available in modern reading fonts. While other complete Folio editions continue to trade simply on the facsimile appearance of the Elizabethan "look," none of them is easily and practically utilized in general Shakespeare studies or performances.

If there ever has been a groundbreaking edition that likewise returns the reader to the original Shakespeare text, it will be the Applause Folio Texts. If there has ever been an accessible version of the Folio, it is this edition, set for the first time in modern fonts. The Folio is the source of all other editions. The Folio text forces us to re-examine the assumptions and prejudices which have encumbered over four hundred years of scholarship and performance. Notes refer the reader to subsequent editorial interventions, and offer the reader a multiplicity of interpretations. Notes also advise the reader on variations between Folios and Quartos. The heavy mascara of four centuries of Shakespearean glossing has by now glossed over the original countenance of Shakespeare's work. Never has there been a Folio available in modern reading fonts. While other complete Folio editions continue to trade simply on the facsimile appearance of the Elizabethan "look," none of them is easily and practically utilized in general Shakespeare studies or performances.

If there has ever been a groundbreaking edition that likewise returns the reader to the original Shakespeare text, it will be THE APPLAUSE FOLIO TEXTS. If there has ever been an accessible version of the Folio, it is this edition, set for the first time in modern fonts. The Folio is the source of all other editions. The Folio text forces us to re-examine the assumptions and prejudices which have encumbered over four hundred years of scholarship and performance. Notes refer the reader to subsequent editorial interventions, and offer the reader a multiplicity of interpretations. Notes also advise the reader on variations between Folios and Quartos. Prepared and annotated by Neil Freeman, Head, Graduate Directing Program, University of British Columbia.

These popular editions allow the reader and student to look beyond the scholarly reading text to the more sensuous, more collaborative, more malleable performance text which emerges in conjunction with the commentary and notes. Each note, each gloss, each commentary reflects the stage life of the play with constant reference to the challenge of the text in performance. Readers will not only discover an enlivened Shakespeare, they will be empowered to rehearse and direct their own productions of the imagination in the process.

These popular editions allow the reader and student to look beyond the scholarly reading text to the more sensuous, more collaborative, more malleable performance text which emerges in conjunction with the commentary and notes. Each note, each gloss, each commentary reflects the stage life of the play with constant reference to the challenge of the text in performance. Readers will not only discover an enlivened Shakespeare, they will be empowered to rehearse and direct their own productions of the imagination in the process.

Examination: English Language & Literature Specification: GCSE 9-1 Set Text covered: Romeo and Juliet by William Shakespeare Type: Set Text: Annotation Edition "This version of the text [Scholastic GCSE 9-1: A Christmas Carol: Annotation Edition] is vastly superior to a simple copy of the book, double spacing and wide margins allow for the text to be annotated in detail without losing the original text, often impossible to do with other versions." Lisa Ward, English Teacher "Very easy to use, accessible for a lot of learners who have previously struggled. The spacing of the text was a feature that students particularly liked and the clear annotation." Nicola O'Donnell, English Teacher [regarding Scholastic GCSE 9-1: Macbeth: Annotation Edition] This annotation edition of Shakespeare's well-known tragi-comedy is perfect for students and Shakespeare enthusiasts alike. Scholastic Annotation Editions come with extra-wide margins and double-spaced lines, they are perfect for your annotations. They include: Large spaces between lines and large outer margins, perfect for highlighting and note-taking. Pages for note-taking in every book. A large, easy to read font and left-justified text for children who struggle to access the printed word. Top tips on effective annotation from English teacher and revision guide author, Cindy Torn. "These violent delights have violent ends..." When Romeo and Juliet meet during a chance encounter, they have no idea what lies ahead - for these star-crossed lovers belong to feuding families, and their love will never be accepted by those around them. Scholastic have a full suite of revision guide, study guide, app, student book, revision cards and essay planners - the most comprehensive support for GCSE set texts available!

This Much Ado About Nothing Complete Play contains the full text of all five acts, with helpful annotations explaining all the tricky bits in plain English. It includes scene overviews and a context section, so that students can keep track of the plot, characters and historical details. Plus, there is lots of practice, with questions and activities at the end of every scene. We've also added Knowledge Organiser pages, which lay all the essentials out in one handy place, and audio extracts, which let students hear key scenes performed, just as Shakespeare intended. The CGP range for Shakespeare also includes a matching Text Guide (9781782948513), which contains all the notes and practice you need to really master Much Ado About Nothing!

Published to mark the 400th anniversary of the book's original publication, this facsimile edition faithfully reproduces one of the finest copies held in the British Library collections. The significance of the First Folio cannot be underestimated. It is the only contemporary source of eighteen of Shakespeare's plays. Without it, performances of such popular plays as The Tempest, Twelfth Night and Macbeth would not be possible. Changes and corrections were made during the long printing process. Small alterations were also made to the (now iconic) portrait of Shakespeare created by Martin Droeshout for the title page. As a result, no two surviving copies of the First Folio are identical and few are complete. Of the 750 copies that were originally published, some 200 exist today. The British Library has five copies, one of which is complete, and it is this copy that is presented with an introductory booklet by curators Adrian S Edwards and Tanya Kirk.

The world's leading center for Shakespeare studies.
Each edition includes:
- Freshly edited text based on the best early printed version of the play
- Full explanatory notes conveniently placed on pages facing the text of the play
- Scene-by-scene plot summaries
- A key to famous lines and phrases
- An introduction to reading Shakespeare's language
- An essay by a leading Shakespeare scholar providing a modern perspective on the play
- Illustrations from the Folger Shakespeare Library's vast holdings of rare books
Essay by Susan Snyder