The Collected Stories - a stunning volume of William Trevor's unforgettable short stories William Trevor is one of the most renowned figures in contemporary literature, described as 'the greatest living writer of short stories in the English language' by the New Yorker and acclaimed for his haunting and profound insights into the human heart. Here is a collection of his short fiction, with dozens of tales spanning his career and ranging from the moving to the macabre, the humorous to the haunting. From the penetrating 'Memories of Youghal' to the bittersweet 'Bodily Secrets' and the elegiac 'Two More Gallants', here are masterpieces of insight, depth, drama and humanity, acutely rendered by a modern master. 'A textbook for anyone who ever wanted to write a story, and a treasure for anyone who loves to read them' Madison Smartt Bell 'Extraordinary... Mr. Trevor's sheer intensity of entry into the lives of his people...proceeds to uncover new layers of yearning and pain, new angles of vision and credible thought' The New York Times Book Review

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Ireland has been called a nation of story-tellers. "Stories of one kind or another have a way of pressing themselves into Irish conversation, both as entertainment and as a form of communication," writes William Trevor. "For centuries they have been offered to strangers, almost as hospitality is: tall stories, simple stories, stories of extraordinary deeds, of mysteries and wonders, of gentleness, love, cruelty, and violence." Himself an accomplished short story writer, Trevor has gathered here a collection of stories that represent not only the best of Irish short story writing, but the best of the genre.
Spanning the entire history of the Irish short story, from folk-tales to modern writing, this is the most broad-ranging anthology available. Included are such masters as James Joyce and Elizabeth Bowen, who established Ireland at the forefront of the modern short story, as well as Frank O'Connor and Sean O'Faolain, the two most important writers since Joyce and Bowen. Trevor has selected stories by Bernard McLaverty and Desmond Hogan to represent the new generation of writers. But, as Elizabeth Bowen observed, the modern short story in Ireland is "a young art," and it is against the nation's deeply rooted oral tradition that it must be considered. Toward this end, The Oxford Book of Irish Short Stories includes seven folk tales translated from the Irish by Sean O'Sullivan, and Seamus MacManus's re-telling of an Irish fairy tale.
William Trevor is one of today's most famous and respected Irish writers. (His work is represented here by the short story "Death in Jerusalem.") The 45 stories he has selected for this anthology, for which he has written a generous introduction, cover a 250-year period and works by 35 authors. Together they demonstrate the development of the short story in Ireland, a land where a flair for storytelling has "become a national characteristic."

'What a writer he was; he could flip over a sentence so gently, and showthe underbelly in a heartbeat. His work is always quietly compassionate' Elizabeth Strout In this final collection of ten exquisite, perceptive and profound stories, William Trevor probes into the depths of the human spirit. Here we encounter a tutor and his pupil, whose lives are thrown into turmoil when they meet again years later; a young girl who discovers the mother she believed dead is alive and well; and a piano-teacher who accepts her pupil's theft in exchange for his beautiful music. These gorgeous stories - the last that Trevor wrote before his death - affirm his place as one of the world's greatest storytellers. 'Trevor is a master of both language and storytelling' Hilary Mantel 'He is one of the great short-story writers, at his best the equal of Chekhov' John Banville 'The greatest living writer of short stories in the English language' New Yorker

William Trevor's stunning new collection of stories displays this renowned craftsman at the peak of his powers. A middle-aged couple meet in a theatre bar for a squalid blind date; a disappointed priest fears an innocent young girl may run away from home; two self-certain sisters visit a newly widowed local woman. From these slender moments Trevor creates whole lives, conjuring up characters marked by bitterness and loss. William Trevor's graceful prose is a wonder in itself, and as convincing when inhabiting the mind of a school lunchmaid, an adulterous Irish country librarian or a murderer on the London streets. And as is always the case with William Trevor, venom and tragedy are never far from the still surface of the stories.
These stories, many of which first appeared in "The New Yorker, are small masterpieces of observation from one of the most highly acclaimed and beloved writers of the century.

"From the Hardcover edition.

His first collection since the bestselling After Rain, William Trevor's The Hill Bachelors is a heartbreaking book about men and women and their missed opportunities: four people live in a suburban house, frozen in a conspiracy of silence that prevents love's consummation; a nine-year-old dreams that a part in a movie will heal her fragmented family life; a brother and sister forge a new life amid the chaos of Ireland after the Rebellion; and in the title story, a young man chooses between his longtime love and a life of solitude on the family farm. These beautifully rendered tales reveal Trevor's compassion for the human condition and confirm once again his position as one of the premier writers of the short story.

Fools of Fortune by William Trevor - a classic early novel from one of the world's greatest writers Winner of the Whitbread Prize for Best Novel of the Year Murder and revenge during the Irish Civil War The Quintons have lived in the old house in Cork for hundreds of years. Though Anglo-Irish Protestant, they sympathize with the cause of independence and secretly fund Michael Collins' fighters. But one of their workers is an informer to the British, and when he's murdered on their land, though they know nothing of it, the Black and Tans come seeking revenge. Till now young Willy Quinton has led a pleasant, cosseted life. But the murder of his father and sisters by British soldiers brings him to a point when he can only contemplate revenge himself. He sets off for Liverpool with hatred in his heart. Will he survive? Will the cycle ever be broken? 'To my mind William Trevor's best novel and a very fine one' Graham Greene William Trevor was born in Mitchelstown, Co Cork, in 1928. He spent his childhood in Ireland and was educated at Trinity College, Dublin, but has lived in England for many years. An acknowledged master of the short-story form, he has also written many highly acclaimed novels: he has won the Whitbread Fiction Prize three times and been shortlisted for the Booker Prize four times. His most recent novel was Love and Summer (Penguin, 2010).

'A master of both language and storytelling' HILARY MANTEL 'Compact and ordinary, it was a town in a hollow that had grown up there for no reason that anyone knew or wondered about . . .' Rathmoye, Ireland, in the middle of the last century, and into town comes a stranger on the day of Eileen Connulty's funeral. Taking unwanted and unasked for photographs, Florian Kilderry upsets its carefully settled status quo. But Ellie, a young convent girl married to a farmer still mourning his first wife, cannot help but be drawn to this trespassing youth. Over the course of a long, warm summer Ellie and Florian form an attachment that sleepy Rathmoye cannot ignore . . . 'Unbearably moving' Spectator

The Children Of Dynmouth - a classic prize-winning novel by William Trevor William Trevor's The Children of Dynmouth (Winner of the Whitbread Award and shortlisted for the Booker Prize) was first published in 1976 and is a classic account of evil lurking in the most unlikely places. In it we follow awkward, lonely, curious teenager Timothy Gedge as he wanders around the bland seaside town of Dynmouth. Timothy takes a prurient interest in the lives of the adults there, who only realise the sinister purpose to which he seeks to put his knowledge too late. 'A small masterpiece of understatement ... a work of rare compassion' Joyce Carol Oates, New York Times If you enjoyed The Story of Lucy Gault and Love and Summer, you will love this book. It will also be adored by readers of Colm Toibin and William Boyd. William Trevor was born in Mitchelstown, County Cork. He has written eighteen novels and novellas, and hundreds of short stories, for which he has won a number of prizes including the Hawthornden Prize, the Yorkshire Post Book of the Year Award, the Whitbread Book of the Year Award and the David Cohen Literature Prize in recognition of a lifetime's literary achievement. In 2002 he was knighted for his services to literature. His books in Penguin are: After Rain; A Bit on the Side; Bodily Secrets; Cheating at Canasta; The Children of Dynmouth; The Collected Stories (Volumes One and Two); Death in Summer; Felicia's Journey; Fools of Fortune; The Hill Bachelors; Love and Summer; The Mark-2 Wife; Selected Stories; The Story of Lucy Gault and Two Lives.

Love and Summer - a remarkable, heart-rending novel by acclaimed writer William Trevor 'Lingers in the memory as a beautiful meditation on love, belonging and the impossibility of escape' Observer 'Unbearably moving' Spectator It is summer and a stranger has come to quiet Rathmoye. He is noticed by Ellie, the young convent girl, who is married to Dillahan, a farmer still mourning his first wife. Over the long and warm days, Ellie and the stranger form an illicit attachment. And those in the town can only watch, holding their tongues, as passion, love and fate take their inevitable course. 'A portrait of a brackish rural backwater, complete with family tragedy, sexual scandal, a repressed spinster and a half-crazed ancient retainer . . . delicate, elegiac, written with all Trevor's trademark compassion and understanding' Daily Mail 'A series of wrenching human dramas, which Trevor depicts with kindness and beautiful delicacy' Sunday Telegraph 'Brilliant. Trevor is the ultimate Old Master' Evening Standard 'Beautiful. A flawless work of art' Independent on Sunday Readers of The Story of Lucy Gault and Felicia's Journey will adore Love and Summer. It will also be cherished by readers of Colm Toibin and William Boyd. William Trevor was born in Mitchelstown, County Cork. He has written eighteen novels and novellas, and hundreds of short stories, for which he has won a number of prizes including the Hawthornden Prize, the Yorkshire Post Book of the Year Award, the Whitbread Book of the Year Award and the David Cohen Literature Prize in recognition of a lifetime's literary achievement. In 2002 he was knighted for his services to literature. His books in Penguin are: After Rain; A Bit on the Side; Bodily Secrets; Cheating at Canasta; The Children of Dynmouth; The Collected Stories (Volumes One and Two); Death in Summer; Felicia's Journey; Fools of Fortune; The Hill Bachelors; Love and Summer; The Mark-2 Wife; Selected Stories; The Story of Lucy Gault and Two Lives.

"Two Lives offers two superb novels in one volume . . . as rich and moving as anything I have read in years. . . . Marvelous." --"The Guardian"
Presented here are two unforgettable short novels by acclaimed author William Trevor, both of which focus on women who retreat into their imaginations until the boundaries between what is real and what is not become blurred.
In "Reading Turgenev," an Irish country girl is trapped in a loveless marriage with an older man, but she finds release in secret meetings with a man who shares her passion for Russian novels. This novella was shortlisted for the Booker Prize.
The second novella, "My House in Umbria," tells how romantic novelist Emily Delahunty helps the survivors of a bomb attack on a train by inventing colorful pasts for her patients.

"A sensibility reigns here which is at once inquisitive and loving. . . . Trevor's is among the most subtle and sophisticated fiction being written today." --John Banville, "The New York Review of Books"
"A writer at the peak of his powers; Two Lives] reminds you what good reading is all about." --Anne Tyler, "Chicago Sun Times"
"One of the most beautiful and memorable things Trevor has written." --"The Independent on Sunday" (U.K.)

This vivid account of hustling in New York City explores the sociological reasons why con artists play their game and the psychological tricks they use to win it. Terry Williams and Trevor B. Milton, two prominent sociologists and ethnographers, spent years with New York con artists to uncover their secrets. The result is an unprecedented view into how con games operate, whether in back alleys and side streets or in police precincts and Wall Street boiler rooms. Whether it's selling bootleg goods, playing the numbers, squatting rent-free, scamming tourists with bogus stories, selling knockoffs on Canal Street, or crafting Ponzi schemes, con artists use verbal persuasion, physical misdirection, and sheer charm to convince others to do what they want. Williams and Milton examine this act of performance art and find meaning in its methods to exact bounty from unsuspecting tourists and ordinary New Yorkers alike. Through their sophisticated exploration of the personal experiences and influences that create a successful hustler, they build a portrait of unusual emotional and psychological depth. Their work also offers a new take on structure and opportunity, showing how the city's unique urban and social architecture lends itself to the perfect con.

This vivid account of hustling in New York City explores the sociological reasons why con artists play their game and the psychological tricks they use to win it. Terry Williams and Trevor B. Milton, two prominent sociologists and ethnographers, spent years with New York con artists to uncover their secrets. The result is an unprecedented view into how con games operate, whether in back alleys and side streets or in police precincts and Wall Street boiler rooms. Whether it's selling bootleg goods, playing the numbers, squatting rent-free, scamming tourists with bogus stories, selling knockoffs on Canal Street, or crafting Ponzi schemes, con artists use verbal persuasion, physical misdirection, and sheer charm to convince others to do what they want. Williams and Milton examine this act of performance art and find meaning in its methods to exact bounty from unsuspecting tourists and ordinary New Yorkers alike. Through their sophisticated exploration of the personal experiences and influences that create a successful hustler, they build a portrait of unusual emotional and psychological depth. Their work also offers a new take on structure and opportunity, showing how the city's unique urban and social architecture lends itself to the perfect con.

The stunning new novel from highly acclaimed author William Trevor is a brilliant, subtle, and moving story of love, guilt, and forgiveness. The Gault family leads a life of privilege in early 1920s Ireland, but the threat of violence leads the parents of nine-year-old Lucy to decide to leave for England, her mother's home. Lucy cannot bear the thought of leaving Lahardane, their country house with its beautiful land and nearby beach, and a dog she has befriended. On the day before they are to leave, Lucy runs away, hoping to convince her parents to stay. Instead, she sets off a series of tragic misunderstandings that affect all of Lahardane's inhabitants for the rest of their lives.

Title: Warblin's fro' an Owd Songster. With an introductory sketch by W. Trevor. Illustrated.]Publisher: British Library, Historical Print EditionsThe British Library is the national library of the United Kingdom. It is one of the world's largest research libraries holding over 150 million items in all known languages and formats: books, journals, newspapers, sound recordings, patents, maps, stamps, prints and much more. Its collections include around 14 million books, along with substantial additional collections of manuscripts and historical items dating back as far as 300 BC.The POETRY & DRAMA collection includes books from the British Library digitised by Microsoft. The books reflect the complex and changing role of literature in society, ranging from Bardic poetry to Victorian verse. Containing many classic works from important dramatists and poets, this collection has something for every lover of the stage and verse. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library Laycock, Samuel; Trevor, William; null 8 . 011652.g.8.

This scarce antiquarian book is included in our special Legacy Reprint Series. In the interest of creating a more extensive selection of rare historical book reprints, we have chosen to reproduce this title even though it may possibly have occasional imperfections such as missing and blurred pages, missing text, poor pictures, markings, dark backgrounds and other reproduction issues beyond our control. Because this work is culturally important, we have made it available as a part of our commitment to protecting, preserving and promoting the world's literature.

This scarce antiquarian book is included in our special Legacy Reprint Series. In the interest of creating a more extensive selection of rare historical book reprints, we have chosen to reproduce this title even though it may possibly have occasional imperfections such as missing and blurred pages, missing text, poor pictures, markings, dark backgrounds and other reproduction issues beyond our control. Because this work is culturally important, we have made it available as a part of our commitment to protecting, preserving and promoting the world's literature.

This scarce antiquarian book is included in our special Legacy Reprint Series. In the interest of creating a more extensive selection of rare historical book reprints, we have chosen to reproduce this title even though it may possibly have occasional imperfections such as missing and blurred pages, missing text, poor pictures, markings, dark backgrounds and other reproduction issues beyond our control. Because this work is culturally important, we have made it available as a part of our commitment to protecting, preserving and promoting the world's literature.

*WINNER OF THE WHITBREAD BOOK OF THE YEAR AWARD* *WINNER OF THE SUNDAY EXPRESS BOOK OF THE YEAR AWARD * From acclaimed author William Trevor, Felicia's Journey is a tightly woven psychological thriller 'A book so brilliant that it compels you to stay up all night galloping through to the end' Daily Mail You're beautiful, Johnny told her. So, full of hope, seventeen-year-old Felicia crosses the Irish Sea to England to find her lover and tell him she is pregnant. Desperately searching for Johnny in the bleak post-industrial Midlands, she is instead found by Mr Hilditch, a strange and lonely man, a collector and befriender of homeless young girls . . . 'Immensely readable. The plot twist is both sinister and affecting, and so skilfully done that you remember why authors had plot twists in the first place' Guardian Readers of The Story of Lucy Gault and Love and Summer will adore Felicia's Journey. It will also be cherished by readers of Colm Toibin and William Boyd. William Trevor was born in Mitchelstown, County Cork. He has written eighteen novels and novellas, and hundreds of short stories, for which he has won a number of prizes including the Hawthornden Prize, the Yorkshire Post Book of the Year Award, the Whitbread Book of the Year Award and the David Cohen Literature Prize in recognition of a lifetime's literary achievement. In 2002 he was knighted for his services to literature.

In the early morning of June the twenty-first, nineteen twenty-one, three arsonists -- shadows in the night -- arrive at Lahardane, the home of Captain Everard Gault, his wife, Heloise, and daughter, Lucy. The sheepdogs that alarmed the Gaults of previous trespasses had since been poisoned. On this occasion, though, it is a warning shot fired above the silhouetted heads that sends them retreating, saving the estate from being set ablaze. But blood speckles the pebbles of the approach in the dawn's light, implying that the Captain's single shot wounded one of the intruders.
Everard quickly learns the identity of the wounded -- a boy named Horahan -- and thereafter sets to make amends. His apologies and offers of restitution to the boy and his family are ineffective, however, and the Gaults realize then that further defiance to certain forthcoming attacks is senseless. "The past was the enemy in Ireland," writes Trevor. Protestant property was the common target in this time of insurrection and civil war, two years after Sinn Fein declared Ireland independent, and the Gaults had obvious British sympathies: Everard, a former British army officer; Heloise, an English wife and mother; Lahardane, an ancestral Irish property since the eighteenth century. It is too dangerous for them to stay. They too must desert Ireland like so many families before them.
Eight-year-old Lucy is never properly explained the danger of staying at Laharadane. It is the only place she has known; a place where the flow of streams around moss-covered stones, the bloom of the apple orchard, the pull of the sea's tide, and the fishermen on the shore are the very fabric of her being. So it is then, forlorn and mournful, that Lucy decides to run away on the night before her family's scheduled departure for England. However, when her parents find an article of her clothing on the shore where she frequently went swimming they fear the worst: that she has drowned.
Stricken by grief and remorse, devastated by guilt and blame, Everard and Heloise regard the plans they have made and retreat from Ireland. Windows are boarded, furniture is draped, and Lahardane is left in the care of their servants, Henry and Bridget. But almost as soon as the Gaults have left Henry finds Lucy -- alive, emaciated, her ankle broken and badly swollen -- in an abandoned cottage in the woods. The Gaults, however, have forsaken their intentions to relocate to England and have vanished into Europe. The trail following them is less than cold, their whereabouts critical yet unknown, and for thirty years this remains as they sojourn through France, Switzerland and Italy.
Henry and Bridget resuscitate Lahardane and take up custodial care of Lucy. As she matures, though, she also becomes more reclusive and insular. Children in the village refuse to play with her. She is stared at, spoken of in hushed tones and, over time, exiled. The anguish over her parents' fate wanes as the myth of hers similarly grows. She develops into a voracious reader and to a certain degree lives her life vicariously through the characters that populate the novels in her family's extensive library. It is by chance then that at age twenty-four Lucy meets a man -- Ralph.
Ralph, a young Englishman, arrives in Ennisealea to work as a tutor to the banker's sons for the summer. While on a drive, familiarizing himself with the Irish countryside, he happens upon Lahardane. Ralph and Lucy, upon meeting, are immediately enchanted with one another and Ralph, after his departure, can't let a thought pass through his mind that isn't of beautiful Lucy. Properly, he is invited back to Lahardane, as those closest to Lucy hold their breath and privately hope that Ralph will become her future suitor. Sadly, those hopes are dashed. The end of summer nears and so too does Ralph's tenure with the Ryalls, but not before he pronounces his love for Lucy. Lucy's self-reproach for the bisecting of her family weighs heavy, though. "She believed she had no right to love until she felt forgiven," and thusly she rejects Ralph's affection and proposal of marriage. His love unrequited, Ralph returns to his English home and shortly thereafter enters the war.
Guilt-laden, unbeknown to them that their daughter and home persevere, Everard and Heloise live a life in exile on the continent -- an exile both self-imposed and inflicted by Mussolini's war. It's not until Heloise contracts influenza and perishes that Everard resolves to return to Ireland and the home he left behind three decades previous.
Arriving at Lahardane, the Captain is astonished to find the house unsealed and tended. Yet he is more astonished to find Lucy alive; the daughter he thought for deceased now a grown woman. But Everard's return to a paternal relationship with Lucy is, logically, strained. Moreover, he feels undeserved of anything greater than the respect Henry and Bridget would extend to that of a stranger, for it is their house now -- as it has been since he entrusted it to their care with his exit in nineteen twenty-one -- and he is a phantasm. Still, Everard makes every effort to atone for his absence, for an adolescence and adulthood choked by his neglect, delinquency and taciturnity.
In the end, the forgiveness that Everard searches for is diminished by his daughter's redemption: Lucy has forgiven the arsonist wounded by his single shot. It was the young boy, Horahan, who many, many years ago put the tragic sequence of events in their lives into motion. But it is now the older man, after unrelenting nightmares of successfully setting the Gault estate ablaze, killing Lucy, who is driven to insanity.