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In The Art of Criticism, William Veeder and Susan M. Griffin have
brought together for the first time the best of the Master's
critical work: the most important of his Prefaces, which R. P.
Blackmur has called the most sustained and I think the most
eloquent and original piece of literary criticism in existence; his
studies of Hawthorne, George Eliot, Balzac, Zola, de Maupassant,
Turgenev, Sante-Beuve, and Arnold; and his essays on the function
of criticism and the future of the novel.
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