"There is no place like home." We all know the movie and storyline well. But have you ever read the original novel? Influenced by the Brothers Grimm and Hans Christian Andersen, L. Frank Baum created this classic story and fantasy using the dream of young Dorothy on her journey home to demonstrate the theme of good vs. evil. Throughout her adventure, she encounters several newfound friends: a scarecrow, a tin woodman, and a cowardly lion. They traverse the land of Oz together by following the famous yellow brick road to the stunning Emerald City. Though they encounter surprises along the way, what they find in the Emerald City shocks them. * This beautiful book comes with luxurious endpapers, a beautiful and stylish heat-burnished cover, and is a convenient 5 x 7 trim size for easy handling. * The immediate success of The Wizard of Oz inspired L. Frank Baum to write thirteen more Oz books. The Wizard of Oz is one of the best-known and most widely translated stories in popular culture. About the Word Cloud Classics series: Classic works of literature with a clean, modern aesthetic! Perfect for both old and new literature fans, the Word Cloud Classics series from Canterbury Classics provides a chic and inexpensive introduction to timeless tales. With a higher production value, including heat burnished covers and foil stamping, these eye-catching, easy-to-hold editions are the perfect gift for students and fans of literature everywhere.

For this study of Sir Philip Sidney, first published in 1915, Professor Malcolm William Wallace sought to examine all the previous manuscripts and published sources of information pertaining to Sidney's life. To this he added some significant details of Sidney's childhood, drawn from Thomas Marshall's book of accounts - a manuscript which Professor Wallace discovered at Penshurst and which he edited in an appendix to this volume. There is also a fuller disclosure of the intimacy of Sidney's relationship to the Prince of Orange along with various other points of some interest. The sum of these details helps to make this volume an important contribution to the study of one of the most enduring Elizabethan poets.

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

Walter Hallstein was among the great European visionaries. This is the first book length study of one of the key shapers of the European Community in its early years. The range of contributors include those who worked with Hallstein and have personal recollections of him, and younger historians drawing upon documents only recently available. The book contains sections on his contribution as State Secretary to post-war German foreign policy, his seminal role as the first President of the Commission of the EEC and the legacy of his work and ideas and later years as President of the European Movement.

Michaelangelo: Selected Readings is the long-awaited condensation of the five volume English article collection of Michaelangelo's life. Selections include: Life and Early Works; The Sistine Chapel; San Lorenzo; Tomb of Julius II and Other Works in Rome; and Drawings, Poetry and Miscellaneous Studies.

This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1912 edition. Excerpt: ... showing the interplay of life, there were increased demands for drama and more need of the poet or dramatist, even in embryo. Masques and pageants, the joy of her father's courtt though not at once discarded, rapidly diminished. During the first two years, masques were predominant.1 Thereafter, interludes and plays were requisitioned in increasing number. Herein, too, consonant with her love for dialogue, her well-known parsimony figured not a little, tending to eliminate expensive shows and to cultivate instead the less expensive and more delectable entertainment of dramatic performances. Her passion for drama was supplied at first by laureating Edwards, Farrant, and Hunnis with special privileges of presenting plays before her by the Court children, and by drawing upon the dramatic resources of Sebastian Westcott with the children of Paul's. Year by year these companies appeared before her. Still not even their increased numbers fully supplied the demands. Occasionally, even in her early years, she invited a company of men actors under patronage of some favorite lord. In 1564 were added the children of Westminster who appeared 1 See Table, infra, 199--200. occasionally thereafter, then in 1572--73 the Merchant Taylor's and the boys of Eton.1 The children of the Court were still the centre of dramatic activity and set the fashion on the basis of Court taste which all the other companies consequently followed. During the first fifteen years, up to 1573, the plays at Court were almost wholly by them and the other children companies who bent their old school drama out of recognition in deference to the demands of the royal audience for mere entertainment. Only eight times in that period did companies of men appear.2 Then, simultaneously...

In this first-hand account of the earliest days of settlement in the Canadian West, William Wallace conveys a sense of unspoken courage--the courage that was needed to make a fresh start in a strange new land.