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Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
for SATB (with divisions) unaccompanied The text for this
arrangement of the second of William Walton's Two Pieces for
Strings from Henry V' is based on the line 'Touch her soft mouth,
and part' from Shakespeare's Henry V (Act 2, Scene 3). Featured on
the Tenebrae Consort's CD Sun, Sea, Moon and Stars (released
January 2016), this melancholic setting is simple yet highly
effective.
Cello and piano reduction of Walton's Cello Concerto, based on the
edition published in the Walton Edition Violin and Cello Concertos
volume. Dating from 1956, the work was commissioned by Gregor
Piatigorsky and premiered by him the following year. Walton
regarded this work as the best of his three solo concertos.
Orchestral material is available on hire.
The Passacaglia for solo Cello, one of Walton's last works, was
commissioned by Mstislav Rostropovich and first performed in 1982.
The short Tema, published for the first time, was written in 1970
as part of a collective composition for the Prince of Wales.
A setting of a melancholy text by Phineas Fletcher for
unaccompanied SATB voices.
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