This book gives detailed and authoritative guidance on the mastery of this rewarding instrument. It is a practical manual offering beginner and expert alike a thorough and systematic treatment of every aspect of performance. There are many parts of the body employed in playing the bassoon - abdomen, mouth, tongue, fingers, and not least brain - and are described in turn and their proper use discussed both from a theoretical and practical perspective. Each section is followed by highly original practice routines. There is also advice on maintenance, how to practise, how to teach, and how to cope with the challenges of audition and competition. There are hints given on the performance of concertos by Mozart and Weber, a list of recommended solo repertoire and an extensive bibliography.

One of the most popular of Victorian-era painters, John W. Waterhouse (1849-1917) blended reality and fantasy, combining classical mythology and European legend in his dramatic portraits of wistful, long-haired maidens. This collection includes 24 of his finest works, among them The Lady of Shalott, The Soul of the Rose, and La Belle Dame Sans Merci.

for bassoon and piano
The editor relied on several versions to compile this arrangement, which includes the original figured bass line in the left-hand of the piano part.