Logics of Worlds stands as one of the most important texts in contemporary thought. Conceived as the sequel to Alan Badiou's Being and Event, the book expands upon and elucidates the questions that were posed in the first book. As a complex theory of worlds, the text has, for the most part, been misunderstood, but in William Watkin's diligent and critical close reading of the book, he makes the case for Logics of Worlds being the essential Badiou book for anyone interested in existence, meaning and the potential for radical change. For Watkin, this recasting of ontology is followed by a transformation of logic, which is not only a theory of being, but of appearing and allows Badiou to give new meaning to the object, body and relation. To do this, he explores these concepts through architecture, astronomy and renowned thinkers such as Kant, Hegel and Kierkegaard. For students of French Continental philosophy, ontology and Badiou himself, Watkin's commentary on the philosopher's text provides a brilliant and incisive new interpretation of this underrated work by the leading Continental philosopher of our time.

The first critical work to attempt the mammoth undertaking of reading Badiou's Being and Event as part of a sequence has often surprising, occasionally controversial results. Looking back on its publication Badiou declared: "I had inscribed my name in the history of philosophy". Later he was brave enough to admit that this inscription needed correction. The central elements of Badiou's philosophy only make sense when Being and Event is read through the corrective prism of its sequel, Logics of Worlds, published nearly twenty years later. At the same time as presenting the only complete overview of Badiou's philosophical project, this book is also the first to draw out the central component of Badiou's ontology: indifference. Concentrating on its use across the core elements Being and Event-the void, the multiple, the set and the event-Watkin demonstrates that no account of Badiou's ontology is complete unless it accepts that Badiou's philosophy is primarily a presentation of indifferent being. Badiou and Indifferent Being provides a detailed and lively section by section reading of Badiou's foundational work. It is a seminal source text for all Badiou readers.

This is the first complete account of all Giorgio Agamben's philosophical work on literature. While Giorgio Agamben is most widely known for his political philosophy, at least a third of his output is dedicated to unique, technical and revelatory readings of literature. Indeed, it is impossible to fully understand Agamben's overall movement towards a Messianic philosophy to come without knowledge of the role of poetry in his ontology. The Literary Agamben considers the totality of Agamben's detailed and varied work on literature and poiesis. Organised around three areas, language, poiesis and modernity, the book explains Agamben's theory of literary singularity in all its complexity. William Watkin details Agamben's particular 'ontological' take on linguistics, works through Agamben's definition of poetry as the tension between semantic and semiotic, and engages with Agamben's aggressive yet insightful critique of modern art as productively nihilistic. The book presents Agamben's overall conception of poiesis and its relevancy to future readings in literature, as well as an understanding of how poiesis forms the crucial third part of Agamben's overall philosophical system alongside the more widely disseminated terms 'exception' and 'potentiality'. "The Philosophy, Aesthetics and Cultural Theory series" examines the encounter between contemporary Continental philosophy and aesthetic and cultural theory. Each book in the series explores an exciting new direction in philosophical aesthetics or cultural theory, identifying the most important and pressing issues in Continental philosophy today.

Textual Layering: Contact, Historicity, Critique sets out to rethink our relation to textual tradition against the background of several contemporary developments, including the emergence of digital culture, the increasing spectacularization of psychic as well as social life, the renegotiation of historical thinking, and the precarious position of the theoretical humanities within academia. To this end, the volume re-invests the concept of "layering," a concept currently used in a wide range of fields, including metaphor studies and linguistics, cybernetics, the social sciences, art, and architecture. Drawing on existing definitions of "layering," the chapters in this book return to and re-appraise some of the most crucial concerns in the post-1960s theoretical scene: that is, concerns over the strained interplay between writing and the body; textuality and history; critique, differance and the feminine; memory, trace, and the immemorial. The aim of the diverse-often polemical-analyses carried out in this volume is to reactivate the critical force of textual tradition today through a renewed appreciation of its historical embeddedness, its libidinal sources, as well as its complex economy of separation and contact, diachronicity and synchronicity, (re)layering and de-layering. This collection will be of interest to scholars of continental philosophy, literary theory, gender studies, architecture, film and visual culture studies, psychoanalysis, postmodernism, post-colonial studies, and political and social theory.

Aylan, Isis, Begum, Grenfell, Trump. Harambe, Guantanamo, Syria, Brexit, Johnson. COVID, migrants, trolling, George Floyd, Trump! Gazing over the fractured, contested territories of the current global situation, Watkin finds that all these diverse happenings have one element in common. They occur when biopolitical states, in trying to manage and protect the life rights of their citizens, habitually end up committing acts of coercion or disregard against the very people they have promised to protect. When states tasked with making us live find themselves letting us die, then they are practitioners of a particular kind of force that Watkin calls bioviolence. This book explores and exposes the many aspects of contemporary biopower and bioviolence: neglect, exclusion, surveillance, regulation, encampment, trolling, fake news, terrorism and war. As it does so, it demonstrates that the very term 'violence' is a discursive construct, an effect of language, made real by our behaviours, embodied by our institutions and disseminated by our technologies. In short, bioviolence is how the contemporary powers that be make us do what they want. Resolutely interdisciplinary, this book is suitable for all scholars, students and general readers in the fields of IR, political theory, philosophy, the humanities, sociology and journalism.

Since the publication of Homo Sacer Giorgio Agamben has become one of the world's most revered and controversial thinkers. His ideas on our current political situation have found many supporters as well as garnering strong criticism from some quarters. While his wider thoughts on topics such as language, potentiality, life, law, messianism, power, and aesthetics have had significant impact on such diverse fields as philosophy, law, theology, history, sociology, politics, cultural and literary studies. Yet although Agamben is much read, his work has often been misunderstood. Agamben and Indifference aims to provide clarity around all the vexing issues that have been associated with Agamben's philosophy over the last two decades or more. The book is the first to fully take into account Agamben's important recent publications, which clarify his method, complete his ideas on power, and finally reveal the role of language in his overall system. Commenting in detail on these recent books alongside re-readings of the central texts from across Agamben's career, William Watkin presents a critical overview of Agamben's work that aims to give a portrait of exactly why this thinker of indifferent and suspensive legal, political, ontological and living states can rightfully be considered one of the most important philosophers in the world today.

Aylan, Isis, Begum, Grenfell, Trump. Harambe, Guantanamo, Syria, Brexit, Johnson. COVID, migrants, trolling, George Floyd, Trump! Gazing over the fractured, contested territories of the current global situation, Watkin finds that all these diverse happenings have one element in common. They occur when biopolitical states, in trying to manage and protect the life rights of their citizens, habitually end up committing acts of coercion or disregard against the very people they have promised to protect. When states tasked with making us live find themselves letting us die, then they are practitioners of a particular kind of force that Watkin calls bioviolence. This book explores and exposes the many aspects of contemporary biopower and bioviolence: neglect, exclusion, surveillance, regulation, encampment, trolling, fake news, terrorism and war. As it does so, it demonstrates that the very term 'violence' is a discursive construct, an effect of language, made real by our behaviours, embodied by our institutions and disseminated by our technologies. In short, bioviolence is how the contemporary powers that be make us do what they want. Resolutely interdisciplinary, this book is suitable for all scholars, students and general readers in the fields of IR, political theory, philosophy, the humanities, sociology and journalism.

Title: The Fall of Carthage. A tragedy in five acts and in verse]. With additions, etc.Publisher: British Library, Historical Print EditionsThe British Library is the national library of the United Kingdom. It is one of the world's largest research libraries holding over 150 million items in all known languages and formats: books, journals, newspapers, sound recordings, patents, maps, stamps, prints and much more. Its collections include around 14 million books, along with substantial additional collections of manuscripts and historical items dating back as far as 300 BC.The POETRY & DRAMA collection includes books from the British Library digitised by Microsoft. The books reflect the complex and changing role of literature in society, ranging from Bardic poetry to Victorian verse. Containing many classic works from important dramatists and poets, this collection has something for every lover of the stage and verse. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library Watkins, William; 1802. 8 . 163.k.15.

This scarce antiquarian book is a selection from Kessinger PublishingAcentsa -a centss Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for e

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!